TheLowDown

It's also worth appreciating that mods aren't getting paid and that they're giving up their own free time to do this.

The loss of an icon. He was one of those legends who was in everything, I have one of his studio sessions with Hiromi and Simon Philips playing Alive forever in my playlist where they were all fantastic together!

That's much of the appeal together with the speakers.

Yeah it's a bit on the steep side for what it is. Many people still consider the Live II to be the best of the MPC devices, on balance. It only had 2GB RAM but it's enough for most purposes.

There's a MPC Live III now. Looks very good, albeit pricey

Best wishes, Hz :). I would still recommend keeping one bass behind, just in case. Stopping gigging doesn't mean that you can't make your own music by yourself with your bass and piano.

Quite tasty, though.

Well I'm another who wants to give it the benefit of the doubt. I'm quite looking forward to it but with realistic expectations.

When I was younger and had to do a class talk or something, Dad used to tell me to imagine everyone in the audience dressed as a clown. The reasoning being that it makes the audience a lot less scary. It didn't work for me 😄. Or you could look at just above the back of the audience, which gives the impression that you're interacting with the audience. Something else that you may find useful is the fact that excitement and nervousness are exactly the same emotion, the only difference is the label we attach to them. Best of luck anyway 👍

I would keep it. Not everyone stays with 5/6 string basses forever, so there will be a time when you will kick yourself for selling it.

I would go for either a HB, Sire, Yamaha or Ibanez.

Personally I would stick at 40-100 or 40-95 for short scale. I find that the higher the gauge the quicker the notes start to sound ill-defined on the E string

The P6 series is looking tempting, but the Z series are far too heavy.

The Harley Benton B450fl produces a nice tone and is lightweight. It's unlined if that bothers you, but IMO they are preferable and easier to play than lined fretless because the side dots on an unlined are in the 'correct' position(ie where the frets are) whereas on a lined they are the same as fretted bass, which make playing more challenging as the lines are often very faint whereas side dots are brighter. I think it also teaches better habits with fretless too.

I have both fretted and a fretless, but I rarely play the fretless. I can see why people love the fretless but it's just not for me for the most part.