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Everything posted by SumOne
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Done! (Well, Core ordered...hopefully the reputable shop I got the GT-100 from will give me a refund!) I think you are right. I like the GT-100 and have no complaints, but for a similar price the Core is more powerful and can add footswitches & expression pedal when needed, or use it on its own as a smaller unit when those are not needed. It's good being more pedalboard friendly (size and powering) as I reckon I'll add a C4 or FI that can be midi-controlled because I'm yet to find a multi-fx that gets anywhere near what they can do as synths and filters.
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GT-1000 Core is on sale at Kenny's and Scan for £514. Seems worth shopping around as most places are >£600. £629 at Thomann (who quite often seem expensive nowadays, due to exchange rates perhaps?). I'm within the return window for a GT-100 I bought (£488) so am considering if it is worth swopping: GT-1000 Core wins at: 3 parallel paths (vs 1) 24 effect blocks (vs 15) 2 fx loops (vs 1) 7 dials (vs 6) 2 inputs (vs 1) A few extra effects: Sansamp sim & DD200 being the ones I'd use most, others seem a bit of a novelty (like sitar, slicer). 96kHz sampling rate (vs 48kHz) (I'm not really fussed with that though as 48kHz is more than CD quality, I doubt many people could hear the difference) Mastering effects Metronome Smaller 9v 670mA (vs I think about double that for the GX-100), so it can be powered via a current doubler from my power brick whereas the GT-100 needs its own power supply. GT-100 wins at: 5 more footswitches Bigger screen, in colour, touchscreen Expression pedal (with 'toe press' switch and light) Extra output for headphones Can add bluetooth control A bit cheaper - even with the Core being on sale (GT-100 £488 vs Core £514). It's a tough one, the GT-100 is simpler to edit on the unit and use like a stompbox rather than pre-planning everything with presets, the Core is more powerful in a smaller size. Either way, it's a good dilema to have!
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RIP Trugoy
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I think at least on Basschat almost every mention of Zoom pedals is positive, at least for value for money. Perhaps I'm missing something but I haven't seen people sneering about the plastic. Then again, plastic isn't seen as premium as metal. I'd rather drop a MXR pedal than a Zoom pedal, the Zoom will probably be fine but the plastic feels more likely to crack. That's fine though, it helps keep the price down and one of the best things about them is their value for money.
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Perhaps double check the usb cable type, that's caught me out on a couple of devices not connecting. Not all usb cables are data cables.
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I found if needing low C then a 5 string with standard tuning was best as it is designed for that tuning (scale length, pickups etc), goes a bit lower to B (or lower), playing shapes stay the same, and you still have the G. My doom pedals in chain order were: For big sustain the Pigtronix Philosopher Bass compressor worked well. Octaver like the OC-5 with +1 and -1 is good to feed into fuzz. MXR Brown Acid has been my favourite doomy fuzz. EHX Green Russian muff is good too, a bit more synthy sounding. Rats always sound a bit more thrash than doom to me, the Blowerbox Landphil is great though. Adding modulation like flanger, Phaser, Chorus can make some interesting effects. What sounds good through headphones doesn't necessarily sound good through a Cab. Personally, I liked my 2x12 speaker with adjust tweeter - to do the lows and the higher frequency fizzy fuzz.
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Pick, fingers or both? - also if pick, which do you use?
SumOne replied to Baloney Balderdash's topic in Accessories and Misc
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^^^ Nice one. I might get one of those cases. I've sold off all my pedals so am going to try and just use the GX on its own ....although a C4 in the fx loop would be a good addition for synths and extra filters and I expect it could be controlled by the GX-100 via the forthcoming Source Audio midi adaptor (although those types of things often end up being much more hassle than they should be!). I like that the power has a figure 8 cable - cheap and easy to get in different lengths. Ideally for me, the power block part would've been built into the unit but I guess some people wouldn't like that if they wanted to power it from a power brick - can't please everyone!
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Another seamless transaction with Chris, thanks!
