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warwickhunt

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Everything posted by warwickhunt

  1. I believe @walshy knows a 'man with a van' that hand delivers. It could be an option for delivery but not UPS/DHL etc.
  2. 400 Watt bass cabinet for stage and studio use featuring a great sounding dual-concentric driver Vertically stackable with other RS range cabinets for uncompromising full-frequency sound Compact and lightweight bass cabinet design Dual-concentric main driver fits a tweeter inside for a touch of sparkle 2 x 10" custom Eminence* drivers for deep fundamental bass tone 1" titanium diaphragm tweeter with 1.5" aluminum coil for increased percussive attack and definition Dual speaker link connections on premium Neutrik speakON* connectors (8 Ohm impedance) L-pad control lets you adjust the perfect amount of high-end detail Stylish anti-skid covered plywood cabinet designed for toughest life on the road I think this might be the third set of these that I've owned as such I may need to be forgiven if I decide to change my mind! Cab is in good used condition but does have a few scuffs, scrapes etc in line with general useage. I have a TC cover to go with it. Sadly due to size and weight it'll be collection only. I also have a matching TC112 for sale and I'd do a deal on the pair... or even more discount if you buy the matching TC Staccato 51 I'm selling.
  3. I bought this off @walshy at the start of Lockdown 1.1 and I've probably gigged it 10 times... in fact @wateroftyne may have gigged this amp more than me recently! Since buying it I've tried the IEM route and have in fact come full circle back to my favoured brand Thunderfunk! Loads of threads on BC re. these amps and please believe me, I play in a LOUD band and this amp is easily loud enough to contend with any situation. The amp is in excellent condition and no damage or issues. I think I'm going to have to insist on collection only due to the fact it is all valve! They say... WB-100- all-tube bass amplifier. A no-compromise bass head… in a compact package. The WB-100 has been created for demanding bass players who want to experience the unmistakeable power and authority you can only get from an all-valve head. Need clean? Warmth? Crunch? All your tonal needs are at your fingertips. The WB-100 will reward you with a heft and a tactile response that will support your band like never before. Unlike many other tube heads, the WB-100 is compact and easily portable. It’s hand-built here in Poland, without compromise. With 120w of all-valve power on-tap, the WB-100 can handle any live situation. DESCRIPTION. Preamp: 3x ECC83 tubes (3x12AX7) Power amplifier: 4x6L6 tubes 120W output Front panel: James-style tone stack: two-band EQ (Bass, Treble) and a passive Contour filter. No mid control needed! Bright switch Drive switch: introduces a crunch, useful for heavier genres 3-position FEEDBACK switch (Funk/Rock/Pop): changes the feedback and frequency response of the power stage, allowing quick tonal changes DI (XLR) with LINE OUT function, wired to the audio transformer. This provides galvanic separation, like a passive di-box DI is switchable to Pre/Post, with an optional -6dB pad switch Rear panel: 2 x speakon connectors (one 4ohm, the other 8 Ohm) IMPORTANT NOTE: do not connect two speaker cabinets with different impedances at the same time. The sum of the impedance of the cabinets must be adapted to the particular loudspeaker socket) Dimensions: WxHxD- 460x185x340(mm) 181x72,8x133,8(In) WEIGHT: 16kg/35.3lbs)
  4. They say... Sterling by Music Man, is for players seeking Music Man vibe and performance at a more affordable price. The SB14 is an accurate version of the popular MusicMan Sterling model and made without compromise in craftsmanship and materials. Each instrument is inspected, setup, and actually played before it is released. The Sterling SB14 has a basswood body that delivers warm tone with great sustain. Like the Music Man model, the smaller body is comfortable and easy to hold during long gigs. It features a Music Man-designed active preamp that is dead quiet and allows precise cut/boost control of bass, mid, and treble frequencies. The Music Man-designed bridge has thick saddles for stability and precise slotting that guarantees no sideways string movement during heavy playing. SB Series bass pickups utilize a 3rd hidden coil for hum cancellation. You can also switch from single-coil or humbucking mode and get all the tonal goodness without the hum and noise. Sterling by Music Man SB14 Bass Features Body: Basswood Neck: Maple Fingerboard: Rosewood 21 Frets 6-bolt MusicMan designed neck joint Pickups: MusicMan Humbucking with ceramic pole pieces and hum-canceling phantom coil MusicMan Designed 3-band Active Preamp: Volume, Treble, Mid, Bass MusicMan Designed Bridge with stainless steel saddles 34" scale Open gear heavy duty tuners Spoke Wheel truss rod adjustment This is 'probably' the best copy that Ernie Ball/Musicman have done of one of their own basses; it mimics a USA Sterling bass pretty closely. Condition is excellent and no dings or dinks that I can find. Comes with a gigbag (not Musicman). Happy to ship it if the buyer pays full insured courier costs. 'Possibly' take a trade on it but... PLEASE do not message me with bits of kit that I can clearly find on BC / eBay / FB for £200 and tell me it is worth £1000, I'm not daft and I know how to search for relative values. Likewise '1 off' custom orders that you may well have paid £3000 for but sadly the average bassist values at £500, I can't give you £2000. Sorry it is better if I'm just up front about it rather than waste anyone's time. Vintage Warwick basses will always float my boat, likewise unusual esoteric brands, so I'm happy to put money to a trade that interests me. I'm partial to a light weight bass so anything that you 'estimate' to be over 9lb (and will likely be 10lb+) isn't of interest. Be sure to message me with offers and not directly on this thread.
