TimR
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Everything posted by TimR
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Well. You're not much older than them so don't worry about that. You're the bass player. If you were not good enough or had the wrong attitude they would ask you to leave. Sounds like you are depressed. Probably due to your work situation. Giving up would be a bad idea. What do you do for a living? Why are you tired? If it is a non manual job and you just come home and play computer games (until early hours of morning?) you need to get out and do some serious exercise.
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Happens all the time and pubs are used to it. They know you're doing their pub for advertising to get the big gigs. As has been said talk to the landlord ask if you can swap weeks with another band. After all he's getting a quality wedding band that would go out for several hundred quid for a couple of hundred. Obviously this only works on pub gigs and had you taken a 30th birthday party, for example, then been asked to do a wedding you would have to work on first come first served basis. So in that respect your mercenary friend is wrong.
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Saw (and met) Rocco Prestia at Ronnies last night!!
TimR replied to davebass66's topic in General Discussion
Awesome. That guy can play tightly. -
Whenever I feel like that I go out and watch a band. I usually come back with the feeling that I'm not doing too badly.
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[quote name='TimR' timestamp='1331225515' post='1569843'] ... I'm talking about pro backline players of function, theatre, big name tours here, rather than pro musician doing a pub gig or famous singers on the vodka. ... [/quote] I do wonder whether people here ever read the whole question before replying. Obviously certain famous names have been known to abuse substances and a pub gig has s different atmosphere completely. It just seems a bit strange to me that someone gigging night after night should treat a gig like a special night out. I only drink now if I'm going out to celebrate something. Yesterday it featured heavily in the news that middle aged people are drinking almost every night. The incidence of obesity is growing and no one seems to know why.... Hmmm.
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Buy a riviter and consider buying a few old busted ones and salvaging the parts. I made a decent one for my amp by buying a long 2U case that had smashed and cutting the back off, drilled out the rivets, chiselled the ply down to fit the extrusion (the slots are thinner than the ply), drill and rivet back together. I did try making a case from some right angle ally but it took days and fell apart pretty quickly. You need the right extrusions and catches.
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I played with a drummer who remained completely sober on any gig that he had arranged and got completely rat-faced on any gig that anyone else had arranged.
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[quote name='Conan' timestamp='1331282943' post='1570627'] The OP asked about professionals specifically. Maybe the thoughts of amateurs/semi-pros should ber another thread? [/quote] Indeed. Amateurs and semi-pros are in another league entirely. Lose the gig and no worries. If you're a pro and you lose the gig, word gets round and you're out of a job entirely. I would imagine, but I'm not a pro so that's why I'm asking. The problem with the "I know how much I can drink without it affecting my performance" attitude is that it is complete rubbish. The last person who should decide whether they've had too much is the person who's had too much. Although having said that I did a gig fro a 30th birthday where we got paid very well. We turned up, all of us acting very proffesional, and sat and waited in the bar until it was time to play. Unfortunately I had a couple of pints, normally no problem, but on an empty stomach, a late night before etc. When we went on I looked at my music and realised I was completely p****d. Not slightly relaxed like I would usually be! Turns out the lager had been 5%. I played reasonably but it was very un-nerving.
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[quote name='skankdelvar' timestamp='1331234857' post='1570115'] The classical boys (mostly) drink like the fishiest of fish and that doesn't stop them knocking out three hours of International-standard dot action. Stockhausen on half a litre of vodka is entirely commonplace. Popular musicians are clearly pussies of the first order. I am disapoint. [/quote] It certainly seems that way judging by the Facebook posts of a friend of mine. Although to be fair some of that music must be pretty tedius following the same dots night after night.
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[quote name='shizznit' timestamp='1331224254' post='1569814'] ... Start a new thread Tim ... [/quote] Think it's been done before, but .....
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On another thread a story was told where a pro drummer had been speeding up and drinking on a gig. The Sax player stopped mid gig and told the drummer off for speeding up. The drummer then said I do this for a living threw his toys out of the pram and packed up, leaving the rest of the band to finish the gig. I'm talking about pro backline players of function, theatre, big name tours here, rather than pro musician doing a pub gig or famous singers on the vodka. In my profession you would get the sack instantly if you hadn't electrocuted yourself first. Drivers - obviously the same. But I know of certain jobs where people would go to the pub Friday lunch and be useless Friday afternoon. Thoughts?
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[quote name='WHUFC BASS' timestamp='1331211038' post='1569431'] ... on a number of occasions and on each occasion he'd be warned by all band members about his speeding up. He'd be drinking too ... [/quote] Is it acceptable for a pro musician to drink?
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"Let's wear the band t-shirts to play in." God not more corporate wear. I'll wear it to turn up in and get changed into stage clothes later but, please, not to play in them!
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One thing really bugs me about Bass designs..............
TimR replied to apa's topic in General Discussion
Get some of that modelling clay that hardens in the air. Mold it round the edges of the socket to your aesthetic pleasure and paint. I suspect if you apply a thin layer of oil first then you could remove the hardened clay easily if required later. If your nut keeps coming undone then apply threadlock. You can get it in Halfords. -
It's funny the gigs you get through agents who should know better. I would tell your agent you're not going back and why. We did a gig in a club we'd played before and gone down a storm. Only the second time we played the enertainments manager kept telling us people didn't like what we were playing and to play some rock and roll. Despite having a full dance floor all night. Though on that occasion it was our drummer who was going to initiate the violence.
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Stagefright - who suffers from it and how do you deal with it?
