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Beedster

⭐Supporting Member⭐
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Everything posted by Beedster

  1. [quote name='borntohang' timestamp='1508492830' post='3392520'] Pssh 'do we dress up'? This isn't amateur hour, spud. [/quote] Absolutely brilliant. Do you do weddings?
  2. [quote name='borntohang' timestamp='1507800217' post='3387998'] Can report from personal experience the DEVO tribute is a better runner than you might expect. On the other hand, we don't need the competition so actually it's a terrible gig and you shouldn't even think about it! [/quote] Made my day Would love to see you lot at my local on a Friday night, do you dress up also?
  3. Nik, I'll very happily take those if you're happy to hold them until I can arrange collection? Chris
  4. [quote name='haimesy' timestamp='1508264558' post='3391009'] Year , month and week ... YOB bass for me. [/quote] Ha ha, likewise, a good week clearly
  5. [quote name='TheGreek' timestamp='1508433215' post='3392201'] My thoughts exactly... Welcome from Herts [/quote] Could have been worse, could have been called 'drummist'
  6. Welcome from Canterbury. Hell of a brave username for a bass forum BTW
  7. I remember the days when if you listed one of these for sale you'd have 40 PMs within a minute, with prospective buyers offering their cars or wives as security or '64 Precisions in exchange. I certainly don't think I ever saw one last an hour before being ripped from the hands of the seller by a rabid tone-seeker. So what happened? Unquestionably the gold standard of tube DIs, built like something that could probably have won the Cold War, and impossible to lose even on a poorly lit stage due it it's singular redness. But no takers?
  8. [quote name='roman_sub' timestamp='1507471282' post='3385661'] a few more shots would be good - suggest detail of body paintjobs and also of the fretboard lines [/quote] [quote name='Jackemmings' timestamp='1507481905' post='3385764'] Thanks for the advice, will update this evening. [/quote] Hey mate, I think you'd do yourself a favour if you posted more pics. I'm interested in a fretless MM and would love to buy this, but the neck looks a little iffy in the photo above, poor de-fret I could live with, twist in the neck I couldn't, although this might just be the way the photo appears?
  9. We put up with it for years and learned to play with a slack drummer, simply because he was also a mate. Think The Who did the same according to an interview I read with Entwhistle
  10. [quote name='TrevorR' timestamp='1507824326' post='3388240'] Or it could be the old trick of when you play a bum note always play it again so people think it's an "arrangement". [/quote] Damn, I thought that was my secret. Did pretty much a whole gig doing exactly that on DB, and was offered a Jazz gig immediately afterwards
  11. [quote name='wateroftyne' timestamp='1507809851' post='3388094'] Ahh.. it's jarring to me. I've just checked and he does it on the original, too. It must just be me.. [/quote] Ha ha, there's a track on Street Legal by Dylan where the bass player plays a howler, it drives me crazy, but no-one else can hear it. Which of course means everyone else is just not as discerning as us
  12. [quote name='FinnDave' timestamp='1507801446' post='3388008'] I think there's a difference, 'rehearsing' means doing something in order to prepare it for performance, playing with mates for the pleasure of it is an end in itself. Both equally valid, but to my mind, a rehearsal is playing with gigging as the goal. [/quote] Which was exactly my point Dave, although perhaps not as clearly made
  13. [quote name='Happy Jack' timestamp='1507796936' post='3387960'] Rehearsing is fun partly because it is intended to lead to a performance; rehearsing for its own sake would get very stale very quickly. [/quote] One man's 'rehearsing' is another man's 'playing music with mates for the pleasure of it'
  14. [quote name='Lysdexia' timestamp='1507760590' post='3387858'] It's a load of fun. Which is a tremendous value - playing for the joy of it. [/quote] +1
  15. [quote name='blue' timestamp='1507751280' post='3387790'] Again, personally I don't see that and I don't get the sense anyone here is suggesting anyone is any less of a musician if their not gigging. We all gig and don't gig for different reasons. One of the primary reason I gig is to bring a little happiness to people when the work week is done and they merely want to relax, have fun and a good time. We had a marginal crowd at best Saturday night. But there was this one older women who looked like she hadn't been out for a while. She was smiling, totally focused on the band rocking in her seat. Just watching her puts why I gig into perspective. Blue [/quote] Nicely put Blue. Wish that was my experience
