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Beedster

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Everything posted by Beedster

  1. Can't argue with any of that Nik, met some great people, played gear I could only dream about as a kid, and in the final analysis, given that when you buy used you'll normally sell for close what you paid, it was probably not all that costly. I do wonder how good my playing could be had I spent all the time I spent looking at gear playing it instead though
  2. Really hoping this sells so that I don't need to sell my beautiful old Gibson Although I'd kinda like to keep them both
  3. And it's on its way Owen Bump for the Line 6 plus new pics Chris
  4. Very rare and lovely mid-70s Gibson. Very sad to have to sell this but I'm torn between this - which is very focussed and responsive, but at the same time quite unforgiving - and my Ovation which is far less focussed but far more forgiving. This has been played and shows sign of wear, but for a 40-something year old it's doing OK, and will give you hours of playing pleasure. The neck is an absolute stunner, and overall it really is a special guitar. I'll upload some more information on the model when I've dug it out (it's all on my other laptop). I will need to find a hard case to post this (which I will include in the price), or collection from Canterbury. Chris
  5. You know what these do? Everything, and loudly! Frankly it's been my go-to box for guitar for years but I'm now clearing some space and am going to get a rack unit for the studio. Collection from Canterbury of courier at around £20 I'd guess. I also have the foot-switch (included in sale) which is VERY useful. Chris
  6. Don't know much about this other than the following 1. It's all tube 2. It's very loud 3. It's very heavy despite being very small 4. It looks lovely Bough from martin Simms a while back, had a retube from Ashdown (who made these under the brand Hayden). As you can see from the pics, this is the 13th to come off the conveyer belt. Despite retube the attack channel is a little noisy so probably could do with some playing around with whichever tube that is, but as tubes are such a personal thing I'll let the new owner have the pleasure of weeks of "Mmmm, I like this tube in that position, but then I also liked it in that......" Collection from Canterbury or can courier at cost, I reckon around £30-£40 given the mass Chris
  7. ... but all joking aside, one of the problems with our brains is that whilst every cell in our body says one thing, our brains deliberate and vacillate. I suspect you know there's only one way out of this, talking results in a ceasefire but rarely a permanent change
  8. A drummer who can't drum is quite acceptable and not unusual, a drummer who can't drive is a liability
  9. Ha ha, thanks Nik, not sure any of the above is anything I should be proud of, and I suspect the days of having the spare cash to buy gear on a whim are long behind me! C
  10. Trust me mate, this is one loud cab, I put my old Mesa M-Pulse 360 (rated 360w at 4ohms that is) through it and I can't imagine there's many places where you'd need it much louder. My SVT at about 3/10 through it gets quite painful
  11. Demeter sold, £150 posted gets you the Line-6, I really need to clear some stuff out at present! Chris
  12. Needs no introduction, a phenomenal cab that's only going because I've decided that two Mesa Powerhouse 2x10s works better for me. I've been running this with my SVT and it has so much more of everything that the equivalent Ampeg 4x10, just sounds a lot more alive. As the new 2x10s are on their way, and as I have relatively limited space, the asking price for this cab is low to move it quite quickly (newer version of same cab is almost £1700 at Thomann https://www.thomann.de/gb/mesa_boogie_powerhouse_4x10_mb8ohm.htm) - I really don't want three cabs around the place at present. This cab is heavy but on removable casters which makes life a whole lot easier. Original Mesa cover included but it has seen better days. Photos below are from the original eBay listing, it actually looks better in the flesh. This probably can't be couriered but I'm happy to pack it if you're happy to arrange the process. Collection from Canterbury preferred, I might be able to meet-up somewhere depending on timings/location Cheers Chris
  13. Offers on these before I put them on eBay. Looking for high quality hi-fi gear at present trade wise
  14. Or a rather loud one God bless tube watts eh, my old PJB thingy rated at IIRC 300w on volume 10 couldn't get close to my B-15 rated at 30w on level 3 All joking aside, I'd love this Jack, but am one again falling in to the trap of entering a studio clear-out mode that results in my owning more gear at the close of the process than was the case at the beginning. It's been a regular April/May process since about 1995!
