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Beedster

โญSupporting Memberโญ
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Everything posted by Beedster

  1. Would love to hear some of your thoughts on leading a tribute act, especially one performing music by a pretty unique band?
  2. Agreed ๐Ÿ‘
  3. That's the spirit chaps, good work ๐Ÿ‘
  4. Let's see where it goes next Jack, speaker characteristics to car boot capacity, beekeeping might be next ๐Ÿ˜ƒ
  5. Guys, thereโ€™s Carbootsizechat for all this stuff ๐Ÿ˜†
  6. Never played a Spector, but think thatโ€™s about it of the major brands ๐Ÿ‘
  7. Live it, Surrender sounds great ๐Ÿ‘
  8. Same here ๐Ÿ˜•
  9. Come on Clarky, fess up mate, this is you in '84 ..........
  10. Nice bass, and yes very nice upgrades, wish I were closer to MK ๐Ÿ‘
  11. And in drug terms, such basses would be termed 'responders' ๐Ÿ‘
  12. That wasn't as tongue in cheek as it sounded BTW, for example there's plenty of drugs that (appear to) work despite the fact that the mechanisms originally proposed by the developers have either been found absent or are present but not responsible for the drug's effect (SSRIs for example), hence my earlier comment about placebos
  13. I suspect they don't really know why it works
  14. That makes a lot of sense to me and - if I understand correctly - explains why Badass bridges seem to work wonders on some basses while making absolutely zero difference on others?
  15. Useful post. Given that you can take a well mixed/mastered/produced album, play it through a top-end audio system in a flattering acoustic environment, and by messing with the controls make it sound bloody awful, the harm that can be done to the sound of an amateur/semi-pro band playing through a low/mid-price PA in a challenging acoustic environment is obvious. As is always the case, half the battle is having better gear, it's simply knowing how to use the gear you've got ๐Ÿ‘
  16. Italian cars have different design criteria (thank God). You might look at Volvo ๐Ÿ˜†
  17. While most people here start threads for discussion, your first posts tend to feel like you want an argument. It might not be the case, but it is how they come across sometimes. You also tend to go back and edit them quite heavily. OK not a massive problem in the scheme of things, we all have good days and bad days, and like you said earlier youโ€™re a very long-standing and well-liked member and have earned respect on both those bases. But as I also said earlier, if you donโ€™t want arguments, perhaps donโ€™t start your threads argumentatively? Anyway, back to Charles Berthoud ๐Ÿ‘
  18. Rather looking forward to reading this thread ๐Ÿ˜†
  19. Exactly what I thought ๐Ÿ‘
  20. Try a few, Caswells offer them on trial ๐Ÿ‘
  21. A good player will make a poor bow sound amazing, a poor player will do the opposite
  22. And a very nice neck it is too, one of those that makes you realised that Squier on their day are up there with their more illustrious competitors ๐Ÿ‘
  23. I get the original point, I suspect it referred to the idea that if one person starts to pick up the jobs that the others don't like doing or do badly, they step back even further from doing them. That's happened a lot in bands I've been in, often to be honest for the best as it means things get done quickly and are aligned
  24. Youโ€™re very lucky ๐Ÿ‘
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