Beedster

Lovely tone, playing and track, might be wrong but on my device it sounds to me like there’s a bit of something other than pure bass signal in there?

There is nothing worse than the guitarist who has no spare strings, the drummer who only has one set of sticks with him and breaks one of them showing off during soundcheck, of the singer who's got a dodgy mic. And I had them all in the same band on the same night in Kingston (Upon Thames, not Jamaica)! But that's not professional gear, that's professional attitude. No amount of expensive gear makes up for that.

Miss my Rics

Ha ha, I’ll have that cab for sure Greg, stupidly sold my last 1516 as the result of it having broken my car. Let’s make it a date in 2021. Beedster girls are all doing great thanks, Ella wants to be a vet, Katie wants to be a scientist

Still have happy memories of the Harbourmaster in Aberaeron Greg, and the stress of driving up the 1:4 hill to our house with a boot full of Peavy and Ampeg. Would love to do it again one day (the Harbourmaster that is). Hope you're all well. C

Yep, agreed, but as I said earlier, there is a world of difference between acoustic and electric instruments, and ‘get away with’ is to my mind more about a cheap and feedback resistant DB actually being a better pro choice for the bluegrass job than one that, for jazz or orchestral is more resonant, sustains for longer but on both bases feeds back more. £15k is bottom end for orchestral, at least once you factor a bow in as well

Hi mate, great question. First thing, are the routs on a body standard Fender size, especially the neck pocket and PUPs, I've found a few that weren't Second, price, it's tempting to pay £300 for a lovely neck but the bass is eventually going to cost more than a complete bass you could buy new. Unless it's really special, I try to stay under £150 each for both bodies and neck (my black relic body broke this rule, as did 'The Russian' and the Musikraft neck) Third, always buy used, many of the new parts that sell below £100 on eBay are simply not very good, for example a body I bought a while back had a pocket that put it about 5 degrees out of line with the neck. NEVER get into an auction with a seller of bespoke items, there's a guy at present on ebay who has a photo of a nicely reliced body on the item page, but this is not the item you'll get, he's going to make that once the auction closes. And let's face it, the quality of the body you get is going to be a function of your winning bid, the guy is not going to spend weeks perfecting your body and relic finish if the winning bid was £90! Re parts, Warmoth and Allparts make consistently great parts, Mighty Mite slightly less so. Fender and Squier parts are generally good. I would stay clear of nay body or neck that has been deliberately reliced, some of the stuff that people do to wood is shocking, but can look OK in the photos on eBay Fourth do not but from the US, the part will cost you at least twice as much by the time it gets to your door I'm sure others will add much more

Morrison? Doors?

Anyway, back to Morrissey

I don't have sympathy, they're a public broadcaster, perhaps one of the most prestigious in the World, they have a responsibility to defend their core principles, as do other news agencies worldwide on a daily basis, and against far stronger forces that Boris and his gang. It's either weak leadership or strategic, slowly moving towards being just another form of meta social media. If it was another broadcaster it would be much less of a problem, the issue for me is that for many in the UK and elsewhere, the idea that 'If the BBC says it, it must be true' still holds, so when I see them allowing air time to fringe views on news programmes as if those fringe views are a form of news, not simply a reaction to the news, it worries me. Too many of the people on the BBC News are representatives of interest groups who can never be expected to speak in unbiased terms, but are often presented as if they are. I get the 'two sides to every story' thing, but that's where good journalism comes in, weigh the evidence and report the consensus, don't just simply present both sides and let the already biased views of most of the audience become more entrenched as the result. We need a return to the idea of trusted journalists and strong and transparent editorial policy, not simply "Hey, this'll get some clicks, even more if we get this person in as well"

Wasn't this one was it...?

No such thing as BBC News any more - certainly on TV/web - it's BBC Entertainment/BBC Opinion/BBC Clickbait, shocking what they have become, especially their habit of reporting what people have said on social media as news. The pursuit of 'balanced arguments' often gives the impression that both sides of a debate carry equal weight/credibility, which is so often not the case (one of the worst examples being the mobile phone/'brain cancer' story a few years back that appeared to be a single scientist against the rest of the scientific community, but that single scientist was getting equal air time and therefore altering public opinion without any basis in science), but is something that proponents of various fake news/conspiracy theories etc jump on to advance their agendas, and there are plenty of third sectors who get in on the BBC Opinion game as well. The BBC appear scared of having a position on so many issues, which suggests very poor editorial leadership; the idea that 'we have to present both sides of an argument', whilst appearing good editorial policy, to my mind represents the failure of editors and journalists to identify which side of the argument is more valid and therefore represents 'news' per se.

Going through the back catalogue, this one was VERY nice

The three I just sold

Likewise Greg, and I genuinely believe that some of the best instruments I've owned came out of this. My current main bass below is a case in point, it's tall all intents a worn Tony Franklin, but wow, what a lovely bass to play, lovely pair of PUPs by Jason Lollar, circuit by Kiogon, body by Fender, neck by Warmoth at significantly around 25% what the Tony Franklin would cost new Think I'm going to be posting a lot of pictures in this thread

I know, you've got to laugh though, I auditioned for a band who said exactly that. Talk about 'All the gear no idea'. There must have been £20k worth of amps, guitars and drums in the studio, they looked rather disparagingly as I wheeled in my rather old and beaten up Mesa Road Ready cab and 400+ head, and looked positively ill when I pulled out a very ordinary looking Precision. We started with Come Together and it became immediately obvious that to them 'Pro' was short for "Demonstrating commitment to the band by spending lots of cash' as opposed to some perhaps more relevant things such as, I don't know, practicing, understanding EQ and volume (oh, and reverb), learning lyrics etc. I didn't stay long

It's a little recognised fact by the like of Morrissey that in producing a decent album the talent outside of the tracking room significantly outweighs that in it; engineers, producer, sleeve designers, even dare I say label execs/PR/marketing, without any of whom his work would never have seen the light of day. The only trait that tends to be seen at a much higher level in the tracking room is ego