TimR

[quote name='flyfisher' timestamp='1389378208' post='2333654'] Fair point, but surely a truly fair scheme of things should be above personal opinons? Also, and I hesitate to defend banking, but I seriously doubt that banking has no benefit to society whatsoever. The trouble with such 'cheap shots' is that when the cheers and laughter die down nothing has been achieved. [/quote] I don't think people really know what bankers do. It's just fashionable to beat on the guys who gambled on the mortgage markets. It's like saying all sculptors are evil because they carve ivory.

If everyone's time is equal. How do you work out how much a 10mile taxi ride is worth? It takes a half hour if the taxi drivers time but saves the passenger 2.5 hours of walking time. What about the doctor who diagnoses something in a 5minute consultation that results in the patient living many more years. Surely there is wiggle room or I think it's called barter.

[quote name='Dad3353' timestamp='1389372874' post='2333546'] It's perhaps just as well that truck drivers, spot welders and sundry other industries have not (yet..?) cottoned on to 'earning' a life-long revenue for work already achieved and paid for. [/quote] But they do. If their work lasts a lifetime, they should be charging such. Single one offs that last forever but are enjoyed by many should get more reward than something you knock out day after day and only one person gets the benefit for maybe 5 years before additional work is necessary.

As is usual with 'creative types' http://www.soundonsound.com/sos/mar04/articles/classictracks.htm

[quote name='peteb' timestamp='1389359718' post='2333255'] Some people seem to be very much undervaluing signwriting here, because somehow they van not equate it with a 9 to 5 job. I struggle to understand this – surely if you create something of value then you should continue to benefit from it for as long as it is of value! It is irrelevant if it took you 30 minutes or three months to write that song, the only thing that matters is how good that song is ! I thought that the point of the OP was about Sting / Andy Summers and how different parts of the process are rewarded? Why does the guy who writes down the lyrics and melody get 100% of the spoils and the guy who came up with the guitar hook that turned it from just another pop song into a massive hit get nothing?? [/quote] Because he failed to convince the band that the hook was part of the melody. All these comparisons never work. People should be rewarded if they provide something of value. If they are rewarded everytime something is used that's ok. If you want to listen to music then you should pay for it. The only difference is in recent history instead of paying a musician to play it, you can get a recording of it being played.

He probably would have if we used his CDs to buy our food.

[quote name='BigRedX' timestamp='1389351214' post='2333084'] I know that musicians were less business savvy back in the late 70s when the Police formed, but Andy Summers having been a professional musician since the mid 60s was hardly a wet behind the ears newbie at the time. TBH he's got no-one to blame but himself (or maybe his manager/legal adviser) if he didn't get a share of the songwriting credits and royalties from all the Police songs. ... [/quote] They've also produced every album. So they'll all still be getting royalties in some form.

[quote name='SteveK' timestamp='1389308627' post='2332813'] You may be right, maybe these lines from the article are an attempt by the journalist to jeuje it up a bit: "Andy Summers is still understandably bitter about what happened with "Every Breath You Take" " and " "Every Breath You Take" was discussed and it was clear that emotions were still unresolved:" [/quote] Obviously they're going to be touchy about it but as the journalist says at some point they'll have gotten over losing sleep about it. A few sarcastic comments maybe. I think one of the comments in the article alludes to the fact they've all made a lot of money out of each other.

I think they're just messing around aren't they. They're all multi-millionaires. It's like Brian May arguing with Freddie Mercury over one particular song. I heard a story where someone saw some royalty cheques sitting on a desk at a record company. They were waiting to be 'picked up'. One was for 'sting' for several thousand pounds. According to the date, it had been on the desk for a few months.

Cool.

In rock the guitar is a phallic symbol. It's height is important. Too high and it looks like you're stroking your beard, too low and it looks like you're scratching your nuts.

For me it's a compromise. If I have it at the same height standing as sitting, my right wrist is too bent and the horn presses into my chest. If, when standing, I have it at a height my right wrist is comfortable, then it's too low to play above the 12th fret. That didn't used to be a problem but now I'm playing in a three piece rock band I'm covering more fretboard than when I was in a 10piece soul band. So the neck pickup is now at belt buckle height instead of b.....k height.

You can get some very good wigs these days.

[quote name='spacey' timestamp='1389137609' post='2330657'] Combine this with guitarists with pedal tuners who faff around getting the guitar bang on ever song and you soon have a band that looks nervous on stage and this can make the gig hard work. [/quote] Definitely. The bass player should just lean back slightly, rest his hands on his bass, smile confidently and wait for normal service to resume. Don't get drawn in and never lose your cool.

