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Beedster

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Everything posted by Beedster

  1. [quote name='Hellzero' timestamp='1434908424' post='2803764'] I think that when anyone writes "do it your way without bothering if you're doing it correctly", does he remember that all these artists have studied (not learned, it's not the same) music, even when they say exactly the opposite ? [/quote] OK, you tell me what is 'correctly' and if I agree I'll agree with whatever else you say.....? The point is, there's no such thing as 'correctly'. The OP cites Jaco. Jaco wasn't doing it 'correctly' when he hit the scene in the late 60's, not by the then EB standards anyway. No-one above has said don't study or learn, but a few people have suggested that there are no 'fretless bass rules' as such, so study what you choose to study and learn what you choose to learn is good advice, whilst 'don't use slides' etc is just rhetoric.
  2. [quote name='Hellzero' timestamp='1434884627' post='2803530'] By the way, I was kidding when I wrote that Beedster was right : Have you ever tried writing and reading without knowing the basic principles ? [/quote] The basic principles in question are those of music; tone, melody, harmony and rhythm. You're perhaps confusing rules of communicating a language - in your example reading and writing - with the aptitude for language itself. Language is analogous to sonic expression, and language is a phenomenon for which humans posses well developed/evolved processes that are independent of their ability to read or write them. [quote name='zawinul' timestamp='1434892736' post='2803609'] don;t listen to people who tell you what to do. From Percy Jones himself: ' [color=#555555]If you feel that a fretless bass is the best instrument for you to express yourself on then get stuck in and work hard with it. Strive to get your own “voice” out via the instrument and learn to differentiate between positive and negative criticism" [/color] [font=palatino linotype, palatino, serif][color=#555555]There are a lot of fretless players around and a lot of them sound the same, a kind of dull sound, lots of vibrato... blah blah....[/color][/font] [color=#555555]Theres a hell of a lot you can do with a fretless, as i'm finding out, but I would would say try and avoid that cliche sound, explore what it can do [/color] [color=#555555]Percy Jones and Mick Karn used slides all the time, harmonics, etc .... no rules[/color] [/quote] Exactly
  3. The best advice I can give is to ignore what others say and follow your nose. Some people play a fretless in just the same way as they play a fretted, others consistently do things on a fretless that are impossible on a fretted, most stick somewhere in the middle. Not using slides too much? Well I'm not sure, if it's right for the music, do it, if it's not, don't. Been listening to Graceland today and the fretless on those tracks contain just about every cliche in the fretless book (plus some innovation for sure), but they're perfect for the songs and in many respects definitive lines. Personally, I really really really don't like chorus on fretless, but my not liking it and my suggesting you don't do it are - and should be - two different things. I guess the trick is to do what sounds and feels good to you. My fretless playing is pretty agricultural - often out of tune to be honest, and often a little too obvious (I used to play cello and often still think like a cellist) - but I like it, the musos I play with like it, and judging from the response I get at gigs, audiences are OK with it. I don't try to sound or play like anyone else or follow any rules other than my own, and I doubt I sound like anyone else.
