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SumOne

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Everything posted by SumOne

  1. Lorna Bennett 'Breakfast in Bed' has taken me longer than it probably should have, the chord changes kept catching me out, just about got it now though. Next up is Jonny Nash 'Tears on my Pillow'.
  2. You can team the super vintage up with the new matching Cali76 Bass compressor: https://www.guitarguitar.co.uk/product/220117379735008--origin-effects-cali76-compact-bass-super-vintage-blue-compresso?gclid=Cj0KCQiA09eQBhCxARIsAAYRiym9Ycn1yuuad-PoNz-fdyDfXAPNGxDikTauOpbH62O62iIa_O90IlsaAr8uEALw_wcB
  3. I wonder what Bob thought in his later more political years about having sung 'funky funky chicken and the mash potato, do the aligator'. Hopefully he'd be proud as this one's got the funk!
  4. I don't think that ad is specific enough in terms of what musicians are wanted and what route to go down musically for making original stuff "All rock and I mean all influences from the 60's onwards. I do like most genres but would like to do original stuff that is influenced by the last 3 decades" ....that needs more of a specific musical direction to get like-minded musicians to form a band, especially as he's the only person in this 'band' so far. He's outlined negatives- what he doesn't want (Women, C & W, and people who don't sing and look at their pedalboard) but what musicians is he looking for? What creative route to go down? Should a Trumpet player who wants to be in a Ska Punk band apply? Keyboard player for Black Metal? Rapper for Rap Metal? Djent Bass player? Singing Thrash metal drummer? Considering the negative and musically directionless vibe of the add I'd assume there won't be many responses, but to then sign off with 'no Women' is the icing on the cake to probably get no responses at all!
  5. Cheers, yeah I think it'll be fine for someone intending to use it at home and for practice and recording sessions. Someone using it live probably won't want the risk of needing to click it off/on though. Hopefully it's just a simple enough fix of a loose connection.....I might try myself if there are no takers.
  6. I am a bit weird with them, I think this is my 4th! I kind of treat them as money in the bank as they always basically sell for what I bought them for. Needs must right now. I'm in a Reggae band and need ££ for a bigger amp/cab, and try as I might I can't find a way of playing Reggae with an envelope filter!
  7. Sold. FEA Opti-FET Compressor. £150 including recorded delivery (note the issue described below - hence the lower price, they are usually >£200 second hand). This is one of the best Bass compressor pedals around. Here are some reviews: https://www.compressorpedalreviews.com/post/fea-opti-fet-compressor-review https://www.pedal-of-the-day.com/2019/06/18/fea-labs-opti-fet-compressor/ http://www.ovnilab.com/reviews/optifet.shtml PLEASE NOTE: There is an issue that has happened a few times now - the yellow light which shows when it's compressing a signal occasionally (like once a week, and I use it daily) stays on full even without a signal going to it and the output cuts out completely. Click the footswitch on/off and it all goes back to working as normal. I'm not sure why this would be, perhaps a loose wire on the footswitch? Or a loose connection somewhere which gets jiggled back into place by pressing the footswitch? Or is it something optical compressors occasionally just do and they need a 'reset'? If it was my only compressor I'd take it apart to try and fix but I recently got a Fishman Platinum Pro which has a built in compressor, so I'll just stick with that rather than risking my lack of technical skills breaking anything! Also I'm raising some cash for a new Cab so need to sell a few pedals.
  8. It does look good, as an 'all-in-one' Helix alternative won't you still need a tuner though? And if it doesn't take batteries you'll need power. Considering those things I got the Fishman Platinum Pro as a backup/all-in-one. If you want something convenient to carry about which covers most of the important things then it does them well: Tuner/mute (with footswitch), boost (with footswitch), compressor, EQ (including sweepable mids and a HPF), line out and DI XLR with ground lift and pre/post switch, FX loop, analogue, and can run on battery power. No drive though, and it's quite big. It covers me for practice sessions, and if my power supply or other pedals die on me at a gig it'll cover the essential things. Zoom type multi FX things will do more FX in a cheaper and smaller size but I didn't think I would choose them as my main 'all-in-one' utility pedal for gigging: No separate DI/XLR with ground lift and pre/post, to boost isn't as obvious as the Fishman's 'boost footswitch' with a corresponding LED, need to scroll and look at a small screen to adjust things like EQ for the room, not always obvious if something has been clicked on/off in the background etc. I'd use them as a backup, or for practice sessions, or in the FX loop for effects though.
  9. I think your Preamp out > Cab sim/DI > FOH would work, or FX Loop out > Cab sim/DI > FOH (or use an ABY pedal to split your signal from the FX loop if the FX loop also needs the in). Having the Cab sim signal going into an actual Bass Cab would probably sound muffled. I've looked into getting Cab sim pedals a bit though and the more I look the less useful they seem unless you are using FRFR cab or are in a band that uses IEMs and a PA, or perhaps if you play really big venues and everything is through a PA. As you have an Amp and Bass cab that sound how you want is there much value in adding a Cab sim signal to FOH? I dunno, perhaps there is, I'm not sure there is for my uses though.
