risingson

One of my favourite Beatles tunes, glad it turned out better than that demo! Love Ringo's drums on the Revolver recording.

Just got back from NYC having played the CN212. Not too clued up on technical specs and all that, plus I was sat in a shop at the time so you can never get a really clear picture of how an amp sounds. So with that all aside, it sounded unbelievably good at low to mid level.

[quote name='Zenitram' timestamp='1367359059' post='2064796'] Did he write Birdland? I think he played on it, didn't he. [/quote] Might have had a hand in it but it will have been Zawinul who wrote it.

Great story, I'm sure he was capable of being a massive pain in the arse at times.

That tort pickguard was a far better choice than black IMO, it looks amazing.

First time I heard Jaco I'd bought his solo album after being told I should listen, thrown it on and was stumped, I thought it was some kind of horn player. One of my favourite bass players even if I don't listen to him anymore, he was the gateway to understanding a lot of things for me.

I've been waiting for this release for 7 years Untune! I've followed what's been going on, the uber-fans on the forums have been going mental trying to crack codes and mathematical equations, I've just sat back and waited for the release announcement from Warp For those who might be unfamiliar with Boards of Canada, they took their name from the National Film Board of Canada, when they were young they emigrated from Scotland to Canada and were inspired by the scratchy warmth of the soundtracks that accompanied a lot of the films. They're known to sample number stations as well in their earlier work amongst a load of other things. Really psychedelic and always interesting to listen to, they're considered to be pioneers in electronic music.

Huge French House fan so it's anything Thomas Bangalter related for me... Daft Punk (the new avatar ), Stardust (as mentioned above), anything from Roule and his stuff with DJ Falcon ('Together' is one of my favourite house tunes ever). Just hunt down what the samples were and utilise them. Example, 'The Music Sounds Better With You' is the snippet of Hiram Bullock's rhythm guitar part at the start of 'Fate' by Chaka Khan.

[quote name='phsycoandy' timestamp='1367173125' post='2062162'] You had me going there for a moment when I first read it! you nasty person you ! [/quote] Pics when it arrives...

Not being funny but they sound like a bunch of dicks. Anyone with arrogance to take the opportunity to score you on a piece of paper and record you (for whatever benefit) after you've been assured that it was meant to be light-hearted audition I'd be steering very well clear of. Think of it less that you've cocked up and more like you've dodged a bullet. And nice one for plucking up the courage to do something outside your comfort zone, onwards and upwards.

[quote name='BigRedX' timestamp='1367158289' post='2061877'] How about this: [media]http://www.youtube.com/watch?v=Rjpg5PuaGBw[/media] [/quote] I don't see what you couldn't achieve with a volume pedal and a P-Bass on a track like this (any bass in fact), but to be totally honest the space for electric bass doesn't really exist on the track anyway, it's far better suited to a synth bass type swell and benefits from a lack of low end in the track to add to the atmospheric quality in which it succeeds so well. Great track, maybe a bit of a straw man argument though really?

[quote name='EssentialTension' timestamp='1367153277' post='2061763'] If you want it to do so then it can. However, if you don't want it to do so then it can't. [/quote] Best answer probably. I think they can be used for everything I've ever been involved in, rock, R&B, hip hop, soul, jazz, pop, prog metal even at some stage, I could have very easily covered all bases (pardon the pun) with a P. If you don't like them though then they're never going to be for you, and you should just get something else.

Most of my focus comes on playing bass, I've worked quite hard recently at guitar too as I absolutely love playing. I swap between the two happily, I'm more adept on bass but I'll play guitar happily, swap and change when I want and all that.

All got sold, I was there last weekend and they're gone. The only thing left was a Pensa hollowbody fretless that was designed for Marcus to play but never properly used. Eye watering price for that Fodera fretless, will have been snapped up by some investment banker.

[quote name='Hobbayne' timestamp='1367086606' post='2061208'] Isnt his son Paul McCartneys drummer?? [/quote] This man. Enough said: http://www.youtube.com/watch?v=iQnxGppzGtM

Cool clip. The thing is that Trombone is incredibly hard to play especially in a Jazz situation, rarely do you hear a Trombone player blasting quickly over changes and the ones that do are absolute monster players. Underrated instrument I reckon.

Gone the total opposite way, I was a Jazz bass player for years and have moved over to a P. That said, I'll pick up a Jazz again soon if I can, that '75 reissue looks immense so if I could get hold of one then that's what I'd go for. Great choice then!

[quote name='EssentialTension' timestamp='1367074488' post='2061002'] It certainly could have been said of whatever stringed bass was most common. [/quote] Yeh absolutely. It obviously made sense at the time for the transition from upright to electric bass to evolve around the tuning of the upright seeing as most players who were to adapt the electric bass as part of their ensembles would be most comfortable with the former. What I'm sure most people didn't realise at the time was the adaptation to electric would involve a whole new approach at what they'd been taught before, they're two very different instruments. It's interesting that the Fender Bass VI didn't become the norm, I think had it been introduced a bit earlier than it could have become the standard as it would have encompassed a lot of what came naturally to guitar players of that era.

[quote name='EssentialTension' timestamp='1366397462' post='2052157'] ... and the great majority of recorded music over the last 60 years has used a four string bass. [/quote] If 6 string bass had been the standard since the start I often think that the same could have been true of the ERB. I'm a 4 string player mostly, I've owned 5 strings but currently they don't 'suit' what I play for the majority of the time. If I started doing more session stuff I'd be a 5 string player mostly because I could keep up with most eventualities with what a keyboard player might be doing with his left hand for example. 5's and 6's are just a means of extending the range around what you're already playing on a 4. They make things easy when you find yourself spread a bit too thin on a 4 string, tying together longer passages, extending what you play into a lower and upper register. Having seen Anthony Jackson play last week, I totally get why some players choose 6 string, a player like him needs that range. It's just not really for me right now, maybe in the future though.

Sound great! Most mates of mine who are bass players are using them and I can see why.

Ah yes, I know the one, suggested to Roger she might look better as a 7 string with just a piezo instead of any pickups and some Ibanez-style tuners on, those hipshots weren't doing it for me. Oh and it's got a perspex body on it now too... Haha, didn't see it, but I'm sure you're in for a treat when it arrives! What a lovely bunch of guys they are.

Was in the factory a few days back matey, might well have seen your bass getting worked on or even completed. Spoke with Kevin, played every bass in the workshop, what a great place.

Mingus, Scott LaFaro, Ray Brown, Mr. PC Paul Chambers, Ron Carter, Patitucci, Christian McBride and Dave Holland.

[quote name='MiltyG565' timestamp='1366433723' post='2052562'] They say you should never meet your heroes, because you'll be disappointed and disillusioned, but you were obviously lucky enough to pick a hero that's well grounded, and not someone like Flea, who's bound to be a bit of a diva. Lucky you! [/quote] A friend of mine met Flea, he stage invaded at Leeds when he was 17 and gave Tom Delonge a hug, which I don't think he liked very much. Promptly got ejected into backstage where Flea had watched the whole thing, he said he thought it was funny and gave him a backstage pass.

So cool Steve. Got talking to Simon first, talked about his PSP project with Pino for a bit then he introduced me to Anthony who was just sat backstage, one of the most shy unassuming people I've ever met but probably (IMO) the most accomplished bass player alive today. Baring in mind I'd just watched this guy blast through the most insane duelling with Hiromi and was already gobsmacked, I basically had nothing interesting to say to him and was probably a gibbering wreck! Lovely blokes the pair of them.