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Everything posted by Beedster
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I'd love to see that, I imagine a bit of a trek for me though (Are you going to run audio of hysterical screaming between tracks?)
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That's actually on the list 👍
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Destined to become one of the all-time great BC quotes 👍
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FS: Ear Trumpet Nadine DB mic and case - *SOLD*
Beedster replied to Beedster's topic in EUBs & Double Basses For Sale
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Bought on here a few months back in pretty much unused condition. It's a very nice piece of kit that I've used happily for both practice and rehearsal. It's surprisingly god even when using a passive bass without a preamp, but obvioulsy sounds even better with actives/pres. I've now set up my studio desk for practice so this is surplus to requirement and although small enough to sit comfortably under my bench, is still taking up much needed space (lot's of other stuff competing for the 'under the bench' space), hence the very nice price Original listing here
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Bought for a vintage Jazz project that I've decided to move on, it was installed literally for minutes for me to realise that the cavity would need to be slightly modified to accept it (good ol' early 70's Fender QC I'd guess). It's fit pretty much any other Jazz without modification of course! You know the score with these, absolutely wonderful piece of kit at every level. This has the retro Fender-style controls BTW. RRP is £230 Price includes UK postage
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I bought these to install in an old Jazz bass that I had planned to restore but on which I eventually gave up and moved on. Box is now a little tatty having sat in my parts drawer (more of a parts chest of drawers these days to be honest) and has been opened to check everything's there (which it is). Details here https://www.fender.com/en-IT/parts/jazz-bass-parts/custom-shop-custom-60s-jazz-bass-pickup-set/0992101000.html Price includes UK postage 👍
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That’s a tough break 😕
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Sanding a late 80's Stingray neck, sacrilege?
Beedster replied to Tradfusion's topic in General Discussion
I guess there is an upside of doing it yourself which is that by moving slowly and systematically you can stop at the point at which the neck feels right to you, which might be a long way before all the varnish is off (i.e., a ‘played in’ versus ‘stripped’ feel) 👍 -
Sanding a late 80's Stingray neck, sacrilege?
Beedster replied to Tradfusion's topic in General Discussion
This, for so many reasons 👍 -
End of an era gig, as the might goes down, the 60’s and 70’s and all they represented move into the 80’s
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Thanks Mick, a few of us did a trial run about 12 years ago but kids, work, and then lockdown got in the way. It was resurrected over a few pints mid last year, and is really very satisfying. It's resolutely about the album/LP as an entity, but we're most certainly not a tribute act we play the album it as we play it on feel and instinct, not trying to replicate the exact sound. But we play it in album order, no deviations, no filler/guest tracks, no encore etc (which with BoB presents something of a challenge given the findal track on the album). Given our recent comms you might be able to take a guess at number 3 in the list, while number 2 is a significant departure from Dylan. A funny thing about it is just how much we've all come to appreciate Blonde on Blonde as an absolute work of art, passion, and vision, as opposed to a collection of mid-60 folk rock songs 👍
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First show for BandKamp, something of a loose coalition of musos. We rehearse an album, gig it once and only once, and then move on, no matter how good (or bad) it was. We're starting with the glorious Blonde on Blonde, timed for the Chalomet movie opening the same weekend. 4.00 Sunday afternoon slot feels really nice 👍
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Both mate, both 👍
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Mine...... Looks a whole lot better in situ, i.e., on top of the rather lovely and rather large DropHead 15 cab, but still a work of art even on its own. Weighs slightly more than Luxembourg 👍
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I remember it well mate, glad you still have it 🙏