SumOne

I haven't owned an LS2 but had the Switchblade Pro Deluxe and can't really fault it other than perhaps it's a bit confusing - you can easily have parallel/series switched without noticing it, or not remember what sequence order is if you've switched to reverse. Other than that I couldn't see any reason to get the LS2 instead, the switchblade pro deluxe has the same things plus additional features for about the same price.

Yeah, I agree. Comedy songs (as in lyrics telling a a joke story) are different to songs that contain humour, and I prefer the latter.

Congo Natty (Rebel MC) played that into this at carnival one particularly hot year, it was lively!

Boss tuner app is good. Or if I have to then 'another one bites the dust' goes to the open E.

You'd have to be going some to break a Bass neck but I've seen a few Basses with a crack in the headstock running from the tuner (perhaps having been dropped on it), and a few with pretty deep gouges in the neck, and some people decide to do things like put a thinner neck on or swop for a fretless neck. None of that would factor much as reasons for me not getting neck-through but they do seem to be potential disadvantages.

I assume the main disadvantage of neck-through is the cost, vs benefit, given that the benefits are marginal and costs tend to be a fair bit higher. The main benefit seems to be improved access to those top frets. I very rarely venture past the 15th fret though so that's not an issue for me. Another benefit is they look good. Tone differences, I don't know. Isn't a potential disadvantage of neck-through that you are using the same wood for the neck and a big part of the body - at the risk of going into tonewood discussions, some people think certain woods are better suited for the neck while others are better suited for the body. Another possible disadvantage is if you damage one part like the headstock - it must be pretty tricky to replace on a neck-through, rather than just getting new neck/headstock.

^^^ It's taken me about 3 months with my latest Bass but I've also found that fine-tuning the B string intonation has really helped, and very small adjustments to the B string height and height of pickups, and more of a 'rolling' sort of way of plucking it, that and a bit of subtle drive and compression it doesn't sound out of place from the other strings now. I think spending a few months with the Bass to fine-tune my playing style to suit it was perhaps the biggest factor.

Most perple must agree with you as most popular music has lyrics... But, to counter that, most tribal music is rhythm - which entertained humans for 1000s of years, and then classical, jazz, brass bands, dub, most electronic music, etc. I look at it as the equivalent of paintings that looks like what they are ( or sometimes slightly abstract, if lyrics are more poetic) vs instrumental being an abstract painting - conveying a mood rather than a specific story. So I don't think music without good lyrics is meaningless, usually it seems more meaningful to me.

I usually ignore lyrics, am more into rhythm (hence playing Bass and being into Dub). When I actually pay attention to lyrics I find they are usually fairly inane - just a tool to put melody into words that rhyme rather than some sort of import artistic expression that a lot of singers will have people believe.

George Harrison was founder/producer of Handmade Films who made lots of good stuff: Life of Brian, Time Bandits, Withnail and I.

Lorna Bennett - Breakfast in Bed.

Bass, Amp, Cab, Pedals, Cables. I worry about forgetting the little things - it's quite hard to forget the Bass or Cab! but quite easy to forget small but cricial things like the speaker cable, strap (a downside of using flush dunlop straplocks - can't just borrow someone elses strap), guitar cable, amp & pedal power. I've never had a Bass string break so until reading this thread never even considered needing to carry around spares. Perhaps I should though?! I've never had a Bass or Cab break and imagine it's a rare occurance. The Amp is the thing I'd assume is the most likely to break (although how often does that actually happen with fairly new, fully working class D amps that are used with the correct Cab?), if I get a new Amp I might keep the old as a backup.

Thanks to @Osiris I'm now the proud owner of a Tecamp M212 (600w 4ohm). Only got as far as a loud band practice with it so far but it seems like it'll do nicely.