  10. I find the cheesy cliche accronym 'KISS: Keep It Simple, Stupid' (which perhaps KISS followed?!) works in many things in life - including Bass playing, 'simple' doesn't necessarily equate to 'easy' though. In the spirit of cheesy Monday morning inspiration, these sucessful dudes all back that theory up: "Simplicity is the ultimate sophistication" (Leonardo da Vinci) "Brevity is the soul of wit" (William Shakespeare) “Make everything as simple as possible, but not simpler.” And, “If you can’t explain it, you don’t understand it well enough.” (Albert Einstein) "Simplicity is the glory of expression.” (Walt Whitman) “One day I will find the right words, and they will be simple.” (Jack Kerouac) “Simplicity and repose are the qualities that measure the true value of any work of art.” (Frank Lloyd Wright) Keep it simple and focus on what matters. Don’t let yourself be overwhelmed.” (Confucius)
  11. M82s are like boomerangs, I'll probably be getting this back myself in 6 months!
  12. Sold MXR M82 Bass Envelope Filter £90 (+£5 recorded delivery). Good condition and perfect working order. Boxed. Velcro on base.
  13. I love the RE-20 but it's quite a big lump of a thing so am looking forward to this: "The Japanese effects titan is rehousing its iconic tape echo and reverb in a compact pedal format. A compact, pedalboard-friendly version of Boss’s classic RE-20 Space Echo reverb and delay pedal is coming soon. The official announcement arrives hot on the heels of mounting speculation about a product leak, with some units reportedly being sold on eBay. For many players, a compact Space Echo is a dream come true, making Boss’s take on its parent company Roland’s legendary tape echo unit even more accessible. Although full details have yet to be revealed, with players asked to register for updates at the Boss website, it looks like the RE-2 will retain much of the functionality and sounds of its larger sibling. Housed in a regular Boss compact pedal format, the RE-2 can be run in mono or stereo, and has a similar control set-up, with what looks like an 11-position Mode Selector knob joined by stacked controls for Echo/Reverb, Intensity/Tone, and Repeat Rate/Wow & Flutter." https://www.musicradar.com/news/boss-re-2-space-echo
  14. Nice! 2x up, 2x down, polyphonic/monophonic, fuzz, and modulation all in one compact enclosure seems like a winner (especially as MXR make decent octavers, phasers and fuzz).
  15. I'm sure there are lots of sutuations where a compressor pedal isn't needed. Not using a compressor pedal isn't the same as not using any compression though: I don't play with a plectrum but I remember a video with Nolly Getgood saying using a soft plectrucm is basically his compression pedal (in the way that it makes the attack/volume more consistent) Amps like the ABM 600 have a compression dial Driving a tube amp adds compression Any form of drive pedal (e.g. overdrive/distortion/fuzz pedals) adds compression FOH will often add compression to the PA signal And if you're recording then the engineer adds compression, and mastering adds compression. I find a compressor pedal useful as: I don't play with a plectrum, my amp doesn't have compression dial and is a transparent class D type, I often don't use drive pedals, and ideally I'd like to fine-tune my compression (attack/release/ratio/side-chain EQ) rather than having others do too much.
  16. Yes, it's supposed to just be out of the headphones: I assume (apart from just home headphone practice) that being wired that way is so you can listen to a click track on headphones while the Bass signal alone is what everyone else can hear out of the other outputs.
  17. Sold. Bergantino AE112 300w 8ohm cab with cover £230 Good condition and perfect working order. Great sounding lightweight and compct cab with adjustable tweeter. I'd prefer collection (Twickenham) as I assume getting it packaged/posted could be a faff. Photos to follow.
  18. If you're just after a small backup pedal in-case the Helix dies then I'd consider the Zoom MS-60B (or the B1 Four as mentioned, but it's more bulky to carry about as a usually un-used backup). It can do EQ, Compression, Overdrive, Tuner, and other effects (including synth effects that might be useful to use in the Helix FX loop), and it takes batteries so no need to carry a backup (non Helix) power supply. Or on a bigger budget as you're considering the Atomic Bass Box or the GK Plex which are both about £250 new (and I'm not sure if they take batteries- which would mean you'd also need to carry a backup power supply) I'd consider the Sansamp pedals - they take batteries, are small/sturdy, have EQ and drive and the XLR DI (which the Helix and Zoom don't have, so could be useful). If the Helix dies on you though would you also need a Tuner, and possibly Compressor? I've recently ordered a Fishman Platinum Pro which takes batteries and has EQ (including HPF), XLR DI, Tuner, Compressor...not drive though so perhaps not suitable for what you're after.
  19. I've just bought another pedal from Nigel, good communications and it was delivered quickly and all in good condition as described. Thanks!
  20. It's likewise for other things, half of my Thomann whish list is saying things aren't going to be in stock for weeks (or months) and a pedal I ordered a month ago which was noted as 'available in 2-5 days' is still not delivered and is still noted as 'available in 2-5 days'.
  21. Sold. Idiotbox blowerbox clone. £30 £20+ (£5 recorded delivery, £3 non recorded, or collect from Twickenham) Clone of the Idiotbox Blowerbox which is a Rat type distortion with EQ controls. I had an Idiotbox Landphil (basically the blowerbox with additional EQ) and it sounded very similar so I think this is a fairly accurate clone. Controls for: Volume, Gain, Bass, Treble. It goes from mild overdrive to gnarley fuzz. The treble and bass controls means it can really boost (or cut) them if you want. Orange LED. Paint job done with silver undercoat then splatter red. Done in a shoddy sort of way but that's sort of the vibe it's going for!
  22. Well, if it helps, for the Minibar: Pro: You put liquids into it to change the gain/tone Con: You put liquids into it to change the gain/tone
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