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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. Talking of the skill required........
  2. Indeed, as I've just said to my bandmates, "guys, this is us in 20 years". Worse things can happen 👍
  3. I am literally pissing myself, I have it on repeat, it's antidepressant and hallucinogenic rolled into on cunning package
  4. At every level of scrutiny that is special
  5. PF50 is great for gigging, fits loads of cases, I used a £30 Stanley tool bag that also housed cables, backup mics, drumsticks and guitar strings (yep, someone has to). Never had a problem, yellow bag also hard lo lose at a gig 👍
  6. Yep, that made me chuckle as well, midrange emphasis is a 50s-style box, no stinky poo
  7. Of course, but quantity and quality are not equivalent 👍
  8. Ampeg PF-50 is a glorious amp but can still sound crap through a poor cab. Look at the shape of that ACB-50 box, are any other manufacturers putting bass drivers into boxes that shape at present? And Talkbass liking Fender is no great surprise, a bit of brand patriotism mixed with some cognitive dissonance goes a long way towards some biased reviews, they'll start pooping up for sale on TB with the usual excuses soon "Hey the wife has a strict one-in/one-out rule" etc
  9. Seemed worth reposting
  10. Not the size as Barefaced will happily explain, it's the design, the build, and probably the materials. Never found a Fender cab that got anything close to the sound I want from bass, amps yes, cabs no, guitar yes, bass no
  11. This was kinda the point to my early post on the subject - Brad and Chad's conversation about spare boxes at Corona - the first thing that worried me about it was that it looks like a standard Fender guitar combo (OK, so do quite a few of their bass models), and I've never played a unit of those proportions that sounded even vaguely like a decent bass amp. The marketing team will always make the demo sound amazing, but in a room it's a different story
  12. Sorry that after that hassle this is how it arrived though 😕
  13. Why I always wait a while with new to market gear, at least it arrive stinky poo so no hassles on return, it’s when the stinky poo starts at 6-months it gets messy
  14. Really wanting to nail this track 👍
  15. Wow, I never realised that the double neck could be pull apart like that, that has really got me thinking about what I could do with some guitar and bass bitsas i have lying around here 🤔
  16. I always get the sense that with Yamaha, unlike Fender, their attitude to reissues would be "Why, the instruments we are designing and building now are better than the instruments we were designing and building 20 years ago" (a bit like Mesa compared with Ampeg I'd guess, don't see many Mesa RIs). Guess I was proved wrong by @AndyTravis there, but to me Yamaha just don't feel like a reissue brand?
  17. A very big part of me wants to keep this, but the part of me that need to get some cash to get my rehearsal space/studio built this summer (and which also needs to free up some space while I do it), is currently winning
  18. Hope it works out for you mate 👍
  19. They'll show one in stock, and might have one in stock, but..........
  20. That stinks, and happens far too often, usually after you've paid as well. I'm pretty sure they'll be popping up in the used market way before then 🤔
  21. Am I being naive in suggesting that this is exactly why you have a mixing engineer, to correct for tracked levels using their skills with gain, EQ, compression etc?
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