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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. I auditioned about four of them a few years back when I was switching to fiddle
  2. Yep, there are drummers out there can play Rush parts and make them sound great but couldn't play Stones, just as there are bassists out there who can play Jaco's first album note for note but can't hold down a Root-Fifth with any feel. Horses for courses, technical genius doesn't cover all basses by any means
  3. Thanks so much for posting those pics, unfortunately it's a whole lot bigger in life than it was in my head (it looks a lot like an onboard preamp module for an acoustic instrument so assumed it was a similar size). Sincere apologies for wasting your time Muddbass, hope it sells soon. C
  4. That looks like a very decent bas for the price
  5. Wow, that is a great instrument at a great price. Wish I could justify it, good luck with the sale
  6. Hi mate, really sorry to keep bugging you with questions, but what are the dimensions of the unit? Can't fond them anywhere? Really need something I can mount on the instrument. Cheers. C
  7. Nice playing guys
  8. Many thanks I’ll check the manual. Assume I could velcro this onto an EUB?
  9. Hi, does this need maims, battery or phantom power?
  10. Absolutely, she has a well-trained and well rehearsed voice, it takes skill to be so consistently out of tune. To quote Withnail and I (badly), even a broken clock is right two times a day
  11. Or I'm completely missing the point
  12. Or promotion for the 3rd vid in the OP
  13. Oh come one, she's just doing a Katie Hopkins/Piers Morgan surely, this is the musical version of talking stinky poo and getting meeja for doing so. If not, she's either singing to a track that isn't the track we're hearing or her and the engineer had a serious falling out
  14. IME there are nearly always tensions between the perceptions of the person/people who wrote the music and those who didn't as to audience reaction. I've just started playing with an old band. There are four originals in the set. Even when rehearsing them I can quite literally feel the drop-off in energy we used to experience at gigs when we played them, people who'd been really engaged started talking, people who'd been on their feet sat down, people went to the bar, people walked outside for a cig etc, and we lost the room. But the songwriter/singer can't see any of it
  15. I'm just relieved to be back in a room with other musicians. We're being careful, but I suspect the benefits outweigh the risks in real terms
  16. It's a funny thing how these threads work. Elsewhere on this forum it's often mentioned that, for example, to double the volume of an amp you need to increase its power output by ten, yet we find ourselves discussing whether a 100w unit might be a better bet than a 50w
  17. PF-50 can push out some serious volume into the right cab
  18. Depends on the band, and anyway bass speakers/cabs these days are far more efficient than was the case 50 years ago. I've gigged 50w quite happily.
  19. Would love to be able to say the same of our drummer
  20. I'd pinch it
  21. You looking for male, female or either?
  22. You don't want me singing mate, sorry Love Doghouse
  23. It's Mesa amps with me, every time I go there
  24. Yet another for Walshy, who built this beautiful body. Great guy, great craftsman
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