
TPTroll
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Everything posted by TPTroll
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High fret buzzing - what am I letting myself in for?
TPTroll posted a topic in Repairs and Technical
Hi I'm looking at purchasing an old bass, and it's got one issue I wanted some advice on. The seller says it's difficult to play at the high frets due to buzzing/catching, despite the neck having a bit of a bow to it. I'm not able to try it out, as it's overseas. They say that the truss rod works, and frets are evenly worn. Now, I assume that what may have happened is someone was trying to go too low with the string height and they've tried to change the neck relief to compensate for this. This could all be solved with a new nut, possibly a neck shim and a proper set up. Would that be a correct assumption? What I'm trying to avoid is buying something with a busted truss rod or neck. Thanks! -
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SOLD - 1990 Yamaha Attitude Bass with Seymour Duncan QPBs
TPTroll replied to TPTroll's topic in Basses For Sale
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[color=#000000]Yamaha attitude bass for sale. Since owning this bass, I've replaced the old electrics with 250k CTS pots and an orange cap. The old plastic black control knobs have been changed for chrome ones (think it looks much better). I've also changed the stock pickups for Seymour Duncan Quarter Pounder pickups. They are basically new, have been in since January and played once. Tuners changed to Wikinson tuners. [/color] [color=#000000]The bass is superb to play. The term fender killer gets used alot, and it's certainly true for this bass. Maple satin finish neck is very smooth and fast to play. 1.57" width at nut to 2.48" at heel. Thickness of neck at nut is 0.787". [/color] [color=#000000]Alder body. Only has one major sign of wear, at the base. Otherwise, light scratches on back but generally in very good condition for its age. Horn strap button feels like it's loose, but it's not, just the head of the screw not letting the button sit flush due to the shape of the horn. [/color] [color=#000000]Made in Taiwan. Neck heel stamp says October 1990. [/color] [color=#000000]I'll sell with original pickups too if anyone wants, but SDs are a big improvement. Original pups had some nice mid growl, but muddy in the low end and top end output on higher strings was a bit lacking. [/color] [color=#000000]Only selling as it's not getting played following some recent acquisitions. Its light on the shoulders, has a great tone and is genuinely enjoyable to play. [/color][color=#000000]Weight is 3.5kg. [/color] [color=#000000]£200 inc postage ono. Buyer can collect from Angel, London during the week, or Hemel Hempstead, Herts. [/color]
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Rickenbackers. Look nice, but awful, ungainly things to play. Don't see the point. Sorry Mr Hall!
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Yamaha BB424 or try and find an old ibanez blazer. Both amazing P bass derivatives.
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This is the one the OP is talking about - http://www.richtonemusic.co.uk/products/fender_japan_fsr_classic_60s_p_bass_rw_vw.asp?gclid=CjwKEAiAw4e1BRDfi7vghaWU9jESJACzo9juga0hb0JjXzNyTx1ODdgrFr50CbPsmwMmKiFNdd--9xoC0DXw_wcB and this is the only 50's one they're selling in the UK so far I think - http://www.gak.co.uk/en/fender-fsr-japan-classic-50s-p-bass-vintage-white/123080?gclid=CjwKEAiAw4e1BRDfi7vghaWU9jESJACzo9ju82WLy5kLdsIeMGLaB94QWTAF7ZI5kh8GXYOYjMQs3BoCy-Tw_wcB The only difference between that 50's one and the one I got is the finish, and that one is basswood, whereas mine was alder. Fender Japan tend to do basswood for solid colour finishes, but also on some higher end versions of the same bass, like the FSR 60s bass. It's quite a good idea really - doing the same bass, just one with a cheaper wood, and a more expensive with a better wood.
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I've just received one of the Fender Japan Classic Exclusive 50's P basses (will post pics shortly), which is exclusive to Japan, but part of this new range they're doing. There are only 2 of the basses from the range they're selling in the UK, the ones you mention. I ordered mine through Ishibashi. In short, it's the best P bass I've ever played. Better than the Fender Road worn or 50s series basses, better than an American standard, and really better than some vintage Ps i've played. The neck is incredible, the pickups sound great, and the whole bass is wonderfully finished. Although it may purely be down to it matching my particular tastes (7.25 radius, slim but wide profile neck, vintage frets etc) it really has been finished off superbly. Looking at the 60s model, it looks like a similar overall profile to the 50's bass, and similar level of finishing, albeit different colours and neck woods. I'd recommend getting anything out of this new line from Japan. It's excellent stuff.