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Harley Benton power supply ISO 10 AC Pro £60 - *WITHDRAWN*
SumOne replied to SumOne's topic in Effects For Sale
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Harley Benton power supply ISO 10 AC Pro £60 - *WITHDRAWN*
SumOne posted a topic in Effects For Sale
Withdrawn (I'm now getting a different multi fx that can be powered with this and a current doubler). Harley Benton PowerPlant ISO-10AC Pro £60 (+£5 recorded delivery) Good condition and perfect working order, with 10x cables and kettle lead. Lots of high current isolated power and with different voltage options and USB, also with removable kettle lead to power it which I reckon is much better than having its own PSU (as is sturdier, and easily replaceable for different lengths). No box but it will be well packaged. I put velcro on to stick it under my pedal board but obviously that can be taken off of you want. The red cables ends are just electrical tape to remind me they were set at higher voltages. Info copied from Thomann (where I bought it for £105 including postage) Multiple Power Supply for Effects Pedals. - 10 Isolated, filtered and short-circuit-proof outputs eliminate noise and hum - High power output for modern digital effects - LED display at each output - Universal input voltage operation with 100 - 240 V AC switching - Output 1 - 4: 9 V DC @ max. 250 mA (individually isolated) - Output 5 - 6: 9 V DC @ max. 500 mA (individually isolated) - Output 7 - 10: switchable 9/12/18 V DC @ max. 9 V @ 450 mA / 12 V @ 330 mA / 18 V @ 220 mA (individually isolated) -USB output: 5 V / 1 A for charging phones and tablets - Compact, robust aluminium housing - can be used on or under pedalboards - Dimensions (W x D x H): 195 x 88 x 35 mm - Weight: 605 g https://www.thomann.de/gb/harley_benton_powerplant_iso_10ac_pro.htm -
I've just got a Boss GX 100 and am impressed. It is comparable to the Stomp XL for sounds and features, seems a bit like Apple vs Microsoft in that the Line 6 things are a bit more 'Apple' and immediately intuitive with slicker software interface while the GX seems to allow deeper editing but isn't always as intuitive so can't wing it quite as much - so tips from other users would be helpful. The first tips I have are: - When first plugging in, don't be disheartened if the tuner doesn't recognise your B string: Go to 'in/out settings' and select Bass (guitar is default) and adjust to the correct input sensitivity. Then, when using the tuner, turn the 'select' dial to chose your preferred view and then set for tuning type (e.g. 5 string B regular). The tuner then works very well. - There are no blank presets. Create a template on the 'user' presets by deleting effects and saving (write), that can then be used to overwrite other presets (write/insert). 'Initialize' will delete your preset and revert to original. My questions (so far!) - Line 6 footswitch lights can be lit up dull when switched off to help indicate what it'll be when switched on (e.g. Blue for chorus). Is there a way of doing similar with the Boss footswitch lights? I expect not, there is 'control view' where the screen shows what the footswitches will activate but those thin coloured outlines of small text boxes when 6 foot away aren't obvious to my poor eyesight so any way of making it more obvious would be good.
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Laney R500H Loud (500w 4ohm, but actually on the back it says 650w max), lightweight, 10 band EQ (footswitchable), DI, fanless, fx loop, Aux in, headphone out, tuner out, compressor, kettle lead power. £180 £120 (+£10 postage) In good condition and working order. Boxed. Velcro on top that can be removed. POWER: 500w RMS 4ohm CHANNEL CONTROLS: Gain, Enhance , Bass, Mid , Treble EQUALISATION: 10 Band Graphic EQ (SWITCHABLE WITH FS-1) FOOTSWITCH: FS-1 (SOLD SEPARATELY) Compressor DI Socket FX Loop Aux in Headphone Socket INPUTS: 1/4" Jack (high and low) SPEAKER CONNECTIONS: Neutrik Hybrid Season /Jack UNIT DIMS - FOR INT. CASE (HXWXD MM): 74X410X211 WEIGHT: 4.1KG (9LBS) https://www.gak.co.uk/en/laney-2017-r500h-richter-bass-head/906974?gclsrc=aw.ds&&gclid=CjwKCAiAioifBhAXEiwApzCzthdtKXmuWLFHHOodcYenomqxM52EuchQfnJ6N2LIsNZv_7Fa7mIScRoCe6wQAvD_BwE I'm also selling the cab this has been powering: TecAmp M212 (600w 4ohm) and can do a deal if bought together.
