SumOne

Is anyone here successfully using a new (S22) Samsung Bluetooth with the Waza? It worked with my old note 9 but with the S22 I'm having issues: it connects to the app and sends & receives the signal (e.g. use as tuner and adjust fx) but playing music doesn't send as that part of the phone is set so it's not paired as need to have that un paired then pair via the app rather than usual Bluetooth pairing method. If I try pairing via the app and then the usual route it says you need to use the app for this Waza device.

I think I'll go for it, exchanging the Pod Go for a Bassrig sort of masks the cost, the trouble is that I'll need a compressor and I'll probably faily quickly justify to myself that it 'needs' to be a Cali 76, and if I'm spending that much then I might as well get the matching colour (which I'll immediately feel like a mug for paying £30 more for)....before I know it I'll have spent £680 on two pedals! What I'd hope though is that they are two very good pedals and if I ever tire of them they'll hold their value well (Cali 76 seem to rarely hang about 2nd hand at £220), so most of the £680 is an investment and pretty much a refundable deposit. Justified!

Where my bank balance is concerned Basschat and Talkbass are the axis of evil! I'm seriously considering returning my recently aquired Pod Go Wireless in exchange for a Bassrig Black Panel. Same sort of cost but one has wireless, 220+ effects, FX loop, expression pedal, tuner etc. etc. and the other sounds better at it's one specific thing - but 90% of the time I want that one specific thing.

I'd guess P Bass with tone up, played with a plectrum, fresh steel strings with a low enough action that they get a bit buzzy, then some sort of overdrive then EQ'd with high-mids and treble turned up.

Just as long as they avoid the Fuzzrocious BDPG.

No, but i'm gutted I'm not as there's a lot there I'd want to see. Particularly Truckfighters, Lowrider, Orange Goblin, Earthless, Bongzilla, Electric Wizard, Conan.

As far as I know you need to use the app.

I guess it's a timeless discussion! You don't need to be the best to have fun and make music that others enjoy listening to. People don't stop playing Sunday leage football and trying to win when they realise they aren't ever going to be on the National team that'll win the world cup. It's easy to watch videos of the top 0.001% and compare to them and get disheartened. And there's the youtube players that play some amazing intricate show-stopping piece at home, then you realise they might've spent months and 100s of takes to record that quick 2 minute show-off routine and it doesn't necesserily translate to a live performance. It's good to remember that Punk happened for a reason, amazing virtuoso musicianship isn't everyone's cuppa.

It seemed limited on controls (I wanted something that works for slap, and Dub, and synth, so needed quite a lot of control), but I think the minimal type compressors can work well if they happen to fit the type of compression you want.

A new one from Billy Nomates

I owned the Pigtronix Philosopher Bass which is a bit of an odd one as I thought it worked best at adding sustain and distortion. For those specific things it's good, not so good at the things most Bass players want from compression for though. I haven't used these but was looking into having a board of just mini pedals a while back and was considering the ones you mention and: Becos Compiq mini Aguilar DB 599 Fairfield Circuitry The Accountant But as @Bigwan says, compact size (instead of mini) with top mounted jacks (e.g. Empress, Cali 76, Ego, The Warden) seems a better compressor pedal size to me as they don't take up much more pedalboard room, especially when next to other top-mounted pedals. They don't tip over as easily, have more room for the footswitch (e.g. the Becos mini looks like you'd step on switches and a delicate micro dial when you step on the footswitch) and more room for additional and easily visable dials and things like metering.....so I gave up on the mini pedalboard thing, especially for compressors.

Sold Alain a pedal and it all went well - thanks!

Classic riddim! If you want to get nerdy about it (I do!) then riddimguide.com is a good resource. Cuss cuss riddim has apparently been used at least 181 times https://www.riddimguide.com/tunes?q=Cuss+cuss&c=

The trouble I had with my Steinberger was the ergonomics, sounded good though. I've now gone for an Ibanez EHB 1005 MS which I'm really liking.

I recently bought a headless Bass and seeing about half of the players in that list pictured with one became one of the selling points.