  5. G&L Tribute L2000 bass Body: Swamp ash Neck: Maple Fingerboard: Brazilian Cherry Nut width: 42.9 mm Fretboard radius: 305 mm (12") Scale: Long scale 21 Frets Pickups: 2 Leo Fender designed G&L MFD Magnetic Field Design humbuckers, made in Fullerton (CA, USA), Controls: Volume, Treble Boost/Cut and Bass Boost/Cut 3-Way PU selector switch Electronics: G&L designed Tri-Tone active/passive Serial/parallel switch Preamp control switch (Off/On/On with Treble Boost) Leo Fender designed Saddle-Lock bridge Colour 3 Tone Sunburst Happy to ship it if the buyer pays full insured courier costs. 'Possibly' take a trade on it but... PLEASE do not message me with bits of kit that I can clearly find on BC / eBay / FB for £200 and tell me it is worth £1000, I'm not daft and I know how to search for relative values. Likewise '1 off' custom orders that you may well have paid £3000 for but sadly the average bassist values at £500, I can't give you £2000. Sorry it is better if I'm just up front about it rather than waste anyone's time. Vintage Warwick basses will always float my boat, likewise unusual esoteric brands, so I'm happy to add money to a deal for a bass I want. I'm partial to a light weight bass so anything that you 'estimate' to be over 9lb (and will likely be 10lb+) isn't of interest. Be sure to message me with offers and not directly on this thread. Pretty much new condition with no dings or dinks that I can find. Comes with a decent gigbag (not G&L).
  6. Potentially the last bump before it goes for commission sale (along with a brace of my other basses).
  7. Lovely bass! I've had a couple and they have a very unique look and sound.
  8. Not a BCer. FB time waster with a broken car, burnt out washing machine AND broken phone... how unlucky can you get?
  9. No longer on hold... no payment forthcoming.
  10. Nope. He does go through FOH but also has an RCF PA cab as a monitor.
  11. Handbox WB100 (actually 120w but who's counting. I play in a 'LOUD' band and the Handbox copes with a drummer building a shed and a guitarist using a 750w monitor.
  12. Got all confused when I saw a Ltd Spector for sale on FB and it looked identical but had a single P pup... then I realised this is a 79 edition and the other is a 77. Mystery solved.
  13. 250W RMS (500W clean) means very little regardless of who is stating it as they are nominal ratings based upon the manufacturers parameters. There isn't a 'standard' that every producer of musical equipment HAS to adhere to, they can all manipulate the figures by selecting certain frequencies and tolerances of distortion etc (as @Downunderwonderstated). Saying that... RMS is a rating which we should all be able to use as a benchmark/guide and is a generally accepted term. Your issue might be that the figure quoted would allude to the fact that Alex knows that what some manufacturers call 500W is actually a lot less than that, possibly as low as another manufacturers 250W (or vice versa) and could be allowing for the difference between a solid state and a valve amp (I'm not trying to say valve watts are louder but the delivery is different). re. plugging your amp into the cab - go for it! You could plug an amp rated at 1000W RMS Clean @ 8ohms into it and you'd not blow it up... unless you were stupid enough to try and run it flat out which you couldn't/wouldn't do! I've ran 1000W amps into 200W cabs with absolutely zero negative effect because I've used my ears PLUS an amp rated at 500W @ 8 ohms will only push out that for short periods and nobody ever runs an amp at max capacity. Plug it in, turn it up slowly to required volume and listen for farting; if it farts turn it down or adjust your EQ (less lows to start with).
  14. The bass is located about 5 miles away from me and I've pondered on it for a few weeks but I just know the thing is going to be 10-12lb all day long.
  15. I'll need to do a new group shot! 5th Anniversary Streamer 1991 red SSI 1990 purple SSI 1990 green SS! 1991 Dolphin Pro II 1991 Infinette
  16. I've seen a few of those advertised over the years but they must weigh a ton! A thumb is generally a solid 9-10lb bass but that is the same woods and bigger again + it is 26 frets.
  17. Sadly I've had experience of this... on more than one occasion. I actually depped for a band with zero rehearsal (very short notice) and despite the band being established, there were times when they were looking to me for guidance on where songs went! Goodness knows how they got by unless their regular bassist was the only one who knew what was going on... quite likely in fact. I've nothing against a bit of interpretation but down right laziness is another matter.
  18. Blimey, been playing bass 40+ years and owned some of my basses for 30 years and I've never once oiled/greased my tuners... I can only imagine how good they'd be if I had!
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