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risingson

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Everything posted by risingson

  1. That’s great info thanks! I love the Origin, it does an incredible job of emulating tube saturation and that compression and lag that I love but it’s missing the sheer functionality of the Capo which has made me want to bite the bullet. Love the idea of the additional drive capability as well, Will be an interesting comparison!
  2. Have been following this thread with interest as I’ve just bought one. A quick question from owners, am I right in saying the effects loop on the left of the unit is for additional pedals to go after the preamp and then out with the preamp DI? If so this is going to solve the major problem I have with my Origin Effects 64 Black Panel - I like to put my Cali76 after my preamp, which then defeats its use as a usable DI signal to the desk.
  3. This is something of a reluctant sale. Absolutely astounding bass, lightweight and an incredible roasted neck. 2018 model. In great condition. For those who don’t know (although would suspect most will) these new Specials have had the weight stripped out of them and refinements to the preamp which I find incredibly musical. It’s one of the best ‘mass produced’ instruments, stainless steel frets which are sublime. Everything on the instrument feels premium and so we’ll put together. Price is firm, these things are nearly 3k new now. Postage at buyer’s cost, might also meet it in north west. Any questions on the instrument feel free to ask.
  4. Hi Al, just weighed - 9.7lbs / 4.4kgs.
  5. Yamaha BBP35. This is a reluctant sale as it’s a truly fantastic instrument and astonishingly well constructed. Would argue one of the best I’ve seen fit and finish from a production bass. Made in Japan, the top line of the current Yamaha BB range. Low B is superb, pickups incredibly well voiced, especially the P which I often keep soloed. It’s fitted in with virtually any gig I’ve taken it to. Resonant unplugged, bags of sustain, 6-bolt neck making it all very stable in its construction. The string though body also a nice addition. Why am I selling? Largely playing 4s and interested in getting something short-scale - I’ll be very sad to see this one go. Only trade I’d be interested in here might be a JMJ Mustang, other than that I’m just after a straight sale. Any questions on the bass do let me know! Quick vid of me playing it in the link below - would recommend headphones! https://www.instagram.com/reel/CmsEnrdBm6b/?igshid=MzRlODBiNWFlZA== https://www.instagram.com/reel/CjOcvQ8MARb/?igshid=MzRlODBiNWFlZA== Liam
  6. I think McCartney is amazing. In hindsight with the way bass playing has evolved in the past 50 years or whatever it might be, it could be easy to see his playing as comparatively rudimentary and especially in isolation. But he evolved so much as a bass player throughout the history of the band and clearly he was applying the lessons of Jamerson and Brian Wilson’s arrangement skills as best he could and in his own way. Sgt Peppers has some absolute standout bass tracks - Getting Better, Lovely Rita, Fixing a Hole. White Album the same, Dear Prudence is inspired. Rick clearly expressing an opinion here but I think McCartney totally deserving in a top spot of historic bass players
  7. mods please delete - post not relevant here apologies.
  8. Hi Phil! Definitely not a V, more C. It’s very comfortable and easy to navigate. I had a late 70s P bass which was baseball bat territory but this feels much more ‘refined’ and updated while still keeping a bit of that thicker neck feel.
  9. Thanks for this Goffman, confirming what I thought. The 63s are equally wonderful instruments too.
  10. Good question Good question. My understanding is (I think I’m right on this) that the flash coat is the nitro. Certainly doesn’t feel like any top coat whatsoever. Hopefully someone will correct me if I’m wrong.