Horace Andy has done a few tunes with Adrian Sherwood lately, including this version of Massive Attack's (who he's done a lot with) Safe from Harm

I don't think I'd ever go back to owning a heavy Bass again. I had a 3.3kg Sandberg TM5 SL and currently have a 3.3kg Ibanez EHB 1005 MS and both sound as good and have as much sustain as any heavier Basses I've owned. I suppose that's not scientific though, perhaps if those light ones had heavier bodies they'd sound even better. Actually, come to think of it I'm not even sure I'd want anything other than a headless Bass now for the weight and size saving while also staying well balanced and staying in tune well.

Aidan bought a tuner from me and it all went welll with good communications. Thanks!

Unfortunately, there's also a lot more to making a piece of music popular than just making the music. Even if both were exactly the same it's probably the Sheeran one that'd get most popular down to presentation, marketing, 'brand' recognition, distribution etc.

Wires? Where we're going we don't need wires! Pod Go wireless + Boss Waza Air: They fight for dominance though - need to turn on the Waza first and then the Pod Go which automatically finds a different frequency. If done the other way around they fight over the same frequency and drop signals. (A bit worrying if playing a gig with the Pod Go wireless and someone comes along and turns on a Boss wireless). Just need the Pod Go to run off batteries to really get rid of all wires.

Pod Go Wireless arrived and seems good. I've owned the Helix Effects, Stomp, and Stomp XL and it holds up with them - there are quite a few things I actually think it does better. Good things: Sounds good: The same sounds as Helix, it includes all the same Amps, EQ, Wah and almost all effects (just three omitted, annoyingly though one is the space echo which is one of my favorites). Lots of hardware controls - a decent amount of footswitches & dials and the expression pedal is good (with an extra hidden 'toe press' switch), it works very well at easily mapping multiple fx and parameters - this is a big selling point for me. Good size/weight, any smaller and it wouldn't have enough footswitches or they would be too close, also some sockets would need to go on the sides like the Stomp. Big screen (bigger than Stomp and better than Effects). Sturdy and well designed. Software works well (it's slightly different to Helix, but very similar) and is easy to navigate on the Pod Go or via Laptop which all connected easily. Good value (now that shops aren't charging the original original overpriced RRP) . Downsides: No parallel signal paths: Due to the processing power needed, but I wish a few more fx had a 'mix' parameter as that's a useful workaround to keep a % of clean blended, also it's a useful way of using the expression pedal to fade in/out an effect. Certain blocks are fixed: 10x block total (which I think is actually better than the Stomp's 8x), but unlike the Stomp, 6x are fixed (Volume, Wah, FX loop, Amp/Preamp, Cab/IR, EQ) leaving only 4x for other things. I get that there is limited processing power and the fixed ones possibly don't use much processing (like the 'volume' and 'fx loop' blocks) but it also includes EQ and Amp & Cab blocks which I guess use a fair bit of processing and aren't always needed (e.g. if using a real Amp & Cab) so if they could be removed (rather than just turned off) it'd free up blocks. It kind of feels like a deliberate choice by Line 6 to restrict it to not make the Pod Go too good and step on Helix's toes because other than that drawback it is pretty close to doing all the things a Stomp XL + expression pedal can do at almost double the cost. Actually though, I'm finding those 6x fixed blocks can be used well e.g. map Amp block parameters to snapshots so it can be used for distortion rather than using a distortion block. It's not often I'd need more than 6x fixed + 4x other effects all used at exactly the same time so it just takes some Preset and snapshot planning. No midi sockets, but it can do limited midi stuff via the USB. The wireless generally works well but one issue is that it fights with my Boss Waza Air and drops the signal unless you have the Boss turned on first (in which case the Pod Go scans and selects the best un-used frequency). Not a big deal once figured out but possibly an issue if playing live and someone comes along and plugs in their Boss Wireless transmitter after you. As with the Stomp, the power cable isn't great - it's too short at 1.5m and seems delicate. You can faff with alternatives to go from certain power bricks and use current doublers and barrel size convertors though. ..... So those downsides have workarounds and aren't deal breakers. Overall it seems very good. Add a decent power supply and a software update adding 'mix' parameter to a few more effects and allowing the fixed blocks to be replaced and it'd be great.