Leonard Smalls

Troops of Tomorrow - The Exploited

Take a lift (off my spliff) - Jacob Killer Miller

You can call me Al(veoli) - Art Garfunkel

Stan Dandy Liver - Adam and the Ants

Passion of Lovers - Bauhaus

You be Illin' - Run DMC

To be fair they're doing quite well already with what they've got...

Slide - Slave

Knife Edge - GBH

The first Cut is the Deepest - P.P Arnold

Funnily enough, it's a Parker PB51. It's basically a Flybass that's made in Indonesia with slightly less fancy woodwork. I loved the spalted maple so I had to have it - the EMGs sound great as well.

Ring of Fire - Johnny Cash

From Gloucester, a few weeks ago, courtesy of See Ya Down The Front photography...

Reanimation - Belouis Some

Scary Monsters - David Bowie

Rose Garden Funeral of Sores - Bauhaus

Hidden Gems...

Just watching these. King Gizzardy Awesomeness!

Say What! - Trouble Funk

Idles best so far for me... They were an object lesson in how to do a proper rockin' show.

When I was in London I used to use this guy: https://www.osteopathy.org.uk/register-search/registrants/4161-mr-lazarus-nono/?county=london&county=london He was excellent - specialised in ballet and performance related problems but did an excellent job on my more climbing related injuries...

Aah, The Name is Bootsy, Baby - Bootsy's Rubber Band

For a change mine was a cover! We did the Dead Kennedys "Moon Over Marin" with Raph on CopyBass and me adding a Magazine "Song From Under The Floorboards" feel. This was at Percy's, Whitchurch. And he played his Squire Jazz through Sansamp and Trace Elf into Bitsa 4x10 cab, I used my ACG Recurve into Helix with a very slightly overdriven and heavily compressed and gated patch into ancient Marshall Jubilee head and huge Mesa 2x15 cab. Worked surprisingly well.

No Name On The Bullet - Sly and Robbie

The fee barely covers fuel! But we feel it's worth playing there as it's a place worthy of support. They put on bands 2 or 3 nights a week, up to 3 at a time in all genres, it's free to get in, they've got a brilliant soundman and I think grass-roots venues like this deserve every break they can get! As we don't do it for the money - it's effectively a hobby - we're happy to do that. It's not as if they're charging on the door, then charging loads for food and drink then underpaying the bands; they also support foreign touring bands too with free accommodation. I'm happy to play there for a fifth time as well if they they want us...