ASW

A difficult situation, but in my opinion, changing key in the middle of the song is probably the worst option. I would have transposed on the fly, but maybe simplified the bass line if necessary and kept to roots. If this is likely to happen again, there are a few options, such as a note on the set list to remind everyone what setting the pedal should be on. Or you could buy a drop pedal too so you could easily transpose.

The sound quality isn't as bad as I was expecting. There's a lot of reverberation from the hall but otherwise reasonably clear. The bass solo isn't that bad either! I'm not sure the name of the song and band matched the music though! I'll have to dig out some old tape recordings...

I've had quite a successful year in that I like everything I've bought so far. Ibanez Ehb1506ms: Lightweight, sounds good, very easy to play and I find the higher strings much easier to play when reading music as I don't have to jump about so much. Durham Electronics Sex Drive: A very light boost pedal which seems to make everything sound better. It has some subtle compression settings on it too. They are designed for guitar, but a couple of friends have used them for bass for years, so I had to try one! I use it for guitar and bass gigs. Shure Glxd16+: I wanted a wireless to make sound checks easier, especially when the bass is not going through the front of house PA. It's difficult to know how it sounds in the room if you're tied to the amp with a cable. It works flawlessly, is rugged and sounds indistinguishable from a cable. Aguilar Tone Hammer 500 v2: I'm still getting used to this as I changed the cab I'm using at the same time as the amp. It has just the right number of controls. It's simple, but with enough variation available to find the sound I'm after. I prefer a more vintage sound, so this suits me well. Barefaced One10: I had the Big Baby but there was something about the sound of it I didn't like. It was almost too good! I'm quite lazy too, so the idea of having a cab (or two) that I can carry with extreme ease appealed to me. They sound great and round off the edges of the sound rather than being too transparent (which hides more poor technique perfectly)! I would like the option of more highs though, so am on the lookout for one with a tweeter... and then I'll use all three together! Fender Tony Franklin fretless Precision: I bought this on a whim from a local auction. I've never played fretless before, but thought if I'm going to get one, may as well be a half decent one. I was surprised by how much easier it is to play than I expected (much like the Ibanez 6 string). It also sounds amazing too, so I'm cconsidering switching to this from a fretted Jazz Bass for one band I'm in. It's quite light too which is a bonus! Phil Jones Bass X4: I wanted something small for home practice and this seemed to fit the bill. It's a bit too clean sounding for my liking and even rolling the treble off completely, it's still too bright. It's the worst purchase this year, but still ok. However, the next item fixes the issue... Origin Effects DCX Bass: A nice tone shaper and overdrive if required. I use it straight into studio monitors or into the Phil Jones Bass X4 and like the interaction between the controls and the subtle compression that adding a bit of drive gives. I've decided not to buy anything in 2025 though except the aforementioned Barefaced One10T if one comes up for sale.

This isn't too far from where I live. I'm surprised it was a BMW driver. They're usually very careful and extremely courteous to other road users and pedestrians. I suppose it added to what I assume was already a memorable night.

A Barefaced One10 cab arrived from Bill yesterday. As well as the Cab being in perfect condition, it was packaged extremely well to avoid any damage. It was a pleasant and easy transaction overall and I'm very happy with my new cab. Thanks Bill!

I had this Bass VI for a couple of years. I probably played it half a dozen times. I had good intentions to do something interesting with it in a band, but it never came to fruition. I have recorded with it though doing a baritone riff and it sounded great. I echo other's feelings that the string spacing is too tight to be used easily as a main instrument fingerstyle if you are used to more typical spacing. I have since purchased a 'proper' 6 string bass that is more like a standard bass guitar string spacing, but with an added lower and higher string. Much easier to play despite the wide neck (especially if you are used to 5 strings). So much so that it's my main player now. It really depends what you want out of the instrument and your expectations as to whether a Bass VI will be any good.

I also find it helps to make sure the drummer is doing their bit to fill out the sound during more intense sections of songs like the solo to the Darkness song. A few extra hits on cymbals or opening up the hi hats can make all the difference.

I was speaking to the bass player from the band The Answer once after a show they played. They had 1 guitar, bass, drums and vocals and had quite a big sound. The bass player used a delay pedal to thicken up his sound. I think it was always on and if I remember correctly, it was a very short delay (perhaps. 20-50ms) with the feedback level down to its lowest setting (i.e. giving only one repeat). It's probably worth a try along with the other suggestions.

Thanks, that's good to know. I'll have to try one out at some point.

Absolutely. If it was a 1505f, it would have Nordstrand pickups too. I've yet to try the Bartolinis but it appears more people than not dislike them or prefer the Nordstrands. On another note, I had a look at the 1005f at Peach and the weight is stated as 7lb 14oz, compared to my 6 string with frets which is 7lb 11.5oz. Still light, but interesting to me that less strings, smaller pickups and removal of frets makes a heavier bass. I wonder if it's the different woods and richlite board used or just the variations in each bit of timber.