As I say, you need one person running the show. Let them decide whether the band is gong to take a 15sec break to sip water while the dancers in the audience catch their breath. People don't sit down unless you stop for quite a while or continually stop between numbers. I agree with the poster who says the band should set the mood, people want to be entertained and providing you deliver it confidently they'll dance to pretty much anything. Having an actual set list is down to whoever is running the show. I once depped with a band where the leader read the audience and called the next tune as the previous one was finishing. They had a huge repertoire of tunes. I rang him the week before the gig to get some idea of what tunes we were going to play. He said "Just our usual stuff, use your ears, you'll be ok."

[quote name='lojo' timestamp='1389102037' post='2329884'] I agree , but suggested it as clearly in the band we are discussing, democracy isn't working during the gig [/quote] Not really a band then is it? Just two blokes with guitars.

[quote name='mep' timestamp='1389014359' post='2328732'] You can work without a set list, and I have done this in a previous band, with 2 guitarists and both could sing. It was left to the main singer to call the songs and [u]only[/u] him. We had a few songs that we started / finished sets and the rest flowed as necesary. You have 2 options. Leave the set to 1 person or make a set list before the gig. The music needs to flow for both the audience and the band. Good luck. [/quote] Yes. You should always have a 'stage manager' running the show. It used to be the drummer in our old band. Doesn't have to be the band leader or the lead vocals. The key thing is that it's one person and what they say goes, no arguments, argue in the van afterwards.

[quote name='EBS_freak' timestamp='1388675244' post='2324659'] It's not necessarily that, it's that they are used to playing with a set group of musicians who know each other repertoire and are used to just getting up there and playing. It's a mindset that they have got used to I suppose as opposed to out and out selfishness? I feel for Pete - it can be a bit of a baptism of fire and I've been caught in the exact same situation... (probably with the same keys player!). Thing is, when I was playing, I was at a bigger disadvantage to the rest of the guys on stage because I didn't even know the original of the song that they were playing, let alone their cover version. All I can say is, I've worked on improving my ear and trying to read other players! [/quote] This, in spades. Learn the notes on the piano and watch his left hand like a hawk. It'll happen again with another player.

[quote name='Pete Academy' timestamp='1388520164' post='2323103'] My thread is about asking if other players have had this experience. Have you had s similar gig with such an egotistical musician? [/quote] No. However, I enjoy a challenge, next time he calls give him my number.

[quote name='Annoying Twit' timestamp='1388515982' post='2323006'] Link? [/quote] Don't be an annoying twit

[quote name='Dingus' timestamp='1388509395' post='2322873'] ... He has so much creative energy and effortless musical ability that he has never ploughed one furrow long enough to achive his full commercial potential, but that has been his own choice and entirely of his own making. I'm sure he would be the first to acknowledge that, too. [/quote] That's a quite a good point. Pretty common thing to happen to geniuses and true musicians. Get frustrated and bored.

[quote name='ead' timestamp='1388443067' post='2322149'] Definition of an expert: X = unknown quantity Spurt = Drip under pressure [/quote] or Ex - used to be.

[quote name='Buzzardist' timestamp='1388433161' post='2321970'] As simple as that. [/quote] I don't think so. There are some people with strange personality disorders, if I'm allowed to call them that. One guy latched onto me during a break and asked how I was going to fill the room with just my 'little' Trace Elliot 15" cab. Then he spent most of the break asking me how to get Cubase working on his PC. How random is that? I couldn't get rid of him. Luckily by the end of the gig he had disappeared. Probably when found out my Trace rig was big enough after all.

No, I didn't but his whole style of relaxed and informal presentation together with his house concerts fits with his faded black t-shirt Dress to fit with your audience's expectation. That has served me well over the years. Especially playing in pub, function and wedding bands.

[quote name='xilddx' timestamp='1388429379' post='2321914'] He's worn all sorts of outfits, I like the pastel suit and long blonde hair he was wearing in his Robert Plant days. [/quote] That's what he alludes to in your other post about changing ego over time. [quote name='xilddx' timestamp='1388429379' post='2321914'] I bet there are plenty of arguments about him on the current 'It Bites' forum but I haven't bothered looking. I'm not keen on the current line up, they're ok though, but they are not It Bites. [/quote] That's pretty much how they go. [quote name='xilddx' timestamp='1388429379' post='2321914'] Dunnery is considered a bit of a weirdo by his ex bandmates, but he was the real personality of the band and his voice is gorgeous IMO, rock n roll and very emotional. I've met him a few times, he is an odd chap, been through a lot of sh*t with his past addictions, and I like him, although he has some very strong and contentious views on stuff, and I think he finally got his PhD in psychology too. He's a bit of an unsung national treasure in my opinion. [/quote] Yes. I saw him at Bush Hall a couple of years ago. Fantastic venue and fantastic gig. With a girl who could really sing too and he had some amazing players with him.