  11. Haha! It’ll come free with the bass 😂
  12. Now £1275! Somewhat reluctant sale (I know that’s what everyone says isn’t it). Only selling as I have another P-Bass with a rosewood board I just prefer. This is no doubt a fantastic instrument. 2013 ‘58 AVRI P-Bass, nitro finish, reverse tuners, AVRI pick-up with true to original spec raised pole piece under the A. Anodised pickguard is lacquered which is just as well as the originals look awesome but feel very weird under the fingers! Neck is beautiful and has some figuring which I’ve done my best to capture. Case and ashtrays included. Strung with Chomes I think (they came with the bass, sound great!). Shipping negotiable but I’d prefer to sort a pick-up ideally. Weight is around 8lbs so not a heavy instrument at all and it is a joy to wield. Condition is really good. It came to me basically brand new, ashamed to say I have had a few knocks which has taken the smallest amount of lacquer off, the one thing I would say is it has a flash coat of lacquer which is meant to emulate the originals somewhat and so is prone to wear and tear which is part and parcel of it all! Apologies for the limited pics but I’ll get some more added as soon as. In the mean time please ask any questions you might have. Trades wise, I’m after absolutely nothing unless we can negotiate something around a MM Stingray Classic 4. Absolutely not interested in anything else at this time, thank you! Quick link to what it sounds like https://www.instagram.com/reel/Ce8mR5kljr5/?igshid=YmMyMTA2M2Y= Cheers, Liam
  13. Gone! Literally yesterday, exchanged for something new. You might be able to find it with London Bass deal Andy Baxter if you're quick but it's out of my hands now. Cheers
  14. Well deserved bump! Still here.
  15. [quote name='Isabass' timestamp='1436510618' post='2818656'] Nice What's the weight? [/quote] Sorry, forgot to mention weight. It's around 10lbs.
  16. Afternoon Basschat. I'm selling my all original 1974 Fender Jazz Bass, an absolutely brilliant instrument that I purchased around 2 years ago. It's a great sounding example of an early 70's Jazz. The bridge pickup growls and is positioned that bit further back than the 60's Jazz Bass bridge pickups were which has always been my preference in terms of tone. With both pickups on you get your classic Jazz Bass sound, a little scooped sounding. With the neck pickup you get plenty of warmth and character for an old school Soul/R&B sound. It has been recently set up by my superb local luthier and plays excellently. The frets show little sign of needing to be replaced with very little wear. The electronics and pots are in fine working order and the hardware is all fine, in fact this bass holds its tuning better than most basses I've owned. There is a crack in the nut beyond the G string at the end but it holds every single string fine and doesn't compromise the playability of the instrument. It's an incredibly clean looking example with minimal wear and tear but like most Fenders of this age there are a few scuffs here and there. For many of us including me it's always been part of the charm of owning an instrument of this age. There's no buckle rash at all. One thing that is slightly odd about this bass is that at some point in time someone has added an oversized pickguard and there are screw holes around the edge of the instrument. It's not at all noticeable unless you're up close and has never even really crossed my mind. [b]Why am I selling? [/b]I've grown up playing Jazz Basses but my preference has shifted towards Precisions now so I've decided as this gets less and less use I will sadly have to move it on. [b]£1900. [/b]I'm based on the Wirral, ideally I'd like prospective buyers to come and try the bass but if you insist on shipping then it will be at your cost + insurance. ([b]*Trades[/b]. The only one trades I'll consider are Fender Precisions, only rosewood fretboards and period correct finishes, 60's style Precisions e.g. Custom Shops, American Vintages and Precisions of roughly the same age. Other trades will not be considered, sorry to disappoint). If you would like any additional information about this instrument or more photos please message me and I'll do my best to help out. Cheers, Liam [url="http://s874.photobucket.com/user/liamcapleton1/media/IMG_1251_zpspkiiqxxi.jpg.html"][/url] [url="http://s874.photobucket.com/user/liamcapleton1/media/IMG_1250_zpsyutc3lzl.jpg.html"][/url] [url="http://s874.photobucket.com/user/liamcapleton1/media/IMG_1259_zpsn5r0fm05.jpg.html"][/url] [url="http://s874.photobucket.com/user/liamcapleton1/media/IMG_1258_zpsq6pd8b7x.jpg.html"][/url] [url="http://s874.photobucket.com/user/liamcapleton1/media/IMG_1257_zpshby9i9ul.jpg.html"][/url] [url="http://s874.photobucket.com/user/liamcapleton1/media/IMG_1256_zpsdmbqerut.jpg.html"][/url] [url="http://s874.photobucket.com/user/liamcapleton1/media/IMG_1252_zpsawhog3gw.jpg.html"][/url]
  17. risingson

    Kev's Feedback

    Really swift delivery from Kev of a new P-Bass after a nice series of PM's. Another sterling Basschat transaction, deal with confidence. Cheers!
