Jump to content
Why become a member? ×

Beedster

⭐Supporting Member⭐
  • Posts

    13,139
  • Joined

  • Last visited

  • Days Won

    46

Everything posted by Beedster

  1. At this rate the bass will be done by Friday and cost about £300
  2. I’ve always wondered why so many bassists use slap in demos etc when it appears to be such a little used technique in the real (recording and public performance) world? It’s a bit like a demo for a lawn mower showing how well it can be used to carry the shopping home. I suspect however that it is a convention so hard-wired into our collective consciousness, that even if we are never going to use it, deep down we need to know whether a prospective purchase is good for slap. Just in case.
  3. I’d recommend buying all parts used, you’d be amazed at what you can find
  4. Great stuff! Keep your eyes on eBay and Basschat, and prepare yourself for a few weeks at least, sometimes months, of trial and error. But it’s great fun and really satisfying. Putting together a bitsa is also very easy if you’re sticking to Fender-type instruments because 9 times out of 10 things fit, or can be made to fit with a little tweaking. It allows a lot of customisation. For example, I love the sound of Jazz Basses but hate the skinny necks. I have two bitsa Jazzes with Precision necks, and love them both. I have also built my perfect bass, a P/J fretless that feels like a Wal to play, and even looks a little Wal-sequel! Some necks resonate beautifully on one body and not on another, sometimes a high-mass bridge improves a bass, sometimes not. The list of combinations that can influence either tone and/or playability is pretty long. Possibly the best bass I have at present has a huge gap at the heel/pocket, a crap lightweight bridge, cheap PUPs, and a couple of misplaced bits of hardware, but it just works, certainly as well as instruments costing 3-4 times as much. Trial and error is king, and there are many surprises to be had from relatively unpromising sources. Have fun mate, give me a shout if you need parts Chris
  5. You can run two cabs and it makes quite a big difference if you’re looking to use it live? Great amp, great tone, great price
  6. I have done a couple of times, at least I've put together a few Fender-alike bitsas to the specification of the buyer, some feedback below
  7. Oh man, stop it, I so love that bass, beautiful instrument, and TWO Dimarzio Model Ps!!!!!
  8. Ha ha, thanks Dave, I love building decent quality basses, gives me a real sense of achievement when I put one together that just works, as this one does. Main problem for me is that I enjoy putting them together more than I do playing them these days
  9. Hi mate, I've added the details above, it's a shallow depth 43-44 mm width nut (I can get an accurate depth at the nut, will post a little later), weighs 4.3kg, perhaps a tad under. Cheers Chris
  10. For sale is another of my quality bitsas, something of a necessity following the purchase of a Fender PBAC-100 recently (and the complete surprise that, having fallen in love with the East P-Retro a few years back, Fender were doing something very close to it, albeit without the mid-sweep, back in 1991!). So, this is a quality bass, albeit a no-name/no-brand instrument. To my mind the price reflects the no-name/no-brand issue and not the quality, but I guess I would say that. I may part this out as the components sold individually would probably fetch me about £200 more than the asking price for the bass, so please feel free to enquire. I could also sell the bass around £150 cheaper if supplied with a BBOT bridge and a passive Precision harness, replacing the Badass and P-Retro respectively. The bass as is weighs in at a respectable 4.3kgs. Parts Body: No name lightly oiled alder (I think). Has Ferrari written in the neck pocket. I was going to spend some time rubbing it down and oiling it, I may still do if it doesn;t sell quickly! There's a couple of dinks in the wood, please see the photos. They're not major, but I know there are some perfectionists out there, so if thing like these worry you, please don't buy this bass Neck: Warmoth, figured rosewood board, lightly oiled, 43-44mm at nut, shallow profile, lovely fast player, especially if you like big necks. No dinks, just lovely PUPs: Dimarzio Model P Circuit: East P-Retro, now discontinued, one of the great Precision accessories! Charger will of course be included https://www.east-uk.com/index.php/bass/p-retro/p-retro.html Bridge: Badass II, You know the score. Tuners: Gotoh Lollipops Currently strung with some rather lovely old nylons that I will keep and will stick a set of either flats or rounds on as per buyer's preference. No trades please. I can courier and will split costs with buyer, or you can collect from Canterbury, Kent Cheers Chris
