1. Take a Precision
2. Do what the engineer asks, they know what they’re doing
3. Don’t lose patience with drummer, guitarists, keys, and singer, remember they were not blessed with good enough DNA to be the bassist
Enjoy it 👍
Thanks @Woodinblack
I've opted for a more portable recording system using a UAD x4 so the X8P is available for sale once more. I may also re-list the Softube units, I'm not sure if I'm going to keep them and use with the x4 or whether I'm going to stay in the box from now on 👍
I gigged my '73 the other night, and couldn't escape the sense that it really did sound better than the more recent instruments I've tended to gig. Couple of comments along the lines 'That bass looks like it could tell a story or two' also, which is always nice. Funny to think it probably did it's first gig before the World had heard of Springsteen......
Great video, I loved the insights, the stand-in keyboardist playing havoc with the bass octaves was classic
Great lesson in monitoring DB also, give yourself mostly the simple less toneful signal so that you can hear very precisely what you're doing and send more of the complex but nicer signal to the audience 👍
Yes, while the sudden urge to nip down to the shops to pick up some Barts and an Overwater is understandable, I suspect that brain and fingers are the real active ingredients for the tone and technique
Quite a relief to discover that it's not just amateurs like me who do that! As Ian suggests, IK for Pizz but a lot more useful for Arco, but for either a great way of checking especially on noisy stages
Beautiful bass but had a strange sense of confusion that took a few seconds; Precision ashtray
But in all seriousness, that's a najor bloody bargain at every level of scrutiny. GLWTS
Totally agree, he's a classy player not just in terms of the techniques he's able to call on, but in terms of when and how he chooses to calls on them 👍