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Shaggy

⭐Supporting Member⭐
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Everything posted by Shaggy

  1. I think it was a Hondo, and Bruce Foxton started with an Ibanez Ric-alike.
  2. Diamonds on the soles of her shoes - Paul Simon
  3. The Banana Splits were the original furry prog rockers of course - I think they were Vox endorsees back in the ‘60’s; confusingly the hippy lion bassist’s bass looked suspiciously like a guitar, but seen sporting some sort of Jazz bass in the recent movie spin off......
  4. (It wasn’t, I tell ya.....) Before you accuse me - Bo Diddly / Eric Clapton
  5. Love in a void - Siouxsie & the Banshees
  6. Lol don’t worry Chris, when you’re ready I have a Mesa Diesel 1516 cab with your name on it...... Yup, I don’t think you could find a pleasanter spot for a meet up than the Harbourmaster on a sunny day. All well cheers, likewise hope alls well with you, Mrs Beedster and the Beedster gals
  7. Diolch yn fawr! 🙂 Did I buy it from you John? I recall a meet many years ago in Carmarthen.......
  8. It's a Warmoth, specifically with a neck pocket routed to take a Fender neck (the Epi one is slightly slimmer), and original p/up routes were for P/J. (you could order any format / facing you liked). Unfortunately, I think Gibson have now stopped Warmoth making them.
  9. Good score and great project Maude; I once saw the guitar version of this which had the body totally covered in textured faux snakeskin! It seems to be a feature of German basses and guitars of this era that the strings run almost parallel from nut to bridge, such that there is very little taper on the neck. I had a Framus Grand Star jazz guitar just the same. Or maybe it was a European thing?
  10. Lol, thanks for saying so bassaussie, but if you look at the build diary sub-forum you’ll see projects far more ambitious than mine, there are BC-ers who are proper luthiers........
  11. I’ve sourced everything for my builds on here and eBay; if you’re not in a hurry and keep a project on the back burner, then eventually something you want will turn up cheap. That said, often the specific parts I need are only available in (eg) the US, and not cheap. As I’ve said, I don’t think I’ve lost money on mine over the years, but best to build just for yourself and avoid thinking about resale value. One I forgot about (and still own) just to show bitsas don’t have to be Fenderesque - this was acquired as a nice bitsa P/J Fenderbird from a local BC-er, and gradually morphed into a “Mike Lull-type” custom Thunderbird with every component except body replaced: Warmoth one-piece mahogany body with book-matched cocobolo top. MIK Epiphone T’bird neck 1980’s Gibson logo Schaller M4S tuners (as on Victory bass) Dual Thunderbucker ‘66 pickups imported from US (cost probably over twice everything else put together, but fabulous pickups.....) Solid brass ‘60’s type bridge & tailpiece (also from US)
  12. A couple of my previous builds: custom fretless "Stingray" build around a 1980 MM Sabre neck that I'd put an African blackwood fretless board on (the original fretted rosewood board had split); body cut and routed from a solid plank of Bubinga, with quarter inch Thuja burr facing. Neck plate and cavity covers cut from solid brass sheet; battery cover is hinged. Seymour Duncan MM p/up and circuit. Nice, but I made the body too thick, so it weighed a ton........ Also pic of a P bass bitsa build around a 1979 MIA Fender ash body; originally built with a '79 Fender fretless maple neck on, but pictured with a MIJ RI fretted rosewood one.
  13. Hot pants - B52’s (also with a shake........)
  14. When I see an elephant fly - Cliff Edwards (from “Dumbo” movie)
  15. Being totally superficial; these are worth it simply for the cool factor of the UV lit facia on stage. Love mine Wont be around long; GLWTS
  16. That’s horrible. I love it.
  17. Good thread. For me, making bitsa basses has been one of the most rewarding things about taking up bass, and maybe it was inevitable given my nerdish predilection for putting together Airfix models when I was a kid (I still have a boxed HMS Victory kit in the garage waiting for an idle weekend; bought close on 40 years ago......) I certainly haven’t made any money on it but usually recoup costs when selling on, and doubt I’ve ever built the “holy grail” of basses, but it’s immensely satisfying - no element of it is particularly hard - and you can put together that dream bass that’s always been in your head. For me, it inevitably starts around a single part that I acquire often for no particular reason (usually on BC) - for the most recent P bass build (pictured) it was the Oly White body, so the plan became a ‘70’s type Dee Dee Ramone / Paul Simonon type bass, fitted with the very nifty Stellartone Tonestyler. Current build started with a pair of Celinder Jazz p/ups acquired for a mere tenner, so it’ll be a more boutique type J bass (I’m French polishing the body at the moment, whilst watching the rugby.....) Once you’ve got the bitsa bug you’re hooked...... edit: meant to say that apart from Chris’s 3 basses FS that I’d commented on; this one was the most impressive I’ve seen in recent years, you’d be pushed to find a kosher Fender this nice:
  18. Not called Helga, by any chance? But fully agreed that it’s a much flatter playing field for electric instruments than acoustic. These days I generally play a mid-range Warwick Streamer in preference to some of my higher end instruments (eg an Alembic S1 and a pair of Wals) as it sounds fine, and sits so comfortably in my hands that I don’t have to think about it. But when it comes to flamenco guitars (which I’ve played for almost as long as bass) my 50 year old Contreras is like a living, breathing thing compared to almost anything else I’ve played. You couldn’t buy a cheap one.
  19. There was a fabulous looking Enfield Cannon FS on this forum a couple of years back that I was seriously contemplating pulling the trigger on, but I sounded out a BC-er who I knew had owned one, and whose opinion I’ve come to value. He said they were beautifully engineered and finished basses, but the pickup switching options were almost too OTT - as with most basses one ends up using only one or two settings - and also battery drain was relatively high. He’d moved his on. Just opinion mind, and they seem to have found a solid niche in the market.
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