  11. I sold a bass on here a while back (there's a surprise) and the buyer came back to me and complained about fret buzz, which he said was all the way up the neck. He demanded a refund. It was a top-end Jap Yamaha, and was so well made that the action was almost a case of strings sitting on the frets, no effort to play, but lovely tone nonetheless. I'm guessing he was used to a rather more agricultural approach to technique. He didn't take well to my suggestion that he simply raise the action a little either
  12. Offers before I put this lovely little unit at the mercy of eBay........?
  13. In response to a few questions the weight is 4.2kg/9.2lbs, lightish for a Jazz and almost a whole kg lighter than my fretless!
  14. In response to a few PMs, yes I still have this, and yes it is still for sale
  15. Absolutely, I love a Mesa cab (or ideally two). I not only love the tone, but also fact that on the rare occasion that they offer to carry one, it takes both the guitarists to lift one cab. Being a bassist, I carry them comfortably on my own. And yes, power to weight is meaningless with cabs, especially as in many cases it's not the weight but the dimensions of the cab that make it problematic to move. I almost broke an Audi with my Mesa 1516, not the world's heaviest cab - although perhaps not far off - but the hardest cab to get into a car or van I've ever come across. Testimony to Mesa quality though, there's still a small but noticeable dent in the street outside my old house where I dropped it on the bottom corner. Hardly a mark on the cab
  16. Up for grabs is a rather nice Jazz bitsa, put together from very high quality parts. I've been playing it a lot since putting it together late last year, but having bought a nice old Fender last week, you know how it is It's got a nice vintage feel. The neck is a stunning Musikraft (NYC), that's a little wider than a Jazz and a little thinner than a Precision. It is a stunning player, fast, comfortable, and feels like it's been played in for 40 years. With a little tweaking the action on this will go very low indeed. Body is an old Warmoth, lightly oiled and well used, feels very 1960's to me (it isn't, just feels like those old stripped 60's Fenders). There's some pen on the back (no idea why), I'm going to have a look at how that might come off other than using sandpaper but it doesn't worry me, in fact I quite like it. There's also a compartment for two 9v batteries should you want to use an active circuit. Bridge is vintage style, I think Fender RI, with the threaded/grooved saddles that allow a range of string positioning (which is probably why, having just looked at the photos, the string positioning over the PUPs looks a bit odd to my eye). Tuners are Hipshot. Body to neck fit is pretty much perfect - there's the tiniest bit of damage to the neck pocket wall on the treble side (see photo) - and the bass resonates very nicely. Vintage Dimarzio PAFs (I assume 1970's/early 1980's) are wired into a standard VVT circuit with series/parallel option (push/pull on front PUP tone control). You can have either pick-guard (I prefer the tort myself). It's pretty light-wight, especially for a Jazz, and feels very solid and, perhaps an odd word to use given it's a bitsa, authentic, probably a function of the nicely worn body, the beautifully made neck, and old PUPs. A steal at £400, but times are hard and bills need to be paid Collection from Canterbury or I can courier at buyer's expense. Chris
  17. Only thing worse than severe vibrato on a fretless is out of tune severe vibrato Or....... Only thing worse than out of tune fretless is out of tune fretless with severe vibrato
  18. Sad reflection on the music manufacturing industry that the word 'pre' pretty much denotes 'better'
  19. Hi mate, an Ampeg all-tube head, a Mesa hybrid, and two Mesa 2x10s. I have only one word of advice at this point in time; buy Mesa, they seem to be going for stupidly low prices by comparison with the quality (for example, there are two all tube heads on here at present for around £100 that retail close to £3k, and a few decent deals on eBay also).
  20. Re volume, yes, this is a gig-able unit, and a very nice sounding one at that. It's not going to provide the same earth shattering lows or trouser flapping effects as a 300w SVT, but I've used it comfortably with a Mesa 2x10 with a loud drummer (and even more than comfortably with two Mesa 2x10s with the same loud drummer), and have even gigged the 20w version of this a few times quite happily in quite a decent sized room.
  21. Love it, is there any end to the uses of a scouring sponge
×
×
  • Create New...