  4. Hi folks, lots of PMs that I don't have time to reply to but will ASAP. Firstly price is fixed and I'm not looking for trades, second postage is not included, third I may be able to deliver or meet by prior arrangement but have a hectic schedule over the coming weeks so courier is almost certainly the best bet unless you can collect from Canterbury. Will reply to PMs ASAP Chris
  5. [quote name='Geek99' timestamp='1434624358' post='2801243'] How lucky it's not still sunburst or I would have been forced to sell children in order to buy it [/quote] Like I said mate, no trades, even kids, although it's in part due to the proliferation of kids chez Beedster that I am forced to sell this beauty anyway! [quote name='Byo' timestamp='1434625572' post='2801264'] Lovely P-Bass Chris! What's the neck like on this one? GLWTS! [/quote] Neck is lovely Byron, just how a proper Precision neck should be. Fat but not too fat, wide but not too wide, deep but not too deep, a lovely dark rosewood board and a rather nicely aged headstock
  6. Oh, and I'll throw in a pair of old ashtrays also
  7. Looking for a quick sale to pay for something that I shouldn't be buying! Bought a few months back from Andy Baxter who had it up for what was a bargain £999. Lovely player, light at just over 8lbs, and tonally more like a mid-60's than a mid-70's (a bit more woody and resonant to my ear than the 70's models I've owned). I've another mongrel 70's Precision so, given I have been offered a stunner of a fretless, this really needs to go sharpish. Andy's original listing here [url="http://andybaxterbass.com/details.php?id=856."]http://andybaxterbas...ils.php?id=856.[/url] I'll post some more pics when I get home. No trades or offers please, this is the cheapest 70's Precision you will find, and whilst it's clearly did it's A-Levels at the School of Hard Knocks and a degree at the University of Life, if Precisions are your thing, you will not be disappointed. C
  8. [quote name='busccini' timestamp='1427492407' post='2731203'] i got it in usa like 2 years ago , nice instrument refreted 2 months ago really easy to play . cheers [/quote] Ah, OK,. The reason I asked is that I saw a very similar bass at that shop, and the neck had at some stage been snapped and repaired. It was a very good repair, but still a serious issue for any buyer. Looking at the pics you posted I noticed that there weren't any of the back of the neck, which is why I was a little suspicious that it could be the same instrument?
  9. [quote name='MacDaddy' timestamp='1434199242' post='2797551'] Voice of decent here. My old PJB M500 out-Ampeged Ampegs. Utter valve tone, not valve 'like' from MOSFETS. Not light though [/quote] Really? I used to gig both an M500 and a V4B at around the same time in my 'career' (I use the term loosely), and I certainly wouldn't say the former did or could Ampeg the latter. In fact to my mind it's chalk and cheese, both are high quality, but neither can do what the other excels at.
  10. Feel you pain mate. Also worth noting that even if the PUP does sound like your bass only louder, and even if the soundguy gets it EQ'd right without feedback, and even if the PA is up to it, the majority of audiences won't hear any difference between piezo and mag. With DB, there's far more to what an audience hears than the quality of the tone anyway, a lot of it is what is played and how it is played as opposed to how it actually sounds.
  11. [quote name='Lozz196' timestamp='1434155691' post='2797279'] Yep you can get near, and the nearest I`ve been was with the Tech 21 VT DI, quite near with my Aguilar Tonehammer, but it`s still not the same. The sound is there, but the feel, and that "sag" you get with a valve amp just isn`t there. But for me, with a bad back, I`ll take near any day. [/quote] We all have our own words for it, you've used "sag", others use "heft", I use "grunt", but the essence of all the words is the same, it's something that all tube amps give that others don't. And key to it is feel and not sound, and probably more for the player than the audience, but it still makes a difference and to me simply makes playing so much more pleasurable. Re hybrids, having owned a SVT300 power amp a while back, I much prefer an SS preamp through a tube power amp than vice versa, although obviously this negates the weight and cost advantage that I'd guess is the essence of the tube preamp/SS power amp combination. End of the day though, tube pre + tube power = tone
  12. [quote name='jimi_1985' timestamp='1434128278' post='2797035'] My situation now is GK + VT pedal or all out move to Ampeg? And if so, which amp? [/quote] Any amp as long as it is all tube, don't believe what some people say about SS gear getting 'close enough'. Close enough if you're half deaf and don;t care about your sound yes, but not close enough for me. I have a B-15 and a V4-B. Neither are rated above 100w, both can humble most guitarists and most drummers, and both sound superb. The VT Bass might sound a bit like some of the Ampegs, but it doesn't feel like any of them. [quote name='skidder652003' timestamp='1434128839' post='2797044'] there can be only one..... [/quote] Exactly. I think
  13. [quote name='tayste_2000' timestamp='1433518367' post='2791815'] I've played the KK Bass through the Matamp and 8x10 a few times, it works but my favourite EUB sound is still through a B-15, especially now the Matamp has sold and it's the only amp I own. [/quote] Everything sound s god though a B-15 mate, even my playing!
