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Beedster

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Everything posted by Beedster

  1. For about 4-years, and until my recent re-acquisition of my old SJ-200, this was my main acoustic. To my eye it's one of the most iconic and aesthetically pleasing acoustic guitars ever built, and to my ear a far better instrument than many of the web experts would have you believe. In fact it makes me chuckle that the consensus among many of the experts was that it was a commercial failure, having never really caught on anywhere "with the exception of Nashville" where it was apparently a highly rated acoustic among the session players. As our good friends in the US would say, "you do the math" This has been well played, both by me and previous owners. The soundhole thingy is a little loose and could do with a dob of cement, but apart form that it's in good functional condition, if not a little road worn. It also has an aftermarket transducer added (at least I assume it's aftermarket), with the output at the back strap button). I hate to sell this, as of all my instruments it's one of my favourites, but the SJ-200 is a far more versatile and powerful instrument, and I need some cash for another project. One pic below, will be taking a load of pics of this and other FS instruments this evening [url="http://s80.photobucket.com/user/Beedster/media/MK-35_zps43jjj4ss.jpg.html"][/url]
  2. [quote name='chrisanthony1211' timestamp='1464596351' post='3060511'] You do sell some very nice gear, I gigged with the Ampeg on Saturday and she was beautiful, plenty loud enough for an un miked drummer, never got above 2 o clock on the volume, I'm digging the 64 channel...... [/quote] That's because I buy too much nice gear Chris. I'm so glad the B-15 worked, and I'm so glad that what sounded like an excessive claim that you could gig a 25w amp on 2/10 and still be heard with drums proved legitimate. There is no better amp for gigging, and given you've a '65 and a Flea, I doubt you could be happier. Although you could probably use a fretless acoustic for the occasional ballad Cheers C PS folks, I need to raise cash sharpish so this will go on eBay tomorrow if it doesn't sell here
  3. [quote name='krispn' timestamp='1464598882' post='3060548'] Y'know that home studio you have Chris *wink wink* sound clips of the '55 [/quote] [quote name='Norwood' timestamp='1464616669' post='3060807'] Is it possible to have other pics? [/quote] Hi guys, just home, will sort some pics in the next couple of hours, keep watching Soundclips will take a while longer as my desk is not currently in the studio, but I may be able to get it in there tomorrow and do some. Andy Travis knows this bass well so may be able to add something, but my take on the tone is that it lies somewhere between a Jazz and a split PUP Precision (SPP), but with a slightly more aggressive edge than either. It's certainly more scooped than a SPP, but has a bit more grunt and body than a Jazz. It has a pretty decent slap tone, which is bright and present, and is very responsive to finger style. I've not tried it with either flatwounds or with a pic so can't speak for either. I can't think there's many genres that this bass wouldn't work in. I've had a lot of trade offers, and for some absolutely fantastic basses at that, but I'm sorry to say that these are for sale only. The only reason I'm selling them is because the bass I'm buying is one of the few instruments that I'd put in the same league as either, and because I want to sell my Chadwick DB to step up to something a bit bigger and a little more suitable to recording only. So whilst the gear I've been offered is outstanding, these are for sale only. I have a commitment to buy on the Flea at present. Thanks Chris
  4. [quote name='wateroftyne' timestamp='1464527424' post='3060074'] Mesa Walkabout, HandBox R-400, Aggie 500... Heft, not heavy. [/quote] Hmm, my Walkabout is a great amp for the size, but compared to my B-15, no comparison.
  5. Thanks for the above comments guys. Yep, incoming Celinder Precision, something that I've always wanted, something that's rare as rocking horse pooh, and something that it appears may not be all that easy a thing to have built even if I had both the cash and the patience. I don;t imagine I'm going to be disappointed. The DB deal has gone south, but there's another possibility so I'll keep this thread live. I think the reality is that, all going well, I may only have to sell one of them, and I really could not decide which one if my life depended on it, they are both outstanding. Common sense would say "no point having three Precisions", but the '55 really is a different beast to a split coil Precision, and this one can do quite a lot of what I want from the Flea. Problem is, the flea is just SO easy to play, I almost feel dishonest playing it if you get my drift! Barrie, nice to hear from you mate, it's got the classic 50's neck, back of headstock runs almost in line with the back of the neck. You could play America's national sport with it - I imagine that's not what you wanted to hear, sorry! Should be able to take pics later today once the gremlin 1 and 2 have been packed off to bed! Cheers Chris
  6. Thanks for the comments guys, looks like the DB may have sold, so whilst I'm happy to keep this FS thread open pending confirmation of that sale, if it transpires that it has gone I'll close this thread, buy the Celinder with what's in my bass account, stick with the Chadwick for a while, and keep my eye open for another large blonde 4/4 DB.