I've just been fitted for some and this is what I learnt: 1. Go to get fitted and potentially learn that you need wax removed first 2. For wax to be removed you need to use something softening for about a week (I used Earol) 3. Specsavers only do a sort of vacum clean of the ears which I found to be quite uncomfortable 4. ACS fitting place said the Specsavers method hadn't cleared wax closer to the ear drum so I should have used their (more expensive) service that uses various clearing methods. The did say it was good enough to go ahead and get the moulds though. 5. Get moulds fitted which was quite an uncomfortable experience due to how deep they go, possibly not helped by some wax still beeing deep in one ear (which was the one that was most sore) . It made me feel quite nauseous - possibly as they fully blocked both ears at the same time rather than one at a time, and cough uncontrolably! 6. .......hopefully some ACS earplugs arrive and are worth the cost/faff/discomfort!

Ian bought a pedal from me and it all went well. Thanks!

Yeah, it might be called a Bass Guitar, and look like a Guitar, but it's evolved from the Double Bass - that's it's DNA.

I nearly got sunburnt on Sunday! Yeah, I don't use them for commuting (although plenty of high-end Sennheiser, Sony, Bose headphones are around the £300 mark) but there have been some occasions when more battery for bluetooth headphone use would be useful - like next week I'm heading from London to Birmingham via train for work for a couple of days and will probably take the Bass and Waza, if I use them as bluetooth headphones for the journey they'll probably die on me that evening for Bass noodling if I don't recharge. Not a big deal, but it seems that if there was the option to turn off the wireless receiver the bluetooth battery life would be improved.

2 months into owning the Waza Air Bass I would still recommend them. They have been a bit of a game-changer for me; playing at home is pretty much always via the Waza Air Bass as it's quick/convenient, portable, sounds good, can play along to music easily, has a tuner, and can add FX/EQ etc. It also means I now practice in different rooms and the garden. I'm down to just two utility type pedals whenever I'm playing Bass with bands as they are all that's needed. It's meant that most of my more exotic type pedals have been sold or are gathering dust. They are a lot more expensive than the Nux mighty plug (which is really good) but being fully wireless and the quality of the sound takes things to the next level and means I pick up the Bass for a quick go more often. Alternatives like pedals with aux in/headphone out are not the same experience at all. One downside worth noting: Anyone thinking (like I did) '£330 is a lot of money, but at least you also get a decent pair of bluetooth headphones just to listen to music', I was a bit disappointed as the battery life for that is only about 5hrs (most over-ear bluetooth headphones are >20hrs). I think because it's also always searching for the wireless signal - I assume if they had a way of turning that off and only bluetooth receiver on (e.g. an on/off of the wireless via the app) then the blutooth only battery life would be extended.

Just bought a Cab from Sid and it was all good. Cab as described, good communications, and good meeting up. Nice doing business with you, thanks!

Non-isolatated power can add noise and something I've only just found out is that some pedals (in my case an optical compressor) require fully isolated power supply, but not all power bricks advertised as 'isolated' are fully isolated. A cut and paste on it : some power supplies advertised as 'isolated' only have separate regulators, filters and over current protection for each of the DC output positive terminals but the output negative (ground) terminals are still bonded together - which is not a true isolated supply. Sometimes in a pedal board there are ground currents that cause the sensitive threshold detector circuits in the compressor to trigger without any audio signal. This issue is almost always power ground loop currents between the pedals with a power supply that has a common ground like a daisy-chain or power brick with the grounds bonded together.

That's what I'd go for. Origin Effects need to make a matching tuner though!

Well, it's sort of the point I'm making - that they are over the top cliche statements about how people think others get overly offended nowadays when the reality is that not many people are actually offended by those things. Aparently the Winterval/cancel christmas thing was in the Daily Mail 44 times, and the The Times and The Sunday Times mentioned it 40 times before the papers needing to admit that it's a false story where no-one ever had any intention of cancelling christmas. People enjoyed getting reading stories and getting annoyed by ficticious liberals getting annoyed though, us vs them. I haven't really seen people on this thread genuinely be upset and angry about that ad saying 'no women', they're just discussing how it makes the bloke (assuming it's a bloke?!) sound a bit of a kn0b.

I'm not sure anyone is as annoyed as keeps being suggested. That's a bit like the culture war narrative of 'all these woke milenials are forcing us to cancel christmas and call it winterval and eat vegan sausage rolls and not call anyone Mrs'.

Ah, nice - have just found that, it would have saved me some time! Still, was probably a useful exercise figuring it out myself.