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Everything posted by TheLowDown
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I love funk, especially when it's blended with other genres like jazz. I'm not a fan of the sound of slap, though, for those songs that use it.
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On the hunt for a work horse p bass under £130
TheLowDown replied to FretsOnFire's topic in Bass Guitars
Don't think he can go wrong with this https://www.thomann.co.uk/harley_benton_hbp120bk_ebass.htm -
once you've played a 5 string what's the point of 4?
TheLowDown replied to DDR's topic in General Discussion
Future 'expansion' as in playing chords(the C string makes it easier to test out the sound of chords for writing chord progressions), walking basslines, and experimenting with solos are made a tad more convenient on a 6 string. The initial reason for the 6 string was for possible creative home projects, and as well as the reasons I've just mentioned, and the fact that it effectively includes a 5 string bass within it. Essentially, it's a 5 string with added benefits. It can be said that a good reason for having a 5 string is because it is better to have the B string than be without it when you need it. The same can be said for the C string, especially if you want to experiment. -
once you've played a 5 string what's the point of 4?
TheLowDown replied to DDR's topic in General Discussion
Because it provides significant advantages over the 6 string that the 5 string doesn't quite manage. For example, being as light as possible, range of choice of strings, range of choice of bass, less of a need to mute effectively for recording, and simplicity when it's preferred, and so on. I honestly don't find that with the neck being too wide. With 6 string I prefer 16.5mm at the bridge so the width is minimised, and keeping my thumb in the centre of the neck means that there isn't much of a difference for me between 5 and 6. I had been toying with the idea of getting a Sire M5 for reasons of GAS, but I'm finding it very difficult to justify to myself when I have a lightweight 6 string. I'm not really all that fond of the B string anyway, and which is the only point of the 5 string, so it's not really a priority for me. I tell myself that I have a 6 string if ever I need a B string. The 6 string also allows for various future expansion possibilities which the 5 string does not. I think switching between 4 and 6 string also stops me from falling into a musical rut in the way i play. -
once you've played a 5 string what's the point of 4?
TheLowDown replied to DDR's topic in General Discussion
If you play using floating thumb and you have a lightweight 6 string, what's the point of a 5 string? I have a 5 string somewhere, but I can't think of a reason to use it when the 6 does it all and more. I still need a 4 string, though. -
Not for me because I don't see any benefit of that, but it may do for others. I like to keep things simple so I want to see all the modes as being variations of the major(Ionian )scale, so dorian being a major scale with flat 3rd and flat 7th works best for me.
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Well if it's a benefit if you enjoy it. Also, for many people with dementia, many of their hobbies they will be unable to do. But because music ability is so deeply integrated(evolutionary speaking, it's far far older than the language centres of the brain) in the brain, we can still enjoy listening to and even playing Mustang Sally et al. To add to what TheGreek has mentioned, I first saw this short animation a few years back that was quite illuminating
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At first I found them very esoteric to begin with, perhaps because of the way they're often explained. I can't recall my eureka moment though, but I think it was when someone suggested thinking more in terms of the scale degrees than notes that it started to come together. So many times I heard many many people saying something like "Dorian is just the major scale but starting on D", but that's not the way to think about it, and this confused me no end because there were other explanations. When I began to think of Dorian as the major scale with flat 3rd and flat 7th is when it clicked because it doesn't have to start on D(when using the C major scale to explain it). I think they're very important to be aware of because their theory relates to lots of other things too(such as the notes of each scale, more soloing possibilities, the family of chords in a chord progression. It enables you to understand why things work the way they do), but not particularly important for most regular bassists when playing day to day. I think they're important to be aware of too when wanting to improve because it shows you different options.
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Way too heavy for me, unfortunately. Also, from the basses that I have it doesn't give me anything that that I need that isn't already covered. I know what you mean by really light basses feeling toy-like, but I think 8-8-5lbs is almost like a sweet spot. I have an Ibanez 6 string that's about 9.9lbs, and that's at the maximum for a 6 string, if it had fewer strings it would be a candidate for being shown the door.
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Sire's are great basses with flexible preamps and good value for money judging from mine, but from what I've read the Z3 may be a little on the heavier side for some people. Personally, though, no neck pickup no interest.
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Squier 6 String Jazz, so who’s tempted at this price?
TheLowDown replied to jimbobothy's topic in Bass Guitars
If I didn't have a 6 string I would be very tempted at that price! The headstock is what puts me off though as it's likely to weigh a ton. -
This may well be true. Pints, miles etc. Feet and inches for height, arguably used by the majority of the UK population. I don't see things changing anytime soon tbh.
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It's in the UK too. I still think in feet and inches (and stones and lbs for weight), and I don't know anyone else that doesn't.
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Are you a fan of the FANNED FRET BASS ?
TheLowDown replied to Bass4real's topic in General Discussion
I didn't gel with mine and because of the scale length I didn't find it at all ergonomic, plus I don't fancy paying extra for strings. On balance, the cons outweigh the pros. -
Caution is best applied to 'deals' as many retailers bump the price up in the weeks or months beforehand and then lower them for black friday.
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Christmas present ideas for bassists
TheLowDown replied to FretsOnFire's topic in General Discussion
A bass mug https://www.ebay.co.uk/itm/335021825055 -
Some cracking bands listed so far which happen to be amongst my current faves for the last several years, such as Haggis Horns, the New Mastersounds. More good stuff includes The Underbelly featuring Roxie Ray, Dojo Cuts, Lack of Afro,...
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Pretty much anything from Incognito and Brand New heavies, such as edit: oops, just noticed that it's about the Acid Jazz label rather than genre. Should have gone to Specsavers.
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I stopped selling after the forced move to 'managed payments' away from using Paypal.
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How do you keep track of everything you've owned?
TheLowDown replied to BassAgent's topic in Bass Guitars
Absolutely! I'm a hardcore list guy, I keep lists of pretty much everything. Possibly as a means of security. -
Botox and Fillers (would you) audition related
TheLowDown replied to police squad's topic in General Discussion
Currently the only chocolate I eat is 100% cocoa dark chocolate, nothing added. The nutritional info shows only 2.7g of sugar per 100g. -
Botox and Fillers (would you) audition related
TheLowDown replied to police squad's topic in General Discussion
Not surgery as such. -
Botox and Fillers (would you) audition related
TheLowDown replied to police squad's topic in General Discussion
Absolutely not. If I was ever hung up enough on my appearance to want to use surgery to change it, I would think that the problem lies elsewhere with me. You often see people who have had surgery where further down the line, they look far worse than if they'd not had it at all when they were younger. -
Each to their own, and many people have their own personal choices which work for them. But as it's a recommendation to the OP who wants tips for transitioning from the 4 to the 5 string, I'm recommending floating thumb as it's a good and effective technique that's versatile for almost any situation and for any number of strings. I would consider techniques which are effective and versatile over those which are just easier or quick to get to grips with
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What do you consider to be equally as good or better then?