TheLowDown

If only one song requires it, keep using it. If none of them do, use a 4 string. Simplicity is best IMO

I don't understand why people always tout resale value as a reason to buy a Fender. I would have thought it applies much more to collectors or people who prefer buying gear than playing it, because many of us are buying a bass to get plenty of use out of it. If I bought a bass with any view of selling it in the near future, then I probably didn't give the purchase much thought. Value for money is much more important than resale value to me, and that's why Fender never appear anywhere on my purchasing radar.

You should apply the same logic the next time she buys another pair of shoes.

Yes, it's often good to use a price tracker to see how prices have changed for that item over the last year or so.

Sometimes you have to be careful of retailers bumping the price up in the weeks beforehand, only to knock the price only part way down to it's original and saying it's on sale 🤣

That's the aim, yes, but initially it's better to keep things simple for people who have difficulties, and then eventually extend to other roots. If your ability to recognise intervals is excellent then you won't need to.

I've bought around 6 or 7 basses from Thomann, no issues whatsoever.

^ using well known songs to recognise intervals is not an ideal method, but is more of a hack to get started. Each of those songs remembered may start from a different root. For example the minor 2nd from C to Db will sound differently from E to F.

Special Affairs by The Internet. The bassline is so clear in the mix

Nobody is not born with this ability. Unless you're one of the very very few who have a rare gift then it's something that has to be worked at. A lot. Don't be disheartened, often we hear about people who are really good and we think to ourselves that they're really naturally talented, but what we don't see or hear about is all the toil and time that's gone into becoming that good. Try some of those ear interval exercises but ensure that you stick to one key until you can easily identify each interval. Another idea is to transcribe nursery rhymes played on the piano because it's much easier to hear higher register notes, but it still develops your ability to hear and identify pitches. In parallel, transcribe well known songs. Identify the key, the basic bassline riff, and chords(just use the root notes on the bass, playing them as the song is being played to try to identify them. It can prove tricky sometimes when inversions are used). I don't think I would recommend getting bogged down on any one song, transcribing it down to it's most minute detail note for note. Just do lots of songs in a basic way, identifying the key, some of the chords used, and the notes used in the bassline riff. It's one of those skills that is really difficult for most people but gets easier the more you do.

Closer by Corinne Bailey Rae on Generations Soul(radio)

My experience with Yamahas has always been top notch, definitely amongst the best for quality and value. If I had a choice between a Yamaha and a Fender, I wouldn't hesitate to choose the Yamaha even if the Fender was being offered at half the price of it.

Music theory for bass players by Ariane Capp may be what you're looking for. I think the Dummies and Idiots guides are very comprehensive.

Brothers Johnson - Stomp. I found myself listening to mostly RnB and soul at the moment, which I think has most of my favourite basslines and the easiest to hear and transcribe.

Good move IMO. (Almost) everyone wins.....Android users, Apple users(it's vastly superior to the outdated lightning connector). The only losers from this are Apple themselves.

That's it. All these kids are doing is reading from a tab and playing a song exactly as written, which can be done perfectly with practice. Perhaps some of them are creative and musical, have some knowledge of theory, know the fretboard extremely well, have perfect time and groove, ability to lock in with the drummer in any style, and have excelled in ear training. But are any those skills being actively demonstrated by playing those songs?

Yup, they may well do, it's just how it sounds to me, so it's subjective. Perhaps I'm making the comparison with them at their best(IMO) during the Roger Water years. RW may have been a reluctant bass player, but I think he wrote quite effective songs.

I would classify budget as £100 - 250. I suppose it's all relative.

It does sound a little bland to me, somewhat overpolished. It reminds me of Pink Floyd post Roger Waters, where it feels like they're making music as a 9-5 job that they hate but they're only doing it to fulfil a contract.

Playing bass doesn't call for being flash and doing awesome solos to impress, it's more about "providing a comfy armchair for the music to sit in"(I heard that quote from someone and thought it was apt). I agree that the issue here is about ego and not really understanding about what makes a cohesive band. *I do play fretless sometimes when jamming to chord charts or playing in the dark, but only as a way to train my unruly ears.

I fell out of love with rock in general when I first started playing the bass. I still occasionally listen to random rock stations but mostly just to see what's out there, but it's usually a short lived affair.

Reading music and theory are my strong points, it's my ears that are pants.

I prefer narrow spacing at the bridge. I wouldn't want to play anything that is less than 45mm at the nut and 17-17.5mm at the bridge. Narrow string spacing is the most attractive feature of the 5 and 6 string fro me.

Yes, it's a learning opportunity. Makes you more fluid and adaptable as a band and as players. It's like why some footie teams often play with 10 men when training. Limitation leads to creativity and all that.

Oddly, that's one of the only ones I don't like. Love all of the rest. JD are one of my fave bands of all time, but I have to agree that, technically, they were very average. But when you put them all together they make something special. For me the saving grace song would have to be Bela Lugosi's Dead by Bauhaus. I never warmed to any of their other stuff, but that one song I still love.