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Everything posted by WHUFC BASS
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Well, offer was accepted - £350 + postage which seems reasonable. I'll let you know my findings. I'll be using it was an Ashdown ABM 6x10. Thanks!
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Just made an offer on a GK 1001RB Mk II. I'll let you know how it goes.
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Thanks for all the comments fellas. I think I'll have to get a GK just to see how good they are in the flesh. Very impressed with the demo of the Legacy heads although it might just be out of my budget at the moment. That's pretty much the route I've trod. What's your opinion on the GK 1001RB Mk II ?
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I've read their book and yes... they were deffo miming . They were all roaring drunk from the free booze the BBC had supplied, especially the bass player Vince Reardon. The guitarist threatened to knock out Steve Wright after the show and they all had to jump the barriers at White City station as they had no money to get home.
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They're due to be in the UK in late July according to Andertons: https://www.andertons.co.uk/bass-dept/bass-amps/bass-amp-heads/solid-state-bass-amp-heads/gallien-krueger-legacy-1200-1200-watt-bass-amplifier
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Trouble is, Yorkshire people are tight as chocolate starfish and won't spend Christmas so I doubt he'll sell much ! 😂😂
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Been reading a lot about Gallien Krueger Amps lately and hearing only good things. I'm currently using an Ampeg SVT3 through an Ashdown 6x10 and it's great. I've got a Genz-Benz Shuttle 6.0 as a backup which sound great but my Spectors cause some severe clipping due to the super hot Tone Pump (I have to have it almost turned off to prevent clipping). Does anybody have good things to say about Gallien Krueger Amps ? Specifically the class D stuff like the Fusion or the MB range.
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He definitely used one back in the day ...
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Cockney Rejects, Vince Reardon used a Thunderbird: You've also got Mike Watt from the Minutemen who used a Thunderbird Tripp Underwood of The Unseen Krist Novoselic of Nirvana
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Bruce Foxton in the early days it was always a Rick. Later with SLF and From The Jam on a Precision maybe but it was always Ricks and a Musicman. Precisions were synonymous with Punk - Paul Simmonen Jean-Jaques Brunel Sid Vicious Dee Dee Ramone Glen Matlock to name just a few of the iconic bassists. There were loads more.
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That's funny, I always associate them with Lemmy, Bruce Foxton and Paul McCartney and that's about it. They weren't that popular (certainly not as popular as Precisions). In fact, I'd go as far to say that they weren't even as popular as Gibson Thunderbirds.
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Nowhere near popular back in the 80s and even today in the punk scene. As was pointed out it was (and is) usually a mix of Precisions, Precision knock-offs and LTDs.
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Nice one. Aa I mentioned on another thread, if you swap the pre-amp out for an EMG BTQ pre then it'll transform the sound of the bass completely and improve it no end. The Tone Pump on the Rebop isn't the greatest of pre-amps and many people rip them out and replace them ASAP. Can't get over what a bargain that was. They usually go for at least £500
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That's a proper bargain. That's even cheaper than some of the Korean made Spector Legends. How does it play and sound?
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Ah - was that one from Brighton? I looked at that on Gumtree and thought about buying it but really can't justify another 4-String. If it was a 5 string, I'd have probably pulled the trigger.
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Ah apologies, I missed the stacked knob arrangement on your bass. I still think the EMG pre-amp would be better than the stock pre-amp. Some of the reviews of that pre-amp on Amazon and Thomann specifically mention removing the stock Legend pre-amp and how much of an improvement was made to the overall tone of the instrument. I'm seriously considering it for my Doug Wimbish Spector.
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Well, not sure what pickups you have in your legend but if they're emg hz pickups then they're perfectly good. The preamp is possibly the Tone Pump Junior which is t that versitile and neither is the Tone Pump that's used in the more expensive Spector basses. There's no mid control which makes a hell of a difference. The EMG BQS system pre amp is a great alternative and if you have emg pickups, it's completely solderless. http://www.emgpickups.com/accessories/bass-accessories/bass-eq-active/bqcsystem.html The differe cé in sound is like night and day.
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Change the pre-amp out for an EMG BQT and you have a superb sounding instrument. Even better than it sounds now.
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Ashdown Vintage 12 75w Combo - AppTek or equivalent on Android?
WHUFC BASS replied to crompers's topic in Amps and Cabs
Just got an Ashdown AAA-30 practice amp and was wondering if anybody had found any good alternatives for AppTek ? I get why they've not done an Android version due to latency issues but that was back in 2011. Surely there must be something out there now? -
I had one and it was one of the best I've played. Fantastic sound and really playable. I'm a bit of a Spector fan so it's probably understandable but it just goes to show, one man's plank of wood is another's Chippendale (not the male stripper type, I hasten to add).
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Rock is finished - it has nothing more to say!
WHUFC BASS replied to Al Krow's topic in General Discussion
How have you managed to live your life without a copy of that album ? -
Rock is finished - it has nothing more to say!
WHUFC BASS replied to Al Krow's topic in General Discussion
He does have a point. Every decade within rock music, there has been a new genre that just blows everything out of the water and rips up the rule book - the 50s was rock 'n' roll, the 60s was the Beatles and Stones, the 70s was Sabbath, Zepp, Pistols, the 80s was New Wave , the 90s was Brit-pop, 00s and beyond have been a steady decline in originality IMO. There have been the odd exceptions with various stand outs but it's really been like digging for diamonds in a steaming pile of dogshit. Radio hasn't helped one bit. The usual crap being pumped out on repeat has tempered people's musical tastes to the point where they'll accept any old nonsense and call it genius. I have a theory why. There isn't the widespread hard times as there have been in previous decades coupled with too many distractions such as TV, internet and gaming. Hard times produce great music. I can't really explain why, but look at the times (I'm talking about the UK here) when recession, unemployment and general hardships have been rife. People have produced the best music and also some great musicians have come to the fore. In turn, you had DJs who would support this. Personally I think the period from 77 - 83 was probably the best years for rock music. You only have to look at the charts to see that. I've chosen a date in 1979 (it was my 9th birthday) and come up with this ... https://www.officialcharts.com/charts/singles-chart/19791007/7501/ What a list of great rock acts in the national singles chart ! You'd never see anything like that now, there simply isn't the will or the way to produce great rock music. Don't get me wrong though, it's not all doom and gloom. There's still some great bands, some great gigs and some great musicians, all I'm saying, it's getting harder to find them. -
Moby Richard 😂