  7. [quote name='Chiliwailer' timestamp='1464448189' post='3059551'] It's official, Chris has flown over the cuckoos nest. Two gorgeous basses you're selling there mate, I absolutely love my Modulus Flea and having had the 55 in my hands many a time I can vouch for the sheer top quality of it. If you're losing these two stunners then I can't wait to see the one that's coming [/quote] Cheers Dan, I'd say the incoming bass is that special mate. I'll keep you guessing a while, but the clues are above
  8. FLEA BASS NOW SOLD ------------------------------------------------------------ Folks I have the opportunity to buy two extremely rare and special instruments in the same week (one electric bass, one upright). Following the initial falling through of one of these deals, I booked a family holiday with the money I'd put aside, and at the same time withdrew my Chadwick double bass from sale. So, I need to raise a little more of the folding, and I'm therefore listing the two basses that are most likely to sell quickly and to be made redundant by the incoming electric. Both are outstanding instruments, really outstanding. The Flea is, in keeping with all Modulus Flea Basses, a joy to play and capable of a phenomenal range of tones. I can play stuff on this that I can't play on any other bass. The '55 is quite possibly the best Custom Shop Bass I've owned, and I'm not joking, the best relic job I've ever seen, even better than many original heaving relics (it's the bass in my current avatar by the way). It was a special build ahead of Musiknesse a few years back and it's not hard to see whose bass they were looking to copy. It is also a wolf in sheep's clothing in every sense, this is not a C&W root/fifths instrument, this bass has tone and grunt on tap by the ton. If I wasn't 100% sure that the new bass - made by a Dane with a surname reminiscent of a kitchen utensil - would comfortably be able to take the place of both, at least in terms of what I need, I wouldn't be selling either. Link to the Flea is here [url="http://basschat.co.uk/topic/281646-modulus-flea-bass-blue-sparkle-traded/page__p__3026740__hl__modulus%20flea__fromsearch__1#entry3026740"]http://basschat.co.u..._1#entry3026740[/url] Looks a lot like this (with the exception that mine has matching headstock)..... [url="http://s80.photobucket.com/user/Beedster/media/Flea_zpsegafujhr.jpg.html"][/url] Link to the '55 is here [url="http://basschat.co.uk/topic/279999-nbd-fender-cs-1955-heavy-relic-precision/"]http://basschat.co.u...elic-precision/[/url] Looks a lot like this (anyone would think the Custom Shop did it on purpose.........) [url="http://s80.photobucket.com/user/Beedster/media/Sting_zps63ohq0lk.jpg.html"][/url] Both basses are breathtakers, open the case of the flea and it's hard to believe how they got such a vibrant and vivid finish. Open the case of the '55 and you get the feeling this thing has been gigged hard everynigh since, well '55 . Poor quality photos will do noether of them justice so I'll get the camera out tomorrow and take a full set of each bass. In the meantime there are great pictures of both basses in the links above. I'm pricing them at £2000 each, no haggling and no trades please, they are for sale only. I can courier to UK and Europe at buyers expense, and both will need to be insured. You are also welcome to collect from Canterbury as long as I've had payment ahead of time. Sorry, I don't have time at present to travel to meet a buyer. Chris
  9. [quote name='YouMa' timestamp='1464396307' post='3059249'] I know he did some fantastic stuff with james brown and i like some of his early solo stuff,but i do feel overated creeping in here.listened to a lot of clinton stuff and hes more of a lead guitarist........please correct me as i really like him. [/quote] You may consider yourself corrected
  10. [quote name='hiram.k.hackenbacker' timestamp='1464334531' post='3058461'] Yes, it is and as Roland Rock says I also think it's a seriously underrated album. I wasn't expecting much from them after JF left the first time, but was seriously surprised by how great they sounded with Navarro. I do think he was a perfect fit for them. Obviously I was pleased when JF came back, but often wonder what goodness would have come from RHCP had he not and Navarro stayed. JK certainly has the back catalogue down, but I'm yet to be convinced that he will contribute to original material with the force that others before him have. Maybe the whole band has run its course as far as that concerned? Probably early days still, so I'm just gonna sit back and enjoy for now. [/quote] +1, One Hot Minute is a magical album. Listened to it driving down the west coast. Amazing feel to the album, bring California into your head. And yes with RCHP, it's not about the playing as much as the contribution to the whole, DN's role in One Hot Minute might have been coincidental, but it would be good to see what happened if he did find himself back in
  11. [quote name='discreet' timestamp='1464298784' post='3058347'] I think there are more important things to get upset about. [/quote] I think that about sums it up. The problem with BC these days is that every rant has been done a few too many times. I might start a rant about why people who want to rant don't check for previous threads containing the same rant?
  12. Good on them, the problem with this place is that, whether we care to admit it or not, we're mostly middle aged and middle class, spend too much time worrying about thing like fake basses on eBay, whether heft can be achieved without 12 tubes, and the overly ambitious nature of bass player wanted ads. I'd love to be in the sort of band where the guys are still dreaming
  13. Folks, I bought this bass on its reputation and had it delivered by courier. This is exactly what you'd have to do if you ordered one from Chadwick in the USA, albeit a whole lot cheaper. I can understand that it's a lot of money for an instrument, but my commitments don't allow me to travel to meet people on spec, or to make arrangements for people to come and play it (especially as they may or may not show - speaking from experience here). So, as I've probably spent about a day to date on PMs, phone calls and emails about this bass already, I think the simpler solution is to keep it.
