Beedster

Agreed 100% 👍

Fender fit Jazz neck that is 👍

If you mess it up it's too late. Seriously though, you won't, at least as long as you buy a Fender-fit neck which all of those I've listed above are

I've swapped hundred of Fender, Allparts, Squier, Warmoth, Mighty Mite, Musikraft and similar necks over the years and have not once had to use sandpaper. All the brands fit each others necks/bodies within tolerable tolerances. There will be some exceptions and some imperfections, but they are few and far between and rarely affect either tone or mechanics

Yes, it will work 99% of the time without modification, with the possible exception of small adjustments to saddle height and potentially intonation

The research all looks legit, but these days, with the proliferation of pay to publish journals, so does everything. As if to prove this fact, my most recent paper "Is it good for metal: a quantitative analysis of resonance patterns in pointy, classic, and hybrid bass guitar headstocks in late 80's rock" is upcoming in the International Journal of Very Important Science. Copies available in request

No it doesn't, no more than a library argues for the validity of any one of the books on its shelves

Tell me about it mate

Really enjoyed reading both of those, also very helpful, many thanks @Kickass and @Leonard Smalls 👍

I joined Bassworld early on to find a specific bass I wanted to buy, IIRC first response was "You'll never find one of those" while the second was "There's one for sale here.......". Pretty much sums up this place, and humans in general 👍

It was this , bugged me solid for about 20 minutes

Nice, very reminiscent of an 80's track that I can't quite put my finger on.............

So, I’ve done my homework on multi-band compression. I understand its application in music, I’m less clear regarding it’s use - at least by comparison with a single band compressor - with the spoken word. I guess a good question would be what frequency ranges could I be looking to target more than others and why, assuming there are no plosives or esses to deal with?

Great post @kodiakblair, many thanks, had no idea this was such a well trodden path 👍

Mmm, not sure, I like the idea of a TH Sig, if I deviate too far in terms of spec it's just another mongrel.....

Thanks @PaulThePlug, that's the one I'm using also, great idea to share it here though 👍

Good communities tend to share information so I guess both, but first and foremost a community. Some extremely knowledgable and kind people here 👍

I'll update as I go @NancyJohnson, I'm going to do some practice runs on some old wooden shelving getting the technique at least competent if not expert before I maul otherwise completely usable necks, but if you notice a range of headless bitsas flooding the site...........

Seconded 👍

Kudos @bassace 👍

IME it’s everyone but the bass player, who in every band in which I’ve played has not only been hugely talented but a great guy who everyone loved 👍

Lovely 👍

17. Terrified 😕

The SimS PUPs are lovely, as are the basses themselves. Took me a long time to appreciate how to use the PUPs, easy to forget that when you play a Precision you address is differently to how you address a Jazz or a 'Ray, and I've tended to use dead flats on Precisions, zingy rounds on Jazzes and lively flats on 'Rays over the years, plus of course the baked-in tone in a 'Ray circuit is very different to standard active Jazz circuits. I started out with an Enfield FL where so much of the tone is in the fingers, moved to fretted where the differences were more tangible, and now with both I see the PUP switching as pretty awesome bunch of preset options that may not replicate the three basses 100% but provide options way above what you'd get from any single preamp (and of course on both instruments I get to to choose both PUP and preamp settings).