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Everything posted by Beedster
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Absolutely, I love a Mesa cab (or ideally two). I not only love the tone, but also fact that on the rare occasion that they offer to carry one, it takes both the guitarists to lift one cab. Being a bassist, I carry them comfortably on my own. And yes, power to weight is meaningless with cabs, especially as in many cases it's not the weight but the dimensions of the cab that make it problematic to move. I almost broke an Audi with my Mesa 1516, not the world's heaviest cab - although perhaps not far off - but the hardest cab to get into a car or van I've ever come across. Testimony to Mesa quality though, there's still a small but noticeable dent in the street outside my old house where I dropped it on the bottom corner. Hardly a mark on the cab
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Up for grabs is a rather nice Jazz bitsa, put together from very high quality parts. I've been playing it a lot since putting it together late last year, but having bought a nice old Fender last week, you know how it is It's got a nice vintage feel. The neck is a stunning Musikraft (NYC), that's a little wider than a Jazz and a little thinner than a Precision. It is a stunning player, fast, comfortable, and feels like it's been played in for 40 years. With a little tweaking the action on this will go very low indeed. Body is an old Warmoth, lightly oiled and well used, feels very 1960's to me (it isn't, just feels like those old stripped 60's Fenders). There's some pen on the back (no idea why), I'm going to have a look at how that might come off other than using sandpaper but it doesn't worry me, in fact I quite like it. There's also a compartment for two 9v batteries should you want to use an active circuit. Bridge is vintage style, I think Fender RI, with the threaded/grooved saddles that allow a range of string positioning (which is probably why, having just looked at the photos, the string positioning over the PUPs looks a bit odd to my eye). Tuners are Hipshot. Body to neck fit is pretty much perfect - there's the tiniest bit of damage to the neck pocket wall on the treble side (see photo) - and the bass resonates very nicely. Vintage Dimarzio PAFs (I assume 1970's/early 1980's) are wired into a standard VVT circuit with series/parallel option (push/pull on front PUP tone control). You can have either pick-guard (I prefer the tort myself). It's pretty light-wight, especially for a Jazz, and feels very solid and, perhaps an odd word to use given it's a bitsa, authentic, probably a function of the nicely worn body, the beautifully made neck, and old PUPs. A steal at £400, but times are hard and bills need to be paid Collection from Canterbury or I can courier at buyer's expense. Chris
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Only thing worse than severe vibrato on a fretless is out of tune severe vibrato Or....... Only thing worse than out of tune fretless is out of tune fretless with severe vibrato
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Apologies, £1000
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Sad reflection on the music manufacturing industry that the word 'pre' pretty much denotes 'better'
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Hi mate, an Ampeg all-tube head, a Mesa hybrid, and two Mesa 2x10s. I have only one word of advice at this point in time; buy Mesa, they seem to be going for stupidly low prices by comparison with the quality (for example, there are two all tube heads on here at present for around £100 that retail close to £3k, and a few decent deals on eBay also).
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Re volume, yes, this is a gig-able unit, and a very nice sounding one at that. It's not going to provide the same earth shattering lows or trouser flapping effects as a 300w SVT, but I've used it comfortably with a Mesa 2x10 with a loud drummer (and even more than comfortably with two Mesa 2x10s with the same loud drummer), and have even gigged the 20w version of this a few times quite happily in quite a decent sized room.
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Love it, is there any end to the uses of a scouring sponge
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Time to offload some stuff that's not really necessary (although highly desirable!). This had had relatively little action and is in 100% as new condition. Tubes are fine, everything is as it should be, with the exception of a little dust that perhaps suggests how little use it's had! It sounds bloody marvellous! I have all the original packaging and paperwork, so can safely courier it (will split costs with buyer), or you can collect from Canterbury Kent.
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Bet he didn’t go quietly
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Yep, PBAC-100, and very nice it is too. First intact bass I've bought for a while and am going to have to sell a few bits to pay for it, but I first saw one of these about 20 years back and have missed so many of them down the years that I thought I'd better make more of an effort this time Electrics are odd, but hey, it's an early 90's Fender. There's a few mods I can probably do that will make this bass a real contender
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Not so sure. Neck pocket and heel both indicate 'PBAC' which, I'd guess, is Precision Bass Acoustic? Sounds mighty fine with a set of nylon flats either way
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There is much about this bass that really makes me smile. Full report in due course......