  14. [quote name='Walker' timestamp='1464078826' post='3056286'] Hi Chris, Hope you are well. Do you still travel to Wales regularly? Cheers Chris [/quote] All good thanks Chris, but very much down in the SE these days. Hope all's well mate C
  15. [quote name='Jus Lukin' timestamp='1464261264' post='3057965'] Sometimes, but erroneously I think! Don't hold me to it, but I think this is the chronology... Pre '57 the Precision was 'The Precision Bass', single coil and all. After '57 the model was updated and continued as The Precision Bass. In the late 60's the earlier version was re-released as The Telecaster Bass, some with those psychedelic wallpaper finishes. Around '72 the single coil was replaced with the monster humbucker, and these basses were treated as a different model, The Telecaster II bass. So right from the step two there was confusion built in- perhaps initially you could talk about the old Precision and the new one, but of course that doesn't work out nowadays! The 60's Tele and 50's original were essentially the same, perhaps hence the originals being called Tele's sometimes, but additionally the Telecaster 'II' bass name hasn't really come into regular use, so they just get called Teles too. I think Fender must like the confusion, as they also released the [i]other[/i] Telecaster guitar shape Tele bass, just to lob another spanner into the works! So, I believe that officially we have... The original P, which we never quite know how to differentiate, although SCPB seems to do in most cases The standard post 57 P-bass Telecaster Bass (SCPB mkII) Telecaster II Bass (humbucker) And then the guitar shaped Tele bass. Jury is still out I guess! [/quote] Early 50's were slab bodies, they then moved to contoured bodies mid-50's. 60's and 70's were all slab bodies, both MK1 and MK2. The necks on the MK2's were to die for, one of the best necks Fender have made
  16. Late 80's 'rays are as good as it gets mate
  17. [quote name='Hobbayne' timestamp='1464213739' post='3057713'] Those early single coil pickups are prone to damage. I had a paisley pink one and the E string got caught under the rim of the pup and snapped it in half. [/quote] I've always worried about doing that and I'm a bit surprised that the reissues - as well as the aftermarket PUPs - don't use a slightly different construction or case to prevent it. I guess that back in the day the problem was largely countered by the PUP cover, and perhaps different playing styles, but yes, I can imagine that Flea would get through a few PUPs is he was using an SCPB live!
  18. Both versions are glorious instruments in their own way, great shame Fender never combined the two in one bass
  19. [quote name='Muzomatt' timestamp='1464041542' post='3056108'] Hi, could you tell me what pick up is currently fitted on the bass. Also, in terms of feedback is it pretty much the same as a 'regular' db or does the folding nature alter this at all? Thanks Matt [/quote] Hi Matt, there' no pickup fitted. Feedback? Pretty much the same issue as with all DBs, although being ply it's less susceptible than a carved instrument. I doubt that the construction makes feedback more likely and certainly haven't read anything in any of the reviews or threads on Talkbass that suggest that this might be an issue (there's quite a few pros using these on big stages with little apparent problem, for example Ed Friedland in the Mavericks https://www.talkbass.com/threads/ed-friedland-on-tour-with-the-mavericks.1173722/ and https://www.youtube.com/watch?v=Ns3U4z0VY-Q). Cheers Chris
  20. [quote name='Geek99' timestamp='1463949152' post='3055288'] You don't need to, I'll let you know. I've asked for it to resemble stings p51 for batteredness and dull paint [/quote] You'll probably like my avatar then
  21. [quote name='Happy Jack' timestamp='1464024101' post='3055850'] If you're that serious about the recording thang, why not put an isolation booth inside the shed? [/quote] I'm thought about doing that but it's not all that big and a booth big enough for DB for example would take up a lot of the internal space. I can probably get close with some portable acoustic screens. I am however starting to think about the adjacent greenhouse (on concrete) that might make a wonderful site for an isolation booth......
  22. [quote name='Lee-Man' timestamp='1463931128' post='3055075'] How have you got on with the shed build? [/quote] Hello mate, I'd completely forgotten I'd started this! Kids and work permitting it's coming along, I'll update with some photos at the weekend. Main problem I have at present isn't the amount of sound that gets out, but the amount of sound that gets in. In fact I'm going to have to do something to rectify this, especially as I'm wanting to record mostly acoustic instruments. You don't realise how much ambient noise floats around a back garden until you want to record stuff! Chris
  23. [quote name='biro' timestamp='1461071978' post='3031151'] You raise a valid point. To be honest, the other Allparts neck I have does have does say "allparts". It does, however, also bear similar numbers and the same "made in canada" sticker. I'll check again. [/quote] Hey mate, I was quite interested in this neck so would appreciate the clarification?
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