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Beedster

โญSupporting Memberโญ
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Everything posted by Beedster

  1. Agreed, but while it's easy to see the problem with generative processes, predictive AI still has huge limitations, many of which are being overlooked
  2. Thanks for saying what I held back from saying earlier
  3. And if I am to believe the sources, the errors that have already been made using AI in military applications are pretty horrific.....
  4. All joking aside, a fretless Precision with maple board is a very special bass, surprisingly gutsy and powerful by comparison with the more usual rosewood and even ebony boards ๐Ÿ‘
  5. Lovely piece of kit just not being used, great for electric, for upright, and for doublers. Lovely condition plus power supply & original box
  6. ....and ashtrays! I might get the configurator onto that later today @Marky L ๐Ÿ‘
  7. I won't go into why I have these totally new and unplayed, suffice to say it was an emergency Xmas present that I had to buy for myself last year but which I've never used (I used to own the same unit years ago and loved it but now use virtual drums with my DAW so have less need for boxes). The two units together seem to retail in the ยฃ350 space so this seems a good price, but a degree of haggling can be tolerated Happy to post
  8. In my field it's the subtle errors AI makes that are concerning, because some of them are hard to spot for anyone but an expert. And those subtle errors will of course be amplified the more the machine uses the information in question. Businesses think they can do things cheaper by using AI, which they can, but in doing so they risk doing things less well. This might not matter in for example advertising or similar text/image generation, but can be critical in law, engineering, medicine and science, where it's increasingly being used.
  9. Very true, in part because it has been aggressively marketed to those business leaders by Big Tech
  10. These posts sum it up nicely, over the next few years AI is going to make many professionals, including musicians, redundant. It's also going to mean that many of us to have our work in the public domain see that work plagiarised, often inappropriately and out of context, by the machine. Members here will find a piece of their music, text, artwork, will suddenly appear, possibly widely, and they will have no control, comeback, or royalties (there might be someone somewhere pissed off about the muppets in this thread for that very reason). And over and above that the energy consumption is ridiculous, if you really want all those lovely green fields to become battery farms in the next few years, go ahead.... We should think a little more carefully before clicking a link these days
  11. Yep, i imagine it's for exactly that reason, it gives them deniability, which at their prices and with their reputation, they should not need. Poor form
  12. '51s are the new black Andy. You watch, this time next year they'll all be playing them ๐Ÿ‘
  13. Likewise Michael, itโ€™s undermining quality and creativity in so many professions at present, not just the arts, we should be pushing back at every opportunity ๐Ÿ‘
  14. Kev, thanks. Yes it does open up a debate, and one that could have happened here in this thread, because two well respected members highlighted IP and ecological factors, and I'd have hoped that the community response, as well as the moderating response, would have considered whether, as a online community, we should think more carefully about responsible use of the web. Absolutely we've probably all been on the wrong side of both debates at some point, but given we're currently sleepwalking into potentially catastrophic I/P and ecological crises - which effects us all as musicians and probably beyond (AI has already had a pretty disastrous impact on my field) - it would have been lovely to see support for those members who voiced concerns ๐Ÿ‘
  15. So @Kev, you're a moderator yes? Just checking
  16. Yep, you're all muppets for sure
  17. Gallery appear to avoid descriptions
  18. I wish I had the length of time required to read The Gallery's extensive descriptions........ ๐Ÿค”
  19. An idea that seems all too obvious after someone else has had it But very interesting ๐Ÿ‘
  20. I've a fond spot for those threads which provide an answer to a question that wasn't asked, always entertaining
  21. That is the way to do it mate, I'm sure that's pretty much what the band I saw in New Orleans did also. I find that for most of the bands I've been in, the soundcheck has been at best an unnecessary ritual (I've always advocated for Jack's approach), at worst an ego trip for one or more of the band who want to show anyone in the room that they're of higher status (in their own minds) than the rest of the band; the singer (usually) or guitarist (if it's not the singer) who whinges incessantly about his levels, tone, FX etc while the soundperson plays with the DFA knob and nods agreeably.....
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