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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. That's if they do work But yes, agreed, most HMBs are simply more stable, although as someone who mostly plays heavy flats, I find that the sheer mass and tension of the stings tends to keep even the lightest of bridges in it's place
  2. Breakfast in America: Supertramp
  3. Wooden instruments are like human beings, there are general rules but while most instruments conform to some, very very few if any conform to all, and some even conform to zero! Trial and error with each individual instrument is the only way
  4. It would be rather amusing if this line of thinking led to a trend for low mass bridges given discussions elsewhere on the forum
  5. Jino B-bass and Pino P-Bass, it's almost like someone in marketing planned it
  6. Wasn’t Motörhead, by Lemmy, pretty much written about himself?
  7. Hi mate, yes it's pretty much new and unused I'm embarrassed to say
  8. Any offers before I eBay this?
  9. Thanks linear, I was aiming on using the line level inputs yes, but assume that there's a preamp between these and the converters also, I'm pretty sure I've been able to increase the signal level on the RMEs when I've plugged bass straight in. Might be wrong so will check
  10. Thanks mate, given your consistent responses re recording I think I need to put you on a consultancy contract! I've done quite a lot of reading around and I posted here because it's clearly one of those issues that divides opinions. But, even people who argue that ideally you should not run pre into pre seem to agree that as long as they're both decent quality and you've got the gain structure OK you're probably not going to hear much difference, this for the point you make, a decent interface isn't designed to colour your signal, just get it to the optimal level and convert it (and neither of my RME units have anything other than gain on the input side).
  11. That's a band I'd like to see, and a guitarist who likes to hear the bass is a rarity, most I've played with like to hear the guitar! Totally agree, if you're going on the road, especially overseas, you're carrying a lot of weight. I suspect that if you opted for some of the gear mentioned above, and perhaps had a look at Barefaced cabs, you're going to save your back a lot of work for a very good tone. The questions remains whether it's the same tone (although if you dropped Alex at Barefaced an email he'll certainly do his best to advise you on cab choice given your current rig).
  12. Case is an issue for sure. Last time we rehearsed, literally the night before Lockdown V1, we used a new studio and I had to park about 400m from the front door, as opposed to the 4m from the front door I'm used to at our usual place. My SVT-II is likewise in a head case and I suspect weighs about 50kg all in. I looked at the walk ahead of me and just wanted to just get back in the car and go home
  13. Lovely rig, and lighter by some distance, but is it going to sound like a 400+ with an 18" A lot of it depends on what sound Phil is going for, because the 400+ is a pretty versatile beast?
  14. The respondents to this thread to date might not be your target audience mate IMO certainly not TC. 400+ and an 18 cab is not an easy thing to replicate. The Mesa solid state gear gets a lot of praise and some of the older units, for example the M-Pulse 600, BB-750 and if you're very lucky the Titan V-12 can be picked up relatively cheap these days. Personally I'd keep your cabs, they are not going to be easily replaced. Then again, personally I'd keep your 400+ also
  15. The above is what I'm confused about, I'd need to replace my mono 1/4" with a stereo 1/4" despite the fact the unit doesn't use that output for headphones? Or am I wrong? I'm loving the idea of this, just trying to get my head around it
  16. Thanks for that, but given that I don't get the need to also use a stereo out for the instrument itself, would it not be possible to use the instrument 1/4" out for the headphone out also? Again, I think I might be missing something, my apologies if so
  17. PS I have both BabyFace Pro and FireFace 400 units, I guess I'm asking whether using the preamps on this will add anything to the signal already run through the preamps on the desk, and if so whether setting to zero gain on the RME would resolve this, and if the answers are YES and NO respectively, whether I can bypass the preamps on either RME unit?
  18. Very cool gadget, but isn't that a rather inconvenient place to have cables going in and out of a bass, or am I missing something?
  19. Folks, still getting to grips with this whole digital thing! I've been using mic into RME interface into my Mac, I now want to use my mixer (SSL) that does not have an interface but has very high quality preamps, likely higher quality than those in the RME. Strikes me that I'm running high quality preamps into high quality preamps before A/D conversion and that the pres in the RME are to all intents redundant. That's not the end of the world as I'd like to know I have backup in case I ever had a problem with the mixer, but are there any problems with doing this, for example greater potential noise or other undesirable. Should I/can I bypass the pres in the RME and run straight into the converter? Thanks in advance Chris
  20. That’s nice, there’s still folks out there with intact lumbar spines for whom lightweight is simply not a variable of importance
  21. If it’s a special run they might simply set aside the lighter weight body blanks by comparison with those selected for the standard model
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