TimR replied to 4000's topic in General Discussion
The only time I ever got stage fright was at my wedding. I learned the speech, and who to give what to. My father-in-law did his speech and completely knocked me for 6. I stood up knowing exactly what to say, looked around the room and just forgot everything. It's the pressure of trying to live up to other peoples expectation when you think their expectation is greater than yours. Musical stage fright? Never. We're the band, we've practiced and we've been asked to play. We don't have to be there, we choose to be there. People want to be there and they want us to be there. Make a mistake, laugh it off, it's live music, no one will die. AND most of all no one will remember or notice the mistakes (other than the OCD band leader) they'll just remember the good bits. -
£250 is about right. I'm looking for one to pair with mine at the moment. One went on eBay for £170 a few weeks ago but I wasn't in a position to buy it.
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My brother saw David Grey mess up the start of a song 3 times in a row. It could have been recovered with live musicians. Quantisation is worse than auto tune in my book. A drummer that can't play in time to a click isn't a drummer in the same way that a singer who can't sing in tune is not a singer. I'd use the Jurasic Park Quote about people doing things because they can but I can't remember it. We used mini disk and the drummer just had a mix in his headphones which worked. You need a way to stop it while you continue playing in case it goes t*ts up rather than having to stop the tune. Because it undoubtedly will.
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Blimey, Mani joins BassChat! And now ...Fumps!!!!!
TimR replied to Clarky's topic in General Discussion
[quote name='SidVicious1978' timestamp='1330538004' post='1559096'] Won't Mani feel weird/scared about all of us talking about him like this? I'm just saying [/quote] No weirder than I feel exchanging posts with a dead person. I've never heard of him either. There are girls here?! -
Blimey, Mani joins BassChat! And now ...Fumps!!!!!
TimR replied to Clarky's topic in General Discussion
[quote name='skankdelvar' timestamp='1330532677' post='1558997'] Indeed. 'The effects of global warming on the Arctic oceans' is a good icebreaker. [/quote] Go to your room! -
Blimey, Mani joins BassChat! And now ...Fumps!!!!!
TimR replied to Clarky's topic in General Discussion
I don't have a s**t day job! How very dare you. I find putting screws in widgets very stimulating but having discussed the finer points of widget screws during the day I'm not really going to get that fired up talking about widgets to a complete stranger even if they have a room full of widgets that I have personally built at their home. Sure people will talk about music and be polite when cornered but surely it's better to start off talking about something less obvious when in a non music situation. -
Blimey, Mani joins BassChat! And now ...Fumps!!!!!
TimR replied to Clarky's topic in General Discussion
[quote name='Bilbo' timestamp='1330522941' post='1558779'] My brother was at a festival of some sort (may have been bikes nto music) and was walking along and saw a mate of his so wandered over only to find the mate was with a friend of HIS; one Gary Moore. My brother was a huge fan and, being a bit awestruck and trying to be cool at teh same time, said to Moore 'hey man. Nice to meet you. I've been a fan for ywars'. Moore responds 'Hey man. I don't like to talk about my music' to whcih the mutual friend says 'Oi. Stop being a c*** and talk to the guy. He's been paying your wages for decades'. So he did. Which was nice..... [/quote] I'm not really surprised. It's what he does for a living and he's enjoying his day off looking at bikes. Talk to him about bikes. There's nothing more tedious than being at a party and being asked what you do for a living and then trying to make putting screws into widgets sound interesting when I'd rather talk about my hobby of bass playing. Big name bass players on forums talking about their day job? Shouldn't they be on golf forums? -
'Cutting through' versus 'sitting in' the mix?
TimR replied to Beedster's topic in General Discussion
The difference between playing live and mixing on a recording is exactly as Simon says. Too many musicians play their instruments as if they are soloing all of the time. Internal and external dynamics as well as arrangements are what are key. Especially as most of us don't have a sound engineer when we play live. Another aspect is appropriate volume for the size of the room. How many bands just turn up as loud as they can until limited by feedback or PA power? Instead of boosting guitar solos etc, the rest of the band would do well to come down in volume. Frequency mixing live is pretty hard to do when most of the players are using their own amps. -
[quote name='12stringbassist' timestamp='1330264688' post='1554794'] ... This was fine, except that the legs on the lighting tree and the power amps for the PA were situated at stage right where (ideally) the bass rig would go. he had mic'ed the drum kit up and had cables running over the space where the bass rig belonged. ... moaned that a bank of 4 small stage lights that I put on top of my bass rig got in his eyes from the back of the room, as they pointed forward. What a control freak prat. ... [/quote] Why was the bass amp supposed to go stage right? Why are you shining stage lights out into the audience? I've played some small venues usually it's the same guy (drummer) who complains about the lack of space and how we can't possibly all fit in - unless of course he booked the gig in which case we'll easily fit into that space. We did have some interesting discussions on how the drummer needed his huge kit and couldn't the keys just not use an amp.
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Cutting through the mix - I believe I have found the problem
TimR replied to WalMan's topic in General Discussion
This interactive frequency chart shows where each instuments characteristic frequencies lie. http://www.independentrecording.net/irn/resources/freqchart/main_display.htm The main problem is that the fundamentals from the Bass aren't really what you're hearing because most rigs can't produce at the low frequencies, what they're producing is the frequencies around the fundamental frequencies that the guitars are producing. This is a fairly characteristic frequency for the guitar so you are a bit knackered really. Boosting the mids will help as long as they are the right mids and not clashing with the mids from the guitar. As has already been said: boost at around 550Hz to 2K and you'll be out of their area and everyone should be happy.