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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. We'll find something else to trade mate, I've got an old 19th century German blonde fiddle after all............
  2. How did I forget them. The '57 was something special wasn't it, glorious instrument. The Wals.......? I think the reality for me was that while they were good instruments, the mystique always exceeded the reality, I think I genuinely preferred my fretless Ric to any of the fretless Wals I owned, just sounded and played better. But then to my mind the £400 Warmoth bitsa I just sold would also give the Wals a run for their money (I recognise that many would disagree)
  3. And before I send I'll be emptying all the pockets, I sent a BCer a nice set of TI flats the last time I sold a case
  4. Thanks guys, happy to post this BTW, very might so probably not much more than a tenner
  5. Bump for the Vintera PUPs and the P-Retro in need of repair, that for reasons I can't remember never did make it to Owen!
  6. Aha, ribbon mic, that's interesting to know, especially given how magnificent his recorded sound is. I started the thread below years ago and still haven't got around to using either of my ribbons on DB. Given my new found love for the Wood Brothers, I'll be digging out a ribbon or two this weekend PS if any mods read this would be helpful if you could reopen the ribbon mic thread which has been locked?
  7. Folks Not sure what these all are, so going in at £10 per string....... First up, a 4-string set that came off my Clifton a while back. Still got a lot of life in them. Quite thumpy and prominent. Not growlers Next up, three strings from the same set (A is missing, G is quite worn) E string D string G string Next up some tape-likes, E and A strings only, sounded great on EUB, and worked quite well on acoustic DB with guts on D and G. SOLD Last one, individual A string, feels tape like also, gut-like sound with a bit of edge SOLD
  8. I got these out today and they're actually in better condition than I remembered. They are far from new but they are still very playable and if looked after in the usual way should survive a few more years of playing. Note again that the E and A are pretty substantial, it's one of the reasons they do what they do so well, but it's also a bit of a shock if you're used to, for example Evah Weichs
  9. Ludicrous quality at a ludicrous price frankly (retails at close to £700 https://www.thomann.de/gb/soundwear_3244_performer_4_4_bass_bag.htm), but that's DB for ya! This was bought ahead of lockdown when we had a lot of gigs lined up in a lot of remote locations. As it stands, largely because I used an EUB last year anyway, it's done precisely five gigs in three years. It's in pretty much perfect condition and given the retail price tis really is a steal if you need a case for your 4/4. It's the kind of thing I'd like to keep but I'm raising some cash at the moment so think I will use my slightly lower cost gig-bag (still £200) and be more careful! All joking aside however, this is probably the next best thing to a hard case with the advantage that it folds up small at a gig, having tried a hard case for my 4/4 back in the day finding somewhere to put it at gigs was often the biggest challenge. Stock photos below I can post, or we can arrange to meet up which is preferable. As per other current listings I'm driving Canterbury-Bristol this weekend so would happily deliver or meet en-route. Cheers Chris
  10. Good question. Two things I think; first I find the sheer physical challenge of DB has always motivated me more than EB, for example the fact that my hands, shoulders, back and even legs tire during a session and that this demands I'm more focussed and economic when I play. Second, I think I've found a style of playing that simply suits DB, one that while still credible on EB, sounds and feels better on DB. I guess on the basis of both factors I increasingly find DB more motivating and rewarding to play. None of this was really a conscious decision, it was odd to realise mid last year that I simply don't choose to play EB any more; in the band, when I practice, or even when I just want to play for the pleasure of playing, I now nearly always head for DB.
  11. Funny feeling, after more than 20 years of owning at any one time between one (rare), several (often) and at the most seven (madness), I've just sold my last electric bass, with the aim of focussing on upright from here on. It's part financial with a house move coming up, part technical in that I want to really focus on DB, and part organic in that I've found it harder and harder to play electric bass as I get more into upright. I think I'm going to miss the tinkering, setting up, swapping out components, building bitsas etc as much as the playing to be honest, but it's gonna save me a fortune But man, when I look back at some of those basses; all original LPB '64 Precision (i blamed @Happy Jack for that particular purchase, and @Clarkyfor a significant percentage of the remainder), '97 Modulus Flea (played itself), a Modulus Sonic Hammer (a Rottweiler in bass clothing), a '69 Jazz FL (made me feel like Jaco for a while), Takamine TB-10 (best looking bass ever), several 70's Precisions, pre-EB 'rays, numerous Rics, a couple of Sadowskys.... Man, I was lucky enough to own some awesome instruments, the sort of thing I could only dream of when I was growing up with my Satellite Bass in the late 70's. And don't get me started on some of the rigs I've owned........ Anyway, as you were, just thought I'd mention it
  12. Great thing is I'm dropping this off about 20 miles down the road from yours John, I like it when a plan comes together
  13. Sorry mate. Also it means that Sunday will be the first day in over 20 years that I will be without an electric bass 😲