  14. [quote name='tayste_2000' timestamp='1433514620' post='2791763'] So tempting [/quote] Sounds rather good through large tube amps mate On a related issue, had the huge pleasure of seeing Old Crow Medicine Show at The Roundhouse, and as far as I could tell, he was playing his DB through an SVT and a fridge. MASSIVE sound, but about as far from DB as you can get! Hope all's well Steve C
  15. It's relatively small and compact and can easily be kept, for example, behind a sofa (where mine used to live). Really good instrument C
  16. The big daddy of EUBs! It guts me to sell what is not only a wonderful instrument but a wonderful piece of engineering and to my eye a work of art, albeit rather skeletal art! Anyway, the reason for sale is straight forward, I don't play it anymore. As some of you know, I live in Canterbury and work in Aberystwyth (I know). I bought this to keep at the office to enable me to do at least 20 mins of scales per day when I'm up in Wales. The reality is that when I'm there I'm in work mode and have rarely managed to find the necessary time, patience or location to practice properly. I recently decided that as it wasn't being used there I'd bring it back to Canterbury, only to find it's not being used here, simply because I've an Olde English Blonde sitting around here for those moments when I need to dabble. Those of you who've played one will know just what a magnificent beast it is. It doesn't pretend to replicate the tone of an acoustic instrument (although with the Full Circle on board it gets close enough for me), it was designed to allow pro orchestral and jazzers to practice silently via the headphone output. It was therefore built to feel and respond like a DB to both pizz and arco. Having said that, I've gigged it successfully on a few occasions and have had compliments on the tone (as much the result of it being a doddle to amplify and EQ as to any inherent total qualities of the instrument). It's in good but not perfect condition. It all works. It has the optional knee support (I think it's for the knee, I don't use it). The action is LOW LOW LOW, you can get it up as much as you want, but I've played fretless basses with higher action than this instrument. If you're an electric bass player looking to get into DB, this would be a very good starting point, not least because the low action will remove what is one of the main barriers to starting on DB, the tension between wanting to crack on with it on the one hand and muscle fatigue and potential injury on the other. Perhaps goes without saying that this can't be posted. I will however do all I can to accommodate/facilitate collection or meetup. These sell for over £3k. One grande for such a high quality instrument? Well, to quote LS&TSB, "It's a deal, it's a steal, the sale of the f*****g century" And yes, I may well keep it No trades thanks, got everything I need [url="http://s80.photobucket.com/user/Beedster/media/IMG_4512_zps8vx33w8z.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4519_zpsqspgrtqz.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4514_zpsnj0hugk9.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4515_zpsqetwt3yu.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4516_zpsxsi6zmwz.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4517_zpsms8zd66c.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4518_zpslffuumuq.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4520_zpswsfbyqxg.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4524_zps9f8akjmo.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4527_zpstpyndbki.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4528_zpsz8hckp73.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4522_zpsghauitmh.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4521_zpshdtqt8sl.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4531_zps7ug0aojl.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4533_zps0laidssx.jpg.html"][/url] [url="http://s80.photobucket.com/user/Beedster/media/IMG_4533_zps0laidssx.jpg.html"][/url][url="http://s80.photobucket.com/user/Beedster/media/IMG_4534_zps04uymdyu.jpg.html"][/url]
  17. [quote name='timmo' timestamp='1433146309' post='2788133'] For all they know, you could be fatter than the bass player they fired. [/quote] Brilliant
  18. [quote name='Geek99' timestamp='1432412550' post='2781283'] Well I'm in Nottingham so I for one would like a heads up so I can avoid him/her [/quote] Doubt he'll be selling any basses for a while Bump for the Telebass
  19. Thanks Dan, really not a problem, I've checked it all out and it's all as described above, that is all parts are authentic and original (the tuners and neckplate excepted), it's just they didn't all originate on the same instrument, which - Fender's late 70's QC being what it was - probably means it's a better instrument all round than had it left the factory as one! I'm not going to chase the seller despite the fact he's clearly dishonest so have left feedback to that effect and will get on with playing some bass rather than buying, selling, modifying etc! I want to keep this bass because it has a great core tone, but I don't need this bass, so I'm happy if it goes but won't be unhappy if it stays. £600 seems a very fair price all things considered so I hope someone who both wants [i]and[/i] needs it comes along and makes my mind up for me! Cheers Chris
