TimR

Very disappointed by the quality of replies to this thread. 1. You need a backup exactly the same as what you already have. 2. You also need a backup that is different just in case you play some songs that require a different tone in the future. 3. You also need a backup exactly the same as the bass described in 2.

A bunch of people knew exactly what I was quoting. Unfortunately I assumed everyone had heard it before. Hence if you've not heard it before I can understand why you think I might be on some kind of drugs. My reply wasn't out of touch with the reality most people understand. At least 4 posters got it. Unfortunately I'm not spending hours constructing my posts with hundreds of legal clauses, and cross reference everything in case someone decides to cross examine me, in what is supposed to be an informal discussion forum, in some effort to score some points. Anyway. As you were.

And if that's not in the profanasaurus I'd be very surprised.

It's just one of a raft of popular quotes misattributed to Einstein and other people. https://www.businessinsider.com/misattributed-quotes-2013-10 I'm surprised more people here have never seen it before.

QED. If you want a different number. You have to do something different. Like use a non regular 6 sided dice.

I'm pretty sure if you keep throwing a 6 sided dice in the vain hope of throwing a 7. You won't ever be successful. Which is what the original philosopher (whoever it was) who made the statement had in mind.

They actually prove it. Shuffling cards mixes them up. If you shuffle cards and expect them not to be shuffled up, then you're mad. Practicing scales makes you better at scales. If you practice scales and expect to be able to play Chopin, then you're mad. Throwing a dice, tossing a coin, will get you a random number from 1-6, or a head or tail, if you expect some different outcome, then you're mad. Don't expect a different outcome to the one you usually get. The point is about failure. If you try to do something via one method, and repeatedly fail to see any change, you need to find another method. It's very applicable to sports and musical training.

Other bridges are available. That's just the one I used to use when going to Sussex.

If the gig isn't in the closed area you can come up through Kingston, Richmond and over Hammersmith Bridge. https://www.london.gov.uk/events/london-new-years-eve-2022/business-and-residents-information-london-new-years-eve-2022?_gl=1*1r6x9m9*_ga*MTgwNzI1OTE5OS4xNjcxNzQ5NjY0*_ga_PY4SWZN1RJ*MTY3MTc0OTc4Ni4xLjAuMTY3MTc0OTc4Ni42MC4wLjA.

That's a tough one. Where are you coming from? My suggestion would to have a band member drive in early with the gear. Leave it somewhere secure at the venue overnight along with the vehicle and go back and collect it next day. Depends on venue obviously. We used to play a venue Friday Nights and Saturday Nights and leaving the large drums, hardware and amps overnight was fairly safe.

Definition of insanity is repeating the same thing expecting a different outcome. I'll leave that there.

Make sure you've hidden the gig money somewhere safe, someone is after a new pair of shoes.

I usually lie awake wondering where that high pitched whistling sound is coming from. And then wonder why I put my earplugs in my pocket instead of my ears.

But do you not recognise there are situations where being nimble is not the aim and not required, where playing with the pads will give a different tone and where muting with the thumb is necessary? Technique is not just about physicality,it's also about tonality. I mean you can't pluck properly with your fingers if you've got a pick in your hand. Ergo, holding a pick must be bad technique.

I'm pretty sure he set his guitar on fire using lighter fluid as well. I've never seen anyone teach that as a technique. Really you should be rubbing two sticks together to start fires.

Can we rename the thread; What do you do with your handbag?

Just seen Terry Hall has died.

Our singer covered our event with backing tracks. I went along to set up PA and lights. From the feel of the event and watching audience reaction, she should have done a shed load of Christmas music. It was a background music gig. I don't think I could have played, outdoors in close to 0°c in any case. Reminded me once more you have to guage your audience. Depends who books you and whether they're expecting a band who has a set list of 40 songs or 100 songs.

No. My car is leased for 4 years and my bass model can be found on ebay buy it now for c£280. But doubt it'll be worth that. I'd guess the majority of people driving 'new' cars are leasing or whatever the latest 'loan' model is. Not many will have paid cash.

There was all sorts of punk. When people think of punk they typically think of the punk music and fashion made famous by the Sex Pistols. Adam of Adam and the Ants headlined the first Sex Pistols gig in his band Bazooka Joe, along with Suzi and the Banshees. Neither of those bands would be considered punk now. I'm not sure if Adam palm or thumb muted his bass.

I lived and worked in Coventry for 2 years in the 90s. Not much had changed by then. But actually the song wasn't about Coventry per se, it was a commentary on the whole country. Ha. That's about as intellectual as I'll get.

Ha. I had to go back 3 pages to find out what 'thumb over the neck' meant. You wouldn't teach that. But if you're resting your plucking hand thumb then you can palm mute. It's a trade off. If you can get the notes you need to while slapping, muting with your fingerings hand thumb becomes pretty useful. If you can't reach the notes then you can't mute. No one would be doing it all the time.

Yes. Arbitrary length of time, again as an illustration. Maybe use lifetime? I doubt my bass is worth what I paid for it or more. I've had it for 20? Years. That's cost me about £25 a year. The point was the depreciation gets written off against the money you earn from its use. But the whole thing falls down if it's your hobby, you're just buying it for fun and using another source of income to fund it. So my point stands, the decision to have £30k worth of basses for most of us is for fun. I don't have a car for fun.

I'm pretty sure most people have missed my point. It doesn't matter whether you spend your money on cars or basses. They're simply tools. If you spend more on your tool than you earn from using it, then you are purchasing with your heart, not your head. Then a load of people comment and prove my point exactly. We are talking about the psychology of collecting/hoarding. I don't see how any of that was off topic. The £30k car/£3k of basses was purely an arbitrary value that I thought would be common and a good illustration. Anyway, as you were, it wasn't intended to be a point of argument.

I think it was Maude actually. Thanks.