Beedster

Agree re first line 👍 I'm always amazed by just how many people, many of them fellow musicians, are completely mystified by slap, almost to the point as seeing it as a form or irony, the theme to Seinfeld seems to come in for particular flak!

Fair enough, i suspect that if we're talking chart music only you're on the money in arguing that the music 50 years back had more interesting bass parts. But as someone who encourages my daughters to listen to whole albums by artists whose singles they like, I'm often impressed and encouraged by how interesting the bass parts can be, even in songs or artists I really don't like (Kanye being a great example of the latter) 👍

Not sure 'Top-10' was mentioned in the OP I was replying to, it was 'modern music' as below, but like I said, it's still all opinion, so not really a testable hypothesis, more my opinion differs to the O/Ps, and as you say, you don't even have one So here's a counter hypothesis: our musical preferences (style, genre, complexity) determine how we draw conclusions about relative merits of style, genre, and complexity

I still think it's a matter of opinion mate, two of those are standout basslines to me, I could probably find the same % in contemporary chart music, alongside a whole load of boring basslines as there certainly were in the 50-years ago list 👍

Not buying this at all, I suspect you're basing your 'old music has good bass-lines' idea on a limited set of artists, and doing the same with your 'modern bass-lines are shit'. Have a listen to a station or a show playing 60's and 70's pop and trust me, you'll hear some pretty bland bass parts at least 50% of the time. Re modern music, while I like to explore the road less travelled, I pick up as many decent basslines from the stations my daughters listen to such as Heart and Radio 1 (!!!!!) as I do on Radio 6. Anyway, there ain't no right and wrong to any of this, it's all just opinion and ultimately a function of what each person construes as a decent bass part in the first place

Might work rather well, I doubt you'd ever use the bridge P-PUP soloed but it might blend very nicely with one or more of the others. If it were for sale at a decent price I'd certainly give it a go, especially as it appears to be wearing a bunch of cream Dimarzios, defo my fave PUPs, the colour has a huge effect on tone

Yeh Harry Styles, Olivia Rodrigo, and Billie Eilish are yet to achieve success at chart level 😂

Brave post @lee650, all the best mate, life throws some shit around and I'm sorry to hear it's hit you, but at the very least you've got a bunch of bassists onside should you need them 👍

It's because you're listening to thw wrong modern music 👍 I have a playlist call 'Great basslines' that are tracks that I hear on the radio, usually tracks that I'd not heard before, and usually by artists that surprise me, e.g., Olivia Rodrigo, Harry Styles, Billy Eilish etc. There is some great bass playing out there 👍

Ha, missed that, a common theme in this thread it appears

....and even given that, installing a Jazz(-esque) ashtray on a Precision is rather poor form 👍

It gets less attractive the more I look at it

I find Mighty Mite hit and miss, like Fender when they’re good they’re very good, but unlike Warmoth and Allparts, they can be quite bad also

Sounds like high praise to me 👍

That looks pretty interesting 👍

Like you @Burns-bass, am album would be too much, but that clip brought a smile to my face 👍

...and we were in the rather lovely Big Room to test the setup in gig-like environment, and as the result of using the monitoring, it was the first time I'd heard some of the keyboard parts in detail (PA in our usual rehearsal room is rubbish) 👍

I know just how good that bass plays and sounds ❤️

Now this is a review 👍