  15. Wow, id' love that to drive the monitors in my studio
  16. I take my hat off to you mate. I wanted to make a joke along the lines ‘have you thought of drums’ but thought better of it
  17. Flanker, a heartfelt welcome back old buddy for a number of reasons you’ve been on my mind a lo, in fact only yesterday (don’t worry, not as suspect as it may sound). Hope all is a well as can be expected. Chris
  18. Hello mate, thanks for the above, you're making me want to keep them. Having said that, I appear to have about four sets of used guts here also so am probably OK. Bit concerned about the degradation of these things though, they're a year or so old now so should be OK, but have a sneaking suspicion that they might not be in five or so years, hence selling them.
  19. You gotta try and find one of these mate, wish I still had it, I could plug my Precision straight in to those massive tubes........
  20. You can often pick up any of these on the forums/eBay in the UK. I certainly would not recommend going to Warmoth for a new neck, they are very expensive and my experience of their 'customer service' left a lot to be desired. Allparts necks are VERY good, as good as Warmoth but cheaper, Mighty Mite slightly less so to be honest (Allparts I'd put happily at Fender USA standard, Mighty Mite perhaps more Squier)
  21. I feel your pain bro, a Precision neck on a Jazz is a very good option for both playability and tone (re the latter, don't listen to the folks who say the neck makes no difference)! You can do what I do, build a very nice bespoke bass from parts from here and eBay that will likely be as good if not better than most production models and probably a lot cheaper. I currently have a lovely FL Jazz with a unlined Warmoth Precision neck (44mm at the nut) with ebony board, a stunning mahogany (I think) body, Wizard 64's, CTS circuit with series/parallel, and ashtrays, all of which I pulled in from here and eBay for under £250 by searching around and being patient. The same quality bass new would be at least £1000. Only downside is that it weighs the same as several trucks
  22. Hi mate, for me to answer that question with any validity I'd arguably have to be sufficiently competent at the skill in question, which I'm certainly not. Having said that, they have a very similar weight and tension to my old Silver Slaps, which perhaps provides some clues (although these have a much warmer and fuller tone when played pizz)? I'll have a look around at some sites and see what folks say, and get back to you Chris
  23. Sad that the Ric Police don’t pick up on that sort of stuff with the same enthusiasm they reserve for everything else Ric?
  24. Irony is that, as I discovered this afternoon when playing my daughters' requests through my tube amp and (semi) decent speakers, much of the music being produced currently DOES sound better through a cheap system. My daughters loved listening to Taylor Swift really loud through Daddy's speakers either way. There is science to this, but it's not acoustics, you could say it's psychoacoustics but it's more than that really. Psychology and neuroscience research has made it pretty clear that expectation and sensation interact to produce perception. In this context, most problematic is the fact that the greater the expectation the greater the effect (true of pre-CBS versus MIJ Fenders etc etc). But there's only one reality that matters, and that's the one your neurons are dealing with as you listen. And given that expectation is a function of so many things - income, education, taste, experience, experience, expertise (and perceived expertise) - there's no way of standardising the relative quality of anything really. I'm glad I've got cheap tastes and limited expertise
  25. I'm no expert, but I have some views! 1. I have never played a bad pre-EB, whilst I have played and owned a few decidedly average EBs, and one that was ****ing awful. 3-band EQ is a factor for sure in many of the comparisons, it should be better, it isn't 2. Pre EBs seems to be able to do a Precision tone far better than EBs. I need that, many don't, but I think it says something about them as an instrument. 3. Whilst I doubt if I measured the action there'd be a difference, pre-EBs have always felt much more playable to me, they feel and play like the Modulus basses I've owned, I've never found an EBMM that did the same I have a late-70s and an early 90's MM at present. I have £2000 invested in the former and about £800 in the latter. The EBMM is to my ear and feel a very good example of a post-EB. So, I thought that if the two were equivalent I could sell the pre-EB as I'm currently paying for a load of building work. However, I felt the neck wasn't as good as the pre-EB so decided to buy a Status neck for it (thought it might do the Modulus thing). Guess what, it's SO much better, tone, playability, etc. But, it ain't the pre-EB. Is it worth the £1100 invested in it, hell yes, in fact much more. I plug it into my SVT and it sounds awesome. But I plug in the pre-EB to the same rig.............. WOW. It's an entirely qualitative difference, not more or less of anything, just a different thing entirely. Dan (Chiliwailer) really knows his stuff, so I'm not putting this up against him, it's just an alternative viewpoint. His thoughts reflect everything I've experienced with Fender, where perhaps 50% of pre CBS are better than the rest others. With MMs I'd put that at closer to 90%. I've had many basses that I'd never sell and sold all but two of them, my pre-EB and an old Precision FL. Look forward to reading further posts on this thread Chris
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