  14. So, late May this year with the prospect of lockdown ending I was invited back to my old band to do a series of DB gigs. Absolute pleasure to be playing music with great guys after almost two years out. Problem was that they're not the most organised in terms of sound management and playing a 4/4 DB in what was a pretty chaotic soundscape at times was proving challenging in terms of feedback and hearing myself. I decided I'd get an EUB, and while ideally searching for an SLB-100, I was very happy to find a Clifton, and even happier when the owner offered to drive from Yorkshire to Kent to deliver it in person. Long story short, we had a great chat, turns out he'd played bass with a lot of musicians I listen to, and it was both entertaining and educational to hear the tales of Nashville perfectionism. I told him a about what we do and he said "Sounds like you're after a Wood Brothers sound", and I seem to recall thinking "Never heard of 'em". He left, and I thought I'd take a quick listen to these guys and see what I think. Bloody hell!!!!!!! No joke, this was the band I'd been waiting to hear all my life. Lovely bluegrass/Appalachian feel, extraordinary musicianship and some fine songwriting. And then there's Chris Wood on bass. The first thing I thought was "Wow he's good". Then I thought "Wow, he get's a lot of space in the mix (what a conversation on Talkbass described as high levels of 'acoustic real estate'), but what I really loved is that he plays a very Jazz oriented style in an ostensibly blues/Americana band, and does so with great style and with great technique. I tried to find stuff on here and wasn't surprised to find that @Clarky had discovered them years ago But it's not just the DB sound he gets, he plays a lot of electric also (a Hofner Violin Bass) with the same style and flair. Do check them out folks, as Clarky suggests, the recorded BD tone is pretty impressive, but so's some of the live playing. Check out some of this for example... I'll post some more when work eases down a little
  15. It's one of these https://www.thomann.de/gb/gator_g_pg_bass_guitar_double_bag.htm Currently in the loft but will get down and take photos tomorrow. In good condition. Travelling west on Sunday so could deliver or hand-over anywhere between Canterbury and Bristol Cheers Chris
  16. As per other FS posts, reorganising my gear and raising cash ahead of a house move. This is a rather nice Seagull S6 QIT acoustic. These are very highly rated instruments in their price range (retail around £700 https://www.gear4music.com/Guitar-and-Bass/Seagull-Guitars-S6-Original-Q1T-Electro-Acoustic-Burnt-Umber/1GW7?_gl=1*r3pl3b*_ga*MTMzNjE3Mzg3My4xNjQzMjA3MTg5*_up*MQ..). Made in Canada and equipped with Godin electrics, it's a quality instrument in all respects. As you can see, that is road worn. It's an interesting job because it appears to be a mix of real and synthetic wear, which I suspect might have been started when the previous owner tried to take off the pick-guard. However, for a relic it's rather good and means that it I don't panic about my daughters (or bandmates) putting a ding in it! Also comes in a Gator hard case that fits it perfectly. I'm happy to haggle on this and happy to post, I'm not interested in trades however. I'm travelling from Canterbury to Wiltshire this Sunday (30th) so would be especially happy to haggle with someone who could meet me en-route or who's house i could drop this off at, I've learned to really hate the process (packing, stress, anxiety, emotions) of sending nice instruments by courier Cheers Chris \
  17. As per other FS posts I've started recently, upcoming house move is forcing a rethink and a sell off. First off, this is the last of my bass guitars and it's one that I've tried to sell a couple of times before only for the same to fall through and for me to find myself glad it did. This has been my main gigging bass when I'm not using DB for as long as I can remember, and while it has become something of a Trigger's Broom, it retains it's core elements.... A stunning Warmoth ebony unlined fretless neck. The best neck I've ever owned, and that's up against Wal, FCS Jaco relic (the stupidly expensive one), MM, Sadowsky and a few others. Note that it's a Precision neck, 43mm at the nut, but relatively shallow also (60's profile as opposed to 70's). Neck is oil finished not varnished. Very small dink in the board on bass-side (last photo). Doesn't affect playing Completely unknown body that is in some respects a little agricultural in form (see PUP routes) but to which I have become very attached. It works very well with this neck, which is why they've stayed together for so long Lovely nickel Gotoh lollipop tuners with the no traditional two screws missing each (I have no idea why this happens but it seems to be the case on all my basses. It's easily resolved) A set of beautiful, toneful and articulate Wizard 64's running through a Kiogon circuit Bridge from a Fender Roscoe Beck sig, ludicrously over-engineered but once again just works with this instrument and allows some very accurate intonation/action/spacing tweaks, which I like Also comes with a harvest gig bag that it's lived in for most of its adult life and which I'd prefer to post it in if the buyer is unable to collect (inside a cardboard box also). Bag looks a bit rough in the photos but is in good condition and protects the bass very nicely I'm only selling this because I need the money and because I'm going to gig and record entirely on upright from now on. Part of me want to keep it to noodle on etc but the reality is that if I'm noodling it needs to be on upright or I'm always going to be that slightly out of tune DB player! I'm happy to negotiate on price especially around the gig bag, but I'm not going to part out the bass. No trades I'm afraid. Happy to send via courier. I'm also travelling west from Canterbury to Wiltshire this weekend if any of you lovely Basschatters require concierge service More photos to follow
  18. More stuff to clear out, this time a set I had on my DB for about 2-years, probably gigged about 20 times and rehearsed about the same. They are showing considerable signs of wear and will need a bit of TLC from here (the odd trim and some oil), but having played them before Xmas they still sound lovely and still have quite a lot of life left in them. I used to carry them to gigs as spares for my current hybrid set but found that guts that haven't been at tension for a while don't make a good emergency replacement mid-gig. These are entry level guts but even so retail at almost £400 https://www.thomann.de/gb/lenzner_1310_a_darmsaiten.htm. This is probably a good way of finding out whether a full gut set is going to work for you and/or your bass without that rather mad expenditure (I bought these new from Thomann before the prices on them went crazy). I'll post photos of the set later today, apologies I'm not able to get to my studio until later this afternoon. Note that gut A and E strings are pretty substantial and might require some modification of your nut or even bridge. Note that this set has been on both 3/4 and 4/4 instruments Cheers Chris
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