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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. All correct, but if it's that bad I'll waive the courier fee Dunc (and BTW, if you think there's a courier out there will move this flipper for £50 dream on). So.... New house £150,000 Divorce £30,000 8x10 £500 (prices are good at present) Chiropractor fees for next 30 years £60,000 Total 2400,500 £240,500 for the best bass tone you've ever heard? Still seems reasonable
  2. I would buy a cheap Jazz body and install the Nordie Split 51's. Cant lose
  3. There is something very alluring about that design, and with a couple of Nordstrand Split '51s in there it would I imagine be something really special https://www.bassdirect.co.uk/bass_guitar_specialists/Nordstrand_Jazz_pickups.html
  4. I was stuck with Garageband for a week when IT issues bought my Pro Tools to a halt. I found it absolutely awful to use, seriously clumsy. it might take time to learn Reason, or many other packages, but you'll find it's time well spent in the long run
  5. So, following a few beers just after Xmas I bid on a rather lovely Warmoth Black Korina Jazz Body with the intention of replacing the body of bass #2 in this listing and keeping it. It's a nice body, light, resonant and stunning to look at, and is of course the usual great Warmoth quality. However.........part of me prefers the older heavier body so given I have a couple of Warmoth necks hanging around also, I'll stick this and the Macassar Ebony Warmoth neck up here, because they go very very nicely together both functionally and aesthetically. As it is in the photos below (Badass II, Gotoh vintage tuners, no electrics) I'm looking for £450, fully built with Wizard '64s and Kiogon circuit, £525 or neck and body only £375. I bought the body used for more than I should have, but new it would cost around $570 according to the Warmoth build site. And the specs for the body from the Warmoth site Neck and pocket fit as good as you'd expect for Warmoth/Warmoth
  6. The thing with email is that, whilst it's easy to miss or overlook an email in real time, it's a simple (once a week?) admin task for a business to check that all emails that needed a response received a response. Any business that doesn't make sure this is done is likely either missing out on business, pissing off potential customers, or likely both. Email is so easy to get right.
  7. It's funny, but there was another thread a while back on which i mentioned that the guy in question hadn't replied to my emails, and when everyone else came on and said 'He always replies to mine" it made me even more angry! I wonder if shops realise this
  8. Story of my life mate, and look at that board
  9. Absolutely, universal crapness is acceptable, it’s when you feel you’ve been singled out for targeted crapness that it’s really annoying
  10. And if we're talking the equivalence of CS versus US fretless Jazzes, we should probably give a nod to the 90's MIJs which were the equal of both
  11. I've seen worse alignment so if it plays and sounds OK I personally would be OK with it, assuming that is I had checked what the underside of the pickguard is hiding first! I suspect @Doctor J is right and, strange as it seems, someone might have messed with alignment to fit the pickguard, it's an easy fix if so however
  12. Interesting bass the relic, I had a real love/hate thing with it. I take your point re the PUPs, but I guess the Custom Shop set out to engineer them as close as possible to what they believed the PUPs in Jaco's bass were like at 'that' stage of his playing/recording, when I guess they were far from new! Before I bought it i did a lot of reading around the instrument and I recall a post on TB in which the author said that people who thought it was a bad bass didn't understand what a good bass was!!!! Not sure I agree, but if I had the money and there was a used one at a decent price I'd buy it, the body relicing was a bit obvious but the neck was a joy to play and whether the PUPs were or were not as good as those in other instruments, it still sounded lovely (as you proved Phil). I've a set of Wizard '64s in my fretless Jazz and I feel they're a similar thing, they don't have the obvious refinement or immediacy of more contemporary voiced PUPs, but there's something rather nice about them all the same. But you're certainly right about little difference between CS and factory sometimes
  13. I've always felt that this was the beauty of Fenders, especially the Precision, and part of why players, producers and engineers love them so much. Like a decent hire car, they're predictable, reliable, have no unexpected quirks, and most do the same thing the same way. Pick up a Wal or some of EBMM's more esoteric models and you're talking a very different kettle of fish. You make a bass 'feel' by playing it, just like you make a car your own by driving it
  14. Hey mate, many thanks, that's exactly why I asked as I've been thinking about those PUPs for a while, if you had a moment could you add your thoughts on the sound to this thread (I don't want to divert this one any further). Cheers. Chris
  15. It was the CS Relic, yet another of those basses I wish I still had, although a bass that, once Phil had played it, I realised was one that I wasn;t quite making the most of
  16. Ha ha, my neighbours have put up with worse trust me. Thanks for the comment Phil, my kids felt the same, IIRC you also correctly identified that Katie, my youngest, has the correct temperament for drumming
  17. With apologies for the thread derail, how does that bass compare to a Jazz Bass tone wise?
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