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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. I would take advice from here first, tubed going pop is not unusual, and not especially problematic on that amp. I see you live in Essex. Another option you have is to give up on tube amps altogether and allow me to help you out, drive up and take it off your hands, thereby stopping any future costs associated with such a dated amp
  2. Folks, lockdown has meant that my business has gone largely digital and I'm doing more and more work into a mic, either in the studio recording podcasts and online content, and during Zoom meetings and sessions. My voice has always had good days and bad days and I've yet to really track the variables the predict this other than I can generate a gloriously Richard Burtonesque delivery when I have a hangover, the downside being that whilst my voice is great my ability to remember my lines (or sometimes even who I am) is significantly impaired. I had voice coaching a few years back and it was really helpful, but I've forgotten much of it and also suspect that the content is sufficiently different now. I'm keen to find a decent online resource, and possible an online coach if necessary for two reasons; firstly, when my voice has a good day the response from the audience to my recorded material is infinitely better (I had an especially good day two weeks back and a client said "It's not the sort of stuff i'd normally choose to listen to but your voice drew me in", which really is exactly what I'm trying to do), but secondly, I'm aware that the bad days are getting worse, and I want to protect what is perhaps going to be my most important income generator (that and my skill at editing that can also make me sound quite intelligent) for as long as possible (re voice deterioration for example I sent a file to colleagues last week and it's the first time they've suggested a re-record on the basis of voice quality alone). Any suggestions/experience most welcome. Chris
  3. Damn, I was after a 60's
  4. Sorry to hear that mate, hope he gets back to playing. I've only ever had that thing with one drummer, and I listen to the recordings occasionally and they're the ones on which my bass playing - and arguably the whole band - sounds best. It can be make or break for a band
  5. I think you'll find that if he plays it faster than the original then he speeds it up
  6. Hang on, a drummer who speeds up, that's not something I've come across
  7. That I'd like to see mate
  8. Having just listened, to my ear that recorded track sounds like plectrum with the exception of some of the chorus
  9. Crisps: check. Beer: check. Comfy chair: check
  10. 808 was a state of mind in the 80s
  11. Apologies for very poor comms with several folks, it's been a very busy week work wise and I haven't been able to get on here as much as usual. Will try to reply to everyone now. I've realised I've got a lot of bass bits here so keep you eye peeled for the garage sale soon
  12. Waiting to have confirmation form first guy to PM re the fretted Jazz, I'll get back to PMs later this evening. Made the mistake of sitting down for ten minutes earlier and playing these, lovely, all of them
  13. Hi all, I've had loads of PMs about these last night and this morning and I have to work today so can't get back until this afternoon/evening. Precision is definitely sold and paid for (thanks Walshy) fretless Jazz is sold pending the usual, and the fretted Jazz is still available although there are a lot of people interested. I know it sounds a bit of a chore, but I will get back to people in the order they PMd, please accept my apologies, and please don't get angry with me if it takes me some time
  14. It's been both sad and therapeutic to sell these bitsas, they're all lovely instruments that I put together slowly and after much trial and error (probably more error than trial if truth be told) over a few years. So, sentiment says keep them, but for a very long time I've realised that all I need is a decent P/J with frets and the same without, and having had the former for a fait while now, t looks like I've finally got the latter courtesy of the below (and oddly the neck from this bass belongs to the body of my fretless P/J). Thanks for all the positive comments and enquiries folks, much appreciated. Chris
  15. I have so many pieces of old instruments lying around Stew, bridges, bodies, pickguards, PUPs, I really should sell them as I want to start playing and recording basses again as opposed to finding bits of wood and metal that work really well together only to sell them all and start again Re that body above, I bought a set of heavyweight brass hardware from Walshy (I think) - bridge, pickguard and thumbrest - polished them to a shine and put them on that body and they looked amazing, but it weighed in at about 7lbs without PUPs, circuit or neck Having said that, I like building really heavy basses, putting on a set of La Bella Deep Talkers, taking the action to about 12mm at the 12th, and taking it to rehearsal, because both our singer and guitarist fancy themselves as bassists, and trying to nail Sympathy for the Devil on such a bass whilst I'm taking a toilet break tends to dissuade them. As has been said many time, there's four of us in the band and three of them are better bassists than me, I have to get my wins where I can
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