Shaggy

[quote name='Beedster' timestamp='1336591369' post='1648156'] We live in parallel worlds (with Clarky)! [/quote] Lol - ain't that the truth! Couple more bumps before I keep the old girl, grow a mullet, and join a Kajagoogoo tribute band....

[quote name='andybassdoyle' timestamp='1336591396' post='1648157'] I used to use one of these. Great fretless emulator. Barg for 200 with the pickup.... [/quote] Thanks Andy, and yup - the fretless and the acoustic upright patches are remarkably good!

Bump

Thanks Chris - Seems to be a glut of decent cheapie basses FS here at the moment! Enjoy that Mesa 400, recently acquired a Mesa D-180 myself and looking out for another 1516EV.....

Blimey....one day and on page 4 already! Anyone looking for a nice back-up 4-stringer couldn't do better than this

I recently bought this here, thinking as a total-effects noob it would be the all-singing all-dancing single multi-effects solution – and it is – but rather confirmed that I’m a stick-in-the-mud plug-in-and-play bassist. The range of sounds is astonishing, especially with the dedicated GK-2B pickup, and to my ear the COSM bass and amp modelling patches are spot on. I won’t go on about what it does as there’s plenty on the net about it, but it’s worth emphasising that it’s a fantastically practical unit for live use – rugged metal case and pedals, rapid access to the 100 patches using the footswitches – you can cue the next patch to be ready at a single press of the pedal whilst still using the previous patch setting. Also incorporates a decent tuner, that can be accessed either via footswitch or a button on the GK module fitted to the bass itself. DI out, so it can be used as a pre-amp in an amp-less set-up direct to desk and / or power amp. In great nick – full system with console, GK-2B pickup, dedicated lead, and manuals. For a quick sale - £200 collected (Swansea) or £210 posted. Now SOLD

So, you’d like a nice ash body, maple neck Precision. But hold on a sec……. what if it was neck through, with a nice rounded neck heel rather than that awkward boxy bolt-on heel. No more faffing about with neck shims either. More sustain too - in fact bung a brass nut on as well to improve it even more….. And how about an added J pickup at the bridge….be able to mix a bit of Jazz bass bite / burp into that deep P bass growl…. If fact make both p/ups Bartolinis, hi-fi articulate but do the vintage tone too Oh, and swap the BBOT bridge for something decent – how about a Badass? Then lastly…….make it dirt cheap Well, this has been my working gigging bass since completion (see http://basschat.co.uk/topic/166437-satellite-back-in-orbit/page__p__1522939__hl__orbit__fromsearch__1#entry1522939 ), but I’ve got my eye on something else I want - purely from a “band image” perspective. Since the thread above I’ve put in a proper circuit (taken out of a Squier P/J) – so controls are master vol, and p/up blend with centre detent. The passive tone control pot is taped up (set to full) in the control cavity – I never use it, and wanted to keep the front 2-conrtol only, but the potential is there to fit. Also I replaced the control knobs with solid brass for that ‘80’s-tastic look, but if anyone prefers the Bakelite ones I can change them back. Pros; Instantly familiar Fender Precision feel and playability (I’ve got a ’65 P so I should know…) Nice straight neck, low action, very little fret wear. Poly finish in good shape bar a couple of body dings. Tone is just superb ( I won’t say AWESOME - lol – but it is!). Boutique bass territory, no question.. No-one else will have one like this…. Cons; Heavy-ish; I don’t have any scales, but it’s equivalent to an ash-bodied ‘70’s Fender or my old Ibanez Musician One bridge locating screw sheared off. Bridge is rock solid with the other 4, so I haven’t bothered drilling it out. In my haste to fit the bridge Jazz p/up I didn’t drill pilot holes for the locating screws. Result; two sheared off as the wood was so hard. There’s actually just enough play in the p/up-cavity fit to drill new holes just alongside, but as it’s sitting totally stable at just the right height, again I’ve left as is. A couple of screw holes in body for p/up and bridge covers filled in and lacquered over. £160 collected (Swansea) for it with a decent generic chrome “high mass” type bridge (see the pic of unstrung bass) or £200 with the Badass II.. *SOLD* Sorry Shonks for the late edit, thought I'd done.....

If it plays like butter, has mojo by the ton, is a Fender/Gibson/Ricky-killer, and has a headstock break that's repaired to make it even stronger than before and you wouldn't notice it anyway, then I'm def interested..... Trade for some spangles and a sherbet dab?

Fabulous basses, and good price for one of these. I've got no. #23. Just glad it's not the fretless model, as I'd have somehow had to buy it.....

As the Boss said in Cool Hand Luke; "What we have here is a faliure to communicate....." To be fair to vax2002 he makes some valid points, and this is definitely what the trade euphemistically call a "player's bass" - which is great as alomost everyone on this forum IS a player (rather than collector); I've bought and sold many such basses here. Given an all-original '73 4001 would go around the £2K mark, the rather drastic rule of thumb of re-fin halves value easily makes this worth a grand even allowing for a re-fret, and I'd have this in a heartbeat for asking price. Having modded a 4003FL (now chez Beedster) I know the pickups alone cost would cost £400 - and that's for a reissue toaster whereas this is proper vintage. The horseshoe bridge p/up is a hugely desirable mod; this is not only near CS model spec but a proper 40 year old Ric. Donny's an ace guy to deal with too - had my early '73 chequerboard/plexi FG 4001 off him and loving it.

SOLD subject to payment

El Bumpo...

Putting my Eden 410-XLT up for sale; I had this a couple of years ago to pair with my regular gigging head (an Eden VT.40) as a back-line option, but as I DI live using a small compact cab for stage monitoring it's never once been out of the house! USA-built model, rated 700W, 4 ohm, variable tweeter, in excellent nick with Roqsolid cover (which it's always been in) These are lovely cabs, known for being able to reproduce a huge amount of really tight low end (oo-er...) for a 4 x 10". There are sockets on the bottom for the optional removable castors. Specs here; [url="http://www.eden-electronics.com/products/cabs/indiv/d410xlt.asp"]http://www.eden-elec...div/d410xlt.asp[/url] Looking for £275 collected - no trades, sorry Ta, Greg

Bermp.......

[quote name='billyapple' timestamp='1334508083' post='1616997'] Shaggy, you are in luck. I've got a very special tin of black [s]emulsion[/s] tolex paint. Very rare and exclusive, only half a tin left, should cover most of this lot. Yours for 75 quid. [/quote] Hmmmmm......as long as it's neodynium paint and not conventional, as the latter would push the overall weight above the 35.0000001 Kg threshold at which my spinal column would spontaneously deconstruct......... But bump for a fab rig; I had one of the original '70's 100W heads back in the early 80's - monster tone and cool as fcuk.

Thanks for the info dannybuoy and billyapple - learned something today!! If only it was black.....

Lovely bit of kit!!! At the risk of being thick; how does a sealed cab differ from a standard ported one? (in terms of sound, matching to heads etc)

Well I kind of assumed it's 4u as it looks 4 x taller than the 1u pre-amp........ it's 6 and 3/4" (17.5 cm)tall anyway Did you buy Stacker's v64 Ric then? Tasty........ Edit - now TRADED - thanks