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Bright Onion Pedals Dual Reverse Looper (loop switcher) £30 (+£5 recorded delivery) Custom built in the UK (It'll set you back £65 + postage new https://www.brightonion.co.uk/dual-reverse-looper/)). It 's looking a bit grimey from where stickers were but all working as it should. This is a dual true bypass looper - engaging/disengaging the signal for multiple pedals in loops at once, and taking them all out of your signal path while they aren't being used (good if you don't like tap dancing to get more than one pedal on/off at the same time, and if you have alot of pedals/cables and want to stop your signal constantly going through them when they aren't in use). It also has a 'reverse' switch to change the order of the loops, you might usually have a distortion pedal going into a flange pedal but you may also like the way they sound with the flange going into the distortion - With this pedal you can have either option with the click of a switch - and as you can have multiple pedals in each loop it opens a lot of possibilities for the various combinations. Please note: This is not sample looper pedal where you can record and then play over the loops. It is a switching system for your 'loops' of pedals. The pedal is true bypass, and it is passive so works without power if you don't want the lights on. If you want to power the LEDs the pedal has a Boss style 2.1mm 9v (negative ground) DC socket. Everything on it is heavy-duty, I reckon it's the toughest pedal I've owned. Hammond aluminium enclosure Neutrik jack sockets 3PDT & 4PDT heavy duty foot switches Point to point wiring 2.1mm 9v DC Socket Enclosure dimensions: 120x95x34mm https://www.brightonion.co.uk/dual-reverse-looper/
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One Control Crimson Red Preamp £55 (+ £5 postage via recorded delivery). A great preamp pedal for adding a bit of grit and a lot of hefty bass and cutting treble, like having worn in flatwounds and playing through a loud 15" cab sort of sound. Warm and dubby! Perfect working order and good condition, velcro on base, boxed.
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A Paul Simon quote: “Simply wanting to make the best music can make you competitive,” he said. “You have no idea how competitive John Lennon was around Paul McCartney. When I first met them, I felt like someone had taken all the oxygen out of the room. I almost couldn’t breathe, they were so competitive, and that’s what made them so great. They wouldn’t settle for just good. That was me, too.”
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I reckon the GT 100 was a good call. Probably about once a year I decide to sell my individual pedals and get a multi-fx, which I'll then usually sell within 6 months to get individual pedals then the cycle continues! This year is no different, I've just bought a GT 100. For me, it seems to be the right amount of footswitches and onboard controls and easy editing access along with a decent amount of processing power and quality effects. £488 isn't exactly cheap but it isn't overly expensive compared to some multi-fx or the cost of a pedalboard full of individual pedals. I'm expecting a couple of downsides, but it seems they can be overcome easily enough: No synths, but I expect that using 15x effect blocks including Octaver, Fuzz, Modulation & delays it'll be able to produce some good synthy sounds. And there is an FX loop if needed. More outputs including XLR would be good but not essential, my amp has an XLR out (and after all, the cables from Bass to pedals, through a load of pedals and patch cables and then to Amps aren't balanced and it doesn't seem an issue). If I'm lucky enough to play big venues with long cable runs to mixing desks and I'm not using the amp XLR for some reason then small DI boxes are cheap. Drum loops/metronome and an aux in would be nice but streaming can be done with a Bluetooth connector as an optional extra. Or I guess the fx loop return can possibly be used. Edit: I got a good deal on a GX 1000 Core so returned the GT 100 to fund it (thanks to GAK with a quick and easy returns policy with no fuss). The Core is more powerful (more effect blocks, more parallel paths, an extra fx loop, higher sample rate) and smaller and has a couple of extra effects, the GT has a better user interface on the screen and more footswitches + expression pedal. I've added an expression pedal to the Core (but it misses the GT expression 'hard toe press' button which is useful to do things like change it from a volume control to wah while in the same preset) and I'll get a dual footswitch, it still won't have as much footswitch control as the GX though. The Core is better if you want it as part of a pedalboard, the GT as stand-alone.
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Can the expression pedal can be mapped to alter 2x different effects and parameters at the same time? What I'm after is the expression pedal to simultaneously increase reverb while cutting bass/increasing high mids and then to switch to be able to use the expression pedal to simultaneously adjust delay feedback and time. That is quite complicated and expensive with individual pedals so multi fx seems best. The nearest priced multi fx I've had that can do it is the Pod Go by using different presets but I found its effect block quite limiting and I didn't love the sound of some effects so am keen to give Boss a go.
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Liberation Group, Namibia:
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That is cheeky of them if that's actually their policy, especially because if you give your bass for them to sell on commission they wait for 2 weeks after the sale to pay you, apparently this was incase it got returned for a refund.
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That's a great review, thanks.
