Downunderwonder

This happens in many industries. The venue knows they are in the position to deny access to vendors. A tame captive crew is ripe for taxation. On the other hand the vendor is free to add to his quote for a taxing venue. The venue has to be extra good to make up for the inflated prices being charged. The venue banks on them being the best so the best vendors are happy to charge a bit more or eat the tax on their significant fee to get in. If neither is true they wind up with 2nd or 3rd tier vendors and their own status falls. This naturally favours monopoly venues such as stadiums, airports, destinations, and the big in demand function venues.

Look up comb filtering.

It's probably still there.

That can work for sure. It really depends on what you want the compressor to do. The VT will do a fair amount of compressing when the gain is increased. On the other hand you might like the sound the VT makes when fed a compressed signal. On the other hand you might like what the compressor does with a high passed signal. I hope you are seeing a pattern here. Lucky for you there are only 6 ways to order three pedals. Have at it.

Not all tolex is created equal. The only defects in my Kaman era UK production Trace cab are the ones I put there by mishandling it.

I'm sure it will only produce the glorious tone for the lucky few that are in front of it. Everyone else gets chunks of mids and highs missing, degrading to just the woof when too far off axis. Comb filtering is a bastard.

A Barefaced 110 for the SB and a Quilter amp for a BF 410 then. Stand well back. Never mind the Markbass.

Depends on where the 'feedback' phenomenon is generated relative to the DI. Sounds like it's an output tube thing. If the DI comes out of the preamp you're out of luck. If it monitors the speaker output you might be in luck. Next question is if the thing runs without a cab connected like some of the little American ones... If not you're going to have to run a cab off the LS along with the LM3 rig. A better plan might be to invest in a big PA and simply mic your LS rig.

2 problems with hearing yourself on stage. Mids and highs are directional so the backs of your legs get the best sound. Lows reflect off ceiling and walls sometimes arriving at your ears out of phase causing certain frequency dropouts that won't respond half as well to EQ as the unaffected ones. They can also boom.

Must be a way J.C. can apply to a lesser court that has the power to kick it up a level or two when the cops aren't interested enough. Cops aren't the be all and end all of justice being meted out.

How about Joe Citizen applying to the Court directly?

I have not been able to search out or elicit any posts that actually confirm the current fraudster is Mick Mason, other than the M.O and photography appear the same.

Scumbags have scumbags for friends. Offer a big enough incentive for someone to dob him in and someone will bite.

Another Sansamp Deluxe in the classifieds. This one with scratches 150 quid. You can have: Clean as clean can be on channel 1. More or less clean with a bit of drive if you dig in hard on channel 2. Ragey as you like on channel 3. along with seperately selectable fx loop that can be preprogrammed on or off with any channel but switched on or off at will any time.

I think all the 'amp shoved onto speaker box hey presto it's a combo' models are just that. OP has one of those, not a Commando.

Shouldn't it be in a closet where you are via?

There's a Sansamp BDDI Deluxe in the classifieds. A bit over your budget but a damn handy gigging thing.

In my mind righty tighty lefty loosey is just fine. I equivocate right with clockwise and vice versa. No hex keys involved. I never owned one but it looks like a big arsed Phillips might fit, miracle of miracles style, no idea what the proper driver is but they are are advertised. Screw heads are funny things. The right driver will tuck in and 'stick' with no wobble at all. The right driver is the only one to use or the screw head will get munched on with each visit. The Phillips head should never have been invented. The only advantage is it is cheap and easy to make.

Need to be specific. If two amps are plugged into one another by way of two cabs connected in parallel you go poof. Two amps can only be used with separate cabs.

How many amp channels got plugged into how many cabinets?

Did you RTFM before plugging it in? Some amps have internal manual switching to enable 240V.

150 Squids is a bit light for what you asked for but you are obviously very flexible on the requirements for compression and EQ. I think your main priority should be lack of noise.

And yet when Agedhorse and his team were challenged that their newfangled GenzBenz class D would never sell, because it couldn't possibly do what the old AB head did, the testing found them indistinguishable. I made that process up from context but not the end result.

Any chance you could hire a club yourselves and get the Irish over on your own account? That'd learn him.

You have a different idea of loud. My idea of loud is not my own cup of tea either. I too have gigged plenty loud enough with just a plain old 210. Still, LOUD is out there, no FOH mix apart from vocals, and has plenty of its own fans.