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Which assume that the journey itself wasn't what allowed you to decide what it is that you wanted All joking aside, this stuff is fun, expensive at times, but fun. I'm playing pretty much the same rig I when I got back into bass about 10 years ago. This would be OK if it wasn't for the fact that I've probably owned about 15 different rigs in the intervening years! What did I learn? I like tubes and I don't like things that pretend to be tubes. I like to carry heavy gear (which given the previous point is fortunate). I like to simply plug and play, bass-cable-head-cable-cab. Took me a while to get there though, but it was fun. We should never deny anyone else the same journey just because we know better
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New Mesa Walkabout-style high powered amp WD-800....and new cabs...
Beedster replied to Musicman20's topic in Amps and Cabs
There is something quite magical about the WA that I was never quite able to tease out of any other amp, low mids up a little, gain and master in the sweet spot and bingo. I think your earlier comment about the WA power amp being part of the magic was spot on, to my mind it felt like a tube amp, both sections interacting significantly as opposed to the power stage simply amplifying what the preamp stage had done to the signal. First time I gigged it I didn't stop smiling, but as per the above, when I needed just a little more power from it at bigger gigs, some of that magic was lost. You're right re the M-Pulse 600, it was a lot harder if not impossible to dial in that magic WA tone. -
New Mesa Walkabout-style high powered amp WD-800....and new cabs...
Beedster replied to Musicman20's topic in Amps and Cabs
Absolutely, IIRC he wants £450, I paid well over twice that for mine and thought it was not only cheap but a steal. £450 for the M-Pulse is an indication of the strangeness of the current bass amplification scene, and the mad rush for small and light over quality -
New Mesa Walkabout-style high powered amp WD-800....and new cabs...
Beedster replied to Musicman20's topic in Amps and Cabs
An awful lot of the above, and elsewhere, does make me question why Mesa discontinued the Walkabout. I get the realities of the marketplace, competition and technological progress/innovation etc, but for many bassists the whole Walkabout package really does work, and on many levels. I suspect that with the increasing polarisation of lightweight Class D and old school all-tube heads, and despite the new WD-800, there will soon be a gaping hole in the market right where the Walkabout used to sit -
Yes, you will
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All Joking aside, you do need to find an amp that works for you. It took me a very long time to do so as there's a whole lot more to it thanI originally thought. In my (limited and unschooled) experience, you simply can't 'warm-up' an otherwise cold sounding rig. The thread about the new Mesa Walkabout (ish) model is quite interesting, highlighting the fact that it's not just the pre-amp that defines the character and tone. I think much of the discussion of these things is around 'should work', 'does work' is a different thing.
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This thread will result in a the purchase of an SVT
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SOLD: Fernandes The Revival Precision bass (Japan, '80s)
Beedster replied to SurroundedByManatees's topic in Basses For Sale
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Manshed studio build **ADVICE ON INSULATION PLEASE**
Beedster replied to Beedster's topic in General Discussion
Folks I need to be a little more serious about my Manshed Studio, as from this month it's also my full-time office. I'm quite happy in the cold, so can easily sit out there for hours reading or playing without trouble, but I think time has come to insulate it for both temperature and sound as I think it's going to be a more useable space that way. Re sound, I have about 150 of the below tiles I can use to help tame internal acoustics https://www.studiospares.com/Studio-Gear/Acoustic-Tiles/Universal-Acoustics-Mercury-Wedge-300-x-300-x-50mm-Burgundy_466290.htm but I'm quite keen however to reduce sound coming in from the outside. Re temperature, I want as far as possible for it to retain heat in winter but also not be too adversely affected by direct sunlight in summer. It's only 5m x 3m so I'm also keen to not lose too much of the internal space. Thoughts and experience very welcome Cheers Chris -
Hi mate, long time, hope all's well. I think £400 would give you a rather nice Jazz, and a rather lightweight one at that. I was thinking of spending a bit of time sanding & oiling the body and making a few cosmetic upgrades (removing the biro), but happy to sell as is. I found a rather unique Fender on eBay last night so need to move a couple of things on, I'm sure you understand Cheers Chris
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Ah, OK, missed your point