  18. Flats are great for bedding a bass part in a mix nicely, live or in the studio. You get a lot less finger noise when playing and they have a 'fundamental' sound to the note with less of the high end content you'd typically associate with roundwound strings. They're typically thought of as a step in the right direction to getting a vintage bass sound but I've found they have plenty of uses in modern music too that haven't been totally exploited yet. Downside to them is that they don't sound a thing like roundwounds. I would argue that you might convincingly make roundwound strings sound like flatwounds but this isn't true the other way round for a few different reasons. Slapping doesn't sound good on flats in my opinion, although it's been done a lot by guys like Chuck Rainey and others back in the 70's and 80's. They can also be a bastard to EQ in a boomy room, same goes for the sound guys that might not necessarily know what they're doing as well. It's possible to loose note definition in the wrong environment. That being said, I'm almost exclusively using flat wound strings now as I'm no longer interested in having a modern sound. I keep my Jazz bass strung with roundwound strings as I like the versatility it offers me when I dep with other bands but for my original recording work and live work, I only use flatwound strings now.
  19. [quote name='lowdown' timestamp='1406923424' post='2516005'] Not sure why you fall asleep ( that's if it is the Nancy Sinatra version). Two Basses on that version to keep you awake, played by two top in demand players of the time (Carol Kaye & Chuck Berghofer). To be honest, it's just a typical pop tune of that era. [/quote] The bass part is perfect for the record and the two players are (were) well established LA musicians but that doesn't necessarily make the part interesting to play sometimes. I've played parts that I've written personally that bore me live, other nights they might thrill me. A lot of it is about context of the gig and the musicians you're around. Just IMO! Playing the same thing night in night out can be boring, even if some people won't admit to it
  20. Cool I'll check it this out, still one of my favourite bass players at the moment.
  21. The review was funny I thought, didn't take it overly seriously and it's hardly surprising The Quietus found the new Coldplay album to be sh*t. I've not listened to the whole thing, only a few tracks. It's tame, they've managed to succinctly rip off Bon Iver in one tune as well. It pisses me off most that they're masquerading as a band still, as I'm pretty sure Will Champion has got his drums in storage and Johnny Buckland has burnt his guitars and bought a bunch of sequencers and Pro Tools plugins. There's considerably better music out there right now though so I'm indifferent.
  22. [quote name='chardbass' timestamp='1400161115' post='2451318'] Still coming down after seeing these guys on Saturday. What a great vibe- the drummer was sensational (Robert Searight?) and Cory Henry is the coolest cat on the planet. [/quote] Cory played drums for us all the other night, disturbingly he's probably as good as Sput was. Unbelievable drummer too.
  23. [quote name='Dingus' timestamp='1400088470' post='2450664'] I would love to tell you some of my Glastonbury anecdotes, but it would undoubtedly lead to me getting banned from Basschat, and I would have no right to complain. Suffice to say I will not be going this year or any other year. Apropos of all this, some spontaneous footage from the Dutch equivalent of Glastonbury: [media]http://www.youtube.com/watch?v=u6f9TyXNs6w[/media] What is it with Dutch people and toilets? Anyhow, I just hope the poor fella wasn't doing the catering. [/quote] Too funny! I saw way worse stuff than this last year in the Glastonbury toilets.
  24. A friend of mine let me borrow his Smith to play for a gig I did in Geneva last month, nice bass but I wouldn't like to own one. I don't gravitate towards most 'high end' stuff and as I've progressed through my 20's my tastes are so completely basic now. It's pretty much old Fenders that do it for me, might change in the future and I'm open to it. Ironically it was when I was younger that I always dreamed of owning a Fodera or something like that, it's taken age to realise I wouldn't benefit from owning one and don't have any interest in them. Frankly it's totally fine with me if someone chooses to spend a lot of money on a high end instrument. Whether they can play or not (or whether they're a postman or not), if they derive the same satisfaction that I get every time I pick up a P-Bass then that's cool. There's loads of bitterness surrounding the whole issue on either side of the fence. [quote name='Weststarx' timestamp='1400075284' post='2450478'] Nothing to do with basses but I have a cheap Yamaha acoustic that I brought for about £150 and the guitarist in my band said it sounded better than his Martin which are up there in the 100s. Then again I personally think Yamaha make some absolutely outstanding instruments for the prices they charge. [/quote] My Japanese and inexpensive Squier P-Bass sounds like the best P-Bass on record that I've ever owned, and I've owned a lot of them now. Cost me £50!!
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