I guess it varies with band/genre. I found it bloody annoying when I started having to listen very hard to Danko's basslines in both Dylan and The Band tracks to find that the versions Apple Music was giving me where not the same as the other guys were getting from Spotify and certainly not the versions that I remembered from the albums themselves. I've solved the issue in that I'm going to work from the CDs, but to my mind it doesn't change the fact that if Apple are charging people to download an 'album', they should allow you to download the actual album, and not what appears to amount to a pretty random collection of live versions/remixes albeit of the same songs. Perhaps part of this for me is that I'm of an era both in age and musical preference in which the idea of the album still remains the overarching driver of the music, a statement of the band's thoughts and emotions at the moment in time. The first track on the original album Blonde on Blonde really sets an odd tone, and I've always loved it for that. The version on Apple Music however is live and to my ear has a very different feel, almost as if by the time it was recorded, Dylan had come to hate the song, and I think it sets the album off in a very different direction. I wonder if people who find Dylan through digital might be taken on a very different journey to that he intended when he recorded the album?