Leonard Smalls

Is Vicar There - Vic Goddard and Subway Sect

Say Hello Wave Goodbye - Soft Cell

Bastille Day - Rush

Hit Me Baby One More Lime - Britney Spears 

Request time!

Can you do play by magazine?

I'd come!

7 minutes ago, chris667 said:

I would much prefer a 1970s Knight in good condition to a new inexpensive upright.

Me too! There's lots of decent old joannas you can get for virtually nowt - old Challens go for pennies if you're lucky and are decent.

I've just looked up our Pfeiffer, looks like they're selling ones similar for over E10000!    https://www.pfeiffer-pianos.com/en/used/pianos

On 26/06/2025 at 18:06, chris667 said:

upright which was nearing the end of its life

Funnily enough my mum's piano is still with us...

Her parents bought it thinking it was new from the makers (Pfeiffer) in 1932. My mum learned to play on it, then did all her practice for LRAM, I did lessons on it, my mum gave lessons on it and recently we decided it needed a good service. So we found a really good piano builder who almost fell over when he saw it!

He spent a quite few hours re-felting, adjusting hammers, sorting out the pedals and putting on a couple of replacement "ivories". It cost us about £400. Turns out it was actually made between 1872-74 and had been sitting in their warehouse for 60 odd years.

And pianoman said it had possibly the best bass he'd ever heard from a piano - as good as a concert Bösendorfer he reckoned. 

So if you can find an oak overstrung Pfeiffer, buy it! And find someone very strong to move it. I've been involved in 6 moves with it so far and 'er's a reet bugger!

featuring Julian C on bass... Funky as!

We had just a drum'n'basses rehearsal on Sunday... I think I've convinced them this is a good way to go as they're all learning exactly what everyone else plays without just relying on a particular cue - means we'll be tighter and clashing parts will be ironed out as you can't hide so much. Last week was basses and guitars, so hopefully next weeks rehearsal for full band will have everyone knowing exactly what to do for gig a week Friday. So new drums and guitar will be tight as after only 4 rehearsals, including getting guitar and drums to occasionally follow me to bring out the progfunk part of of our punk!

Wash It All Off - You've Got Foetus On Your Breath

5 minutes ago, thodrik said:

However, 200 watts at 4 ohms should be plenty loud enough

Our other bassman uses an Elf, and we have no trouble at all hearing him over drums, vox, orange guitar stack and my 1500W bridged Crown doofer...

Stench of Honey - Cardiacs

13 hours ago, Stub Mandrel said:

any music with 'core' at the end of its name

When I were a lad there were only two cores (apart from apple) - soft and hard.

Soft was found under the Magic Porn Bush, with its pages stuck together by rain and who knows what, and hard was near-mythical - most certainly not what was shown in cinemas with titles like "Confessions of a Window Cleaner" or "Rosie Dixon - Night Nurse".

13 hours ago, Buddster said:

but I've never completely trusted tv engineers to mix bands. 

Nowadays that's not necessarily the case, as most will be freelancers specialising in whatever aspect of sound recording/mixing they're hired for...

However, you definitely have a point about the past! I worked with studio sound people a lot in the days of live Top Of The Pops; their thinking was the sound must be "as is", no FX, no making it sound any better as that was cheating and not putting out exactly what was put in. This, I might add was also when these folks were exclusively recruited as engineers - there was no time for fancy frills and expression, twas purely a matter of keeping it within spec and watching the meters. Their thinking was "if the band don't sound good enough on their own it's not our job to help 'em!". As a result, most bands sounded terrible! I also had them working for me on a well known drama, and the amount of grief we had just convincing them to actually add to the plot with a spot of intelligent sound design was amazing. Not all of 'em, I might add!

So I kept the best 2 or 3 and brought in sound dubbing mixers from Post Production (the others were studios) - their job was to make it sound good so that's what they attempted to do but because of studios demarcation, those mixers never got a look-in at music mixing.

4 minutes ago, Stub Mandrel said:

He was, genuinely, a gynaecologist

Indeed!

And the only time I've enjoyed Country and Western is when Hank W. did it.

Flake Of Fire - Nirvana

Chocolate City - Parliament

Just been asked to join the Samples at the Marrs bar in Worcester on 18th July...

Then the week after that, we're with Brazilian HardCore-istas, AntiVirus in Hereford (26th July)

Then we're at Rebellion fest early afternoon on the 10th August, and same day, at mini fest also in Blackpool at the Washington

Then that's all Choked've got booked for the year!

57 minutes ago, SteveXFR said:

Suicidal were thrash / hardcore crossover so a bit of both

Or originally and arguably, skatepunk 😁 Then BobbyT got really good and they became a bit more funkpunk!

And Turnstile appear to have been a lot harder in the past - shame they've gone all wuss now!

This is the last "hardcore" band we played with, though in the daft world of extreme categorisation they're also street punk and thrash punk/metal - Potbelly

In 3 weeks we're playing with hardcore Brazilians Anti Virus, though they could be just punk...

And next week, we're playing with OG punks, the Samples. They're definitely not hardcore. Or Thrash. Or Metal.

3 hours ago, Supernaut said:

Turnstile are not metal. They have always been a hardcore band.

Hardcore pop-punk! They're by no means hardcore, apart from for folks who don't like or know what hardcore is!  https://www.bbc.co.uk/iplayer/episode/m002fb7q/glastonbury-turnstile-never-enough  - this is softer than Green Day!

See Exploited, GBH, Black Flag, Minor Threat, Rancid, Bad Religion, Bad Brains, Sick of It All... Or:

Bubble Gum (I Chewz You) - Captain Sky

Sweets For My Sweet - The Drifters

Excellent stuff!

However, assuming that all the participants voted, only 2 other Basschatters scrawled their "X"...

Twas ever thus!

1 minute ago, Gank Bass said:

It's probably bs

It is... As an ex BBC sound recordist and Post Production manager I can assure you that, especially with current budget constraints, only the bare minimum number of staff (or contractors) are sent there.

I never went on a beeb junket!

In contrast, I remember when I was training; I did 3 months on Keeping Up Appearances in Kenilworth... We got pay, plus overtime for while we were there, plus travel allowance, meal allowance (even though there was location catering) and overnight allowance for being away from home, and hotel...

I bought a motorbike with just my overnights!

But it's not been like that for 30 years or so. My old department doesn't even exist anymore!

Forgot about Nova Twins (how could I?).

Awesome, as usual...