  20. [quote name='RAY AGAINST THE MACHINE' timestamp='1432297362' post='2780141'] I wonder how much, (and is it worth doing) changing the colour to seafoam or yellow? [/quote] Ha ha, defo not my colour scheme mate! Folks, I've had a few PMs on this, thanks for that. I perhaps indicated above that I'm after the eBay seller, I'm not, I really don't care to be honest, it's a lovely instrument and once I've verified that all parts are in fact original 70's USA Fender, I doubt it changes much (let's face it, most late 70's Fenders were bitsas when they left the factory). I've emailed the seller suggesting that he was, shall we say, economic with the truth, but I doubt much will happen. All of the above taken in to account, I'm probably happy to sell it and equally happy to keep it, although if the latter the finish is coming off and that PUPs going where it should be! Chris
  21. I find most vintage Fender gear, especially cabs, not very bassy. As above, the Bassman is/are very good, but better through Ampeg cabs C
  22. [quote name='karlfer' timestamp='1432293662' post='2780078'] Thank God for that! Temptation and lust defeated [/quote] [color=#282828][font=helvetica, arial, sans-serif]Well, I wouldn't speak too soon Karl.....[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]It's on hold because I've just had a chat with a very well respected and long standing member who not only used to own this bass, but in fact actually put this bass together form parts. So, it's a bitsa, the degree of bitsa-ness yet to be confirmed as it's a while since the BCer did the work.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]This has a couple of implications. Firstly whilst it might be all 70's USA parts - and I'm emphasising the might - it's likely not a restoration project, which makes me more inclined to keep it, strip it, fill the holes, oil it and play it. On that basis nothing has changed perhaps, it's still a cracking bass. [/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Second, I'm going to pursue the guy I bought it from, who told a story about the bass which clearly isn't true, and it appears that the original owner/builder pointed this out to him via the eBay listing and was ignored when he did. Even were the bass all original, the seller's description as to its originality and condition was so far off that it was laughable (for example, he suggested he was regularly playing it, but when I received it part of the neck tilt assembly was missing, and looked like it has been for some time, meaning that it didn't stay in tune for more than about 20 seconds due to the neck moving in play). I emailed the seller about this when I bought it and received no reply, so thought 'sod it', spent £150 and did some work and got it back to playable. [/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Anyway, i'm waiting for a response form the eBay seller. If I don't get one I'll keep the bass and reveal the full details of the eBay seller so you good folks can avoid him, especially if you are active in the live/pub circuit in Nottingham (he plays g****r in a Nottingham pub rock band) [/font][/color] [color=#282828][font=helvetica, arial, sans-serif]So, in short, I'm happy to sell it, as I said above I'm spending too much time messing about with basses and not enough time playing them (I'm a sucker for the word 'project'). I will however wait to see if I get a response from the seller first regarding a return and refund, although I'm not optimistic as it's past the 45 days instant refund stage and he came across as less than honest when I was dealing with him. I'll have to content myself with the word 'fraudulent' in his feedback.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]I I sell, I think £600 is a fair price, but ahead of selling it I will get verification on the parts that I'm in doubt about, namely the body.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Might even part it out....[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Basses eh![/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Chris[/font][/color]
  23. Many thanks Karl, greatly appreciated. This bass is now on hold Chris
  24. OK, I've decided to definitely sell this beauty. I spend too much time on project basses and not enough time playing them. This is perfectly playable as is, but I know that if I keep it I'm going to end up spending time and money on it, and both are in short supply at present. Happy to talk cash offers.
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