TimR

What are they charging per ticket? How many bands are playing? How long are you on for? Is it for charity?

My local had a character who fell over and injured themselves badly, wasn't insured for time off work, so went to the pub and "slipped" over. Like a real life Uncle Albert from Only Fools and Horses.

That's the point where your legal insurance comes in. Let them argue whose fault it is.

It would only protect them from the actions of their employees. Their insurance won't cover you if you injure someone but their insurance will cover their legal fees if someone is injured on their property and tries to sue them. You'd then need legal cover yourselves. The cyclist who badly injured a pedestrian who stepped out in front of him tried to represent himself, failed, and then lost £40k. Although I think his insurance company helped him out in the end. All it takes is for someone to get drunk, come up on stage and trip over a lead and you're involved. Regardless of blame you have to defend yourselves.

Music guard allow you to add up to 4 named people who regularly perform or help you. Presumably at an extra cost.

Look at the small print on your policy, if you haven't already. It may cover you. It may be wise for all your members to get their own insurance anyway.

The recurring theme here is the guitarist is too loud and probably all your on stage issues are being caused by that. All the extra technology you are playing with is a waste of time, energy and money. Keep it simple- he has to reduce his stage volume. My guess is then everyone else can then go back to using ordinary monitors.

If the guitarist is the band leader you're in trouble.

If that is the setting he likes then mark it with a pen on his amp. Not a sharpie or anything indelible. 😆 Then next time balance the band to that. Our guitarist has his always set at the same point. Rehearsal, practice or gig. As long as its not overpowering the stage.

When the venue isn't respecting your service. It's not your job to 'bring' a crowd, it's the venue's job to advertise and build a reputation for good bands that people want to see. You're likely to bring a few friends but it's not your job to fill the venue. Otherwise you'd be hiring your own venue and taking all the profits. If they're not paying the money, they won't get good bands, and they won't build a reputation. Sounds to me like as a band you're all very new to this and not confident your band is good.

I'm not really impressed with any Fender I've played. They seem to be similar weight to Trace Elliot cabs. 😆 Don't really see the point of spending thousands of pounds on what is essentially an antique. I'd probably be worried about it going missing all the time. My current bass is my Daughter's YOB, or close enough. That makes it a classic rather than a vintage or antique. 😆

My Brother was born there 20 years later though.

Coverdale allegedly had the loudest voice in rock. He didn't use SM58s he just sang acoustically. I think Brian Blessed was wasted with his Flash cameo.

I noticed that Francis Dunnery has formed It Bites FD. There's a band that's had more break ups than any other I know about. The last time It Bites called it a day, the only member who knew about it was the one who posted it on Facebook. So it seems even bands who want to call it a day, and have done several times, can't.

Never heard of the first one, had a listen, still don't recognise it. Don't think it is catchy enough for an audience who've never heard it before. Word Up - Gun. It's another one like Lenny Kravitz's Are You Gonna Go My Way. It's a great song, everyone listens to it, every band wants to play it - but it goes down like a lead balloon unless you play it right at the end of the evening when everyone is up and leaping around. The others are OK, but don't think they're groundbreaking storming songs. There are hundreds of songs people like to listen to, sound great and we'd all love to play. There's a reason why a load of those type of songs don't stay in setlists for very long.

Random 2 or 3 beat bars at the end of verses so the singer can make each verse slightly different. Doesn't throw me, but you can tell which members of the band have just learned the first verse and chorus, as they're the ones looking confused when the singer doesn't stop singing when they're expecting them to. 😆

Nothing. That's my kind of gig.

Man in a Box would be a great track to play with the right singers.

The bass player, who originally played that tune, left and then died - I suppose that's one way of getting out of playing it!

Learning that song will be a complete waste of time. No one will have heard it and you could put 2 much better songs in the set. You'll be standing there for 6 very uncomfortable minutes while the crowd stare at you thinking wtf?

You have to find something interesting in it. Look at the technical aspects of the bass line. Note placement. Are they ahead of the beat, slightly behind? What about internal dynamics, which notes are louder, which notes are accented, legato, stoccatto? Is there anything you can add to the bassline, leave out, or subtly change to give the song some interest or a lift.

Ideally they should be able to play drums as well. Maybe even own their own kit and transport.

I have a pair of black jeans and a top that hang at the end of the wardrobe that I only wear for gigs. I have enough to worry about without having to be searching for something to wear when I should be loading the car. I've done that for so long in my established band that I'd forgotten what it was like to discuss what are we wearing to the gig. I found it an odd conversation when I started gigging with one of the new bands.

We all suggest songs and the singer decides if she can sing them. Usually based on whether she has heard it before. The songs have to be well known. Occasionally the singer will learn a song if she's never heard it before but can be convinced it's really well known. But if its not immediately recognisable to all of us it's generally a pointless exercise as the audience will have a similar reaction. As @neepheid writes:No point in learning songs we all like, we are playing to an audience, they've got to go down well. I don't know what that kind of drummer is thinking, or listens to. It's fairly common in my experience. I try to play with drummers who can play other instruments. There's thousands of songs, if you're not too careful your setlist can be too diverse, or not diverse enough.

It's viral. One person falls victim and then the hackers send the link to everyone in their contacts. I suspect the link takes you to a fake fb login, you try and login with password and it 'fails'. The hackers then have your password. The link then tells you to wait for a code that will be texted. The hackers change your password and Facebook texts you a code that you enter into their link. They now have the code. You don't have to 'give' or 'send' anything to an actual person. My friend was alerted to the problem when he received multiple texts that he'd not requested after clicking on a game link. He went to his actual Facebook and changed his password several times but something else was going on. You don't have to be 'stupid' to fall for the scam. Just if you enter your password and it 'fails' - stop. Then go to your actaul account and change it quickly before the text message comes. Or more likely don't ever enter your password except via the app or your PC on the real FB address.