Beedster

There was some great singing wasn't there Mick, the winners certainly weren't the best band, but I suspect that as all good music does, they struck a chord......?

They were good trousers, reminded me a little of The Ruttles, but that's a long time ago

Crikey, the rock(ish) band won, all things considered, what a day for democracy

And of course, in the pre-COVID days when I had some cash, I would have posted a 'Wanted Ric 4000' thread

There is something so perfect about the design

That's the one, all a bit postmodern wasn't it

It was McFly, and god they were not great were they

That latter bass didn't look nice did it. Did you notice the two Ashdown 8-x10s with no head?

And yes I have had a couple of beers

Watching Little Mix the Search with the family and, crikey, there's a bloke playing a Ric 4000, made my day Band's called Since September, it was nice to see something vaguely rock and guitar-based on one of these shows. And as far as I'm concerned, anyone with the good sense and good taste to play a 4000 should win any talent show they care to enter for that factor alone

Firstly name and shame the company in question on here. Secondly get medieval on their social media. Third write an email to their MD and post that on social media also.

They were also the precursor to the Highway One series.

Memory just kicked in! It's an American Traditional Jazz Bass, plenty online about them (and on BC), but a nice bass assuming it's structurally fine.

I forget the name of the series (American Classic perhaps?), but they are very nice basses and a major step up from standard MIM at that time. IIRC they were US parts assembled in Mexico. I paid £400 for one about 15 years ago, so anything less than £600 and I'd consider it a decent deal.

Looks awful with single PUP cover and all those PUPs, like wearing a waistcoat and a cardigan. Think it’s one of those must-have basses that quickly becomes one of those must-sell basses 😞

That's if they do work But yes, agreed, most HMBs are simply more stable, although as someone who mostly plays heavy flats, I find that the sheer mass and tension of the stings tends to keep even the lightest of bridges in it's place

Breakfast in America: Supertramp

Wooden instruments are like human beings, there are general rules but while most instruments conform to some, very very few if any conform to all, and some even conform to zero! Trial and error with each individual instrument is the only way

It would be rather amusing if this line of thinking led to a trend for low mass bridges given discussions elsewhere on the forum

Jino B-bass and Pino P-Bass, it's almost like someone in marketing planned it

Wasn’t Motörhead, by Lemmy, pretty much written about himself?