  16. [quote name='Dan Dare' timestamp='1507734440' post='3387598'] Why does everyone posting here seem to be insisting theirs is the only right way? Some like to play for its own sake with a few pals, some like to play for a living, some like to do the occasional gig, etc, etc. So what? Different strokes for different folks. I've played as a hobby and for a part and full living. I'm currently back to being a hobbyist. I enjoy it. End of. [/quote] It's a forum. End of
  17. [quote name='Leonard Smalls' timestamp='1507708028' post='3387307'] Is this yet another re-hash of the "you're not a proper musician unless you get paid" thread? My mother is a pianist and LRAM, and she spent about 20 years duetting with a friend on the flute - mainly Bach. They never played a concert (even though they were a covers band ), and had absolutely no interest in doing so. It was purely for their own entertainment. Does that mean they weren't proper musicians? [/quote] I guess this is how I feel about playing music. Humans have been making music collectively for tens of thousands of years, it's in our DNA. Only relatively recently in evolutionary has the dichotomy of performer and audience crept in and become formalised (and it could be argued largely for business reasons). Personally I find the experience of playing music for the sheer pleasure of doing so extremely rewarding. I find the process of doing it in front of an audience marginally more so on some occasions, but [i]considerably[/i] less so on others. OK, this could be a function of the kind of audiences I've played to, but I imagine that unless you're in the top 5% of bands by status, these are pretty representative of audiences full stop. There is a sense here and on other music forums that unless you're out there gigging, you're less of a musician. I go to see bands occasionally, watch the bass player holding down roots/fifths or whatever 'the song requires', and at times I think it might be the other way around
  18. I often found that gigging was the necessary evil of being in a band. I aways enjoyed rehearsing with good mates, loved the no pressure vibe and all the banter/good naturedness. Gigging was sometimes as much fun, but most of the time not so. There's a sense in which rehearsing is equivalent to jogging, and gigging equivalent to entering a 5k race. I'm more than happy to jog
  19. Folks Thanks so much for the great advice above, I completely forgot that I posted this and for whatever reason is doesn't show up when I search my threads. I need DI because the room I have will take a whole of of work to get to anything like the acoustic quality I would like, this made a whole lot worse by unpredictable noise from outside the building that wasn't a problem when it was installed but has become one. In short, using DI I can get away with stuff that I might not using a mic. I also have some very very nice preamps that will help enormously This is the guitar that is currently making me feel a little hot under the collar http://www.ebay.co.uk/itm/PREMIUM-GIBSON-USA-Electro-Acoustic-Songwriter-Studio-Deluxe-Natural-2016/112586308701?ssPageName=STRK%3AMEBIDX%3AIT&_trksid=p2060353.m1438.l2649 and I'm very tempted to take a drive up to play it. As pointed out above, I have something of an affinity with Gibsons I have an Ovation USA Melissa Etheridge 12-string (which I can play as a 6 of course) and Gibson MK-81, both of which are lovely, but neither of which on their own are sufficient for my recording needs. Lots of ideas above, I might have to do some leg work
  20. Perhaps everything should be priced the same to keep things simple
  21. Would love to play in a BBD act but can't imagine it would pull in many punters? Having said that, a mate of mine a few years back suggested a DEVO tribute act
  22. Couple of trade or PX options, happy to put some cash in also for the right gear 1. Guitar rack preamp (Mesa Boogie Studio, Sansamp PSA-1etc) 2. Decent electro acoustic guitar 3. Decent resonator guitar Cheers Chris
  23. Crikey, that really does spell it out doesn't it
  24. [quote name='Brother Jones' timestamp='1506971412' post='3382464'] This was mine for many years. I bought it from Andy's in Denmark St in 2003-ish, and had the Allparts body put on by a luthier in Putney. It's a four bolt body, but he made it work by filling two holes and drilling a new one. It really does sound fantastic. I had it set up by Charlie Chandler a couple of years ago and the techs couldn't stop playing it. [/quote] I remember that bass very well, and yes, it's worth a whole lot more than £800...
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