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Hi I've got some brand new P bass pickups for sale. They're off a Fender Japan Exclusive classic 57 P bass I just imported new through Ishibashi. It's not available in the UK (only the white basswood one is, not the sunburst alder model). They've been played once, at home, then subbed out for Aguilar Hot pups. There's absolutely nothing wrong with them and the sound amazing, I was just really wanted to try the Aguilars. They're described as US made vintage pickups. I've read that previously, this has sometimes meant they're made in Japan to US spec. It may be different on this occasion, as they're labelled as US pickups. £40 inc postage. Thanks
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Have pulled the trigger on some Aguilar Hot Ps. Fingers crossed they're everything I hope for and more!
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Hi I'm looking for some vintage hot style p-bass pickups. Basically nothing too modern sounding, and with growl when pushed and a nice chunky sound. Something that could handle motown with the tone and volume rolled off, but Live at Leeds when up full. I've already got some SD QPBs in another bass, so they're out. I was considering the Bareknuckle '58 pickups as they seem to have a decent output, but haven't read glowing reviews of them. The other options are the Kent Armstrong hot vintage pickups, but their output seems fairly low for a hot pickup. The Aguilar hot P-bass set seem to be leading the way at the moment. Anyone got any experience or advice? Thanks
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BADASS BASS II Bridge
TPTroll replied to drums1977's topic in Accessories & Other Musically Related Items For Sale
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Thanks, noted. Does anyone store their basses in the attic?
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Hi Space is at a bit of a premium at my house, and I'm looking to store some of my less precious basses in the attic. They'd be in hard cases, and near the entrance to the loft. Loft is partly insulated not the roof section, just the bottom. Is this an absolute no no, or given how mild our climate is getting, ok? I know I'd have to slacken strings while in storage, store flat, and let them settle once back in the house. Thanks
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That bass collection bass is not even close to a tribute! The original bass was a slab body and alder. There one is contoured and basswood. So one of the major components is completely wrong. That is so very lazy. It was also only salmon pink right at the end. He had it refinished fairly close to 'retiring it', when he moved on to the fenderbirds. It was sunburst for all of the important work it did like Live at Leeds and Tommy. The best look at it I've found is on the rock & roll circus performance - [url="https://www.youtube.com/watch?v=R0JHM0Q8JKQ"]https://www.youtube....h?v=R0JHM0Q8JKQ[/url] He also described the pickups he used, from the 66 slab basses, as being a bit hotter and distorting more when pushed. You'd therefore want a hot vintage voiced pickup. Bareknuckle do a 58' P pickup that's fairly good, and the kent armstrong hot vintage would probably get you close too. I've managed to sort of get the sound with an SD QPB. Also rotosounds. Nothing but rotosounds. And Cosmo, that is a superb tone.
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Hi I've previously used B2s and G2s, and I'm looking to upgrade. I've had a look at the B1on, B3 and MS60, and would be grateful for any advice on which one I should go for. What I want from the pedal is: 1. To be able to switch a patch/effect on (starting from normal signal/sound) and off mid song, like a standard stomp box; 2. To be able to switch from Patch A to Patch B (so for a solo) then back to Patch A, during a song. I've had a look, and they all seem to contain the effects I want, which are 7 band EQ, amp modelling, noisegate, drive/fuzz, octave and synths, along with a couple of extra toys. I don't really care about loopers, drum machines or recording abilities/syncing. I'm not sure about the look and plasticness of the B1on, and like the look of the B3 and MS60, but obviously the MS60 is a fair bit cheaper, which is nice, but seems to have less on the floor control abilities. What would people recommend?
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I've got a Vox Pathfinder 10w Bass practice combo for sale. 2 x 5" speakers, drive, bright button, bass, treble and master volume controls. input and headphones jacks. In good condition, not using anymore so happy to meet for collection in London during the week or Hemel Hempstead any other time. Willing to post for cost. Thanks
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Outraged at 5 strings? 4 stringers should consider 3!
TPTroll replied to julesb's topic in General Discussion
[quote name='ezbass' timestamp='1443945093' post='2878786'] Beat me to it. Sandberg did a 2 stringed one that was always at shows. [/quote] And here it is! Neck looks terrifying, like you could snap it at any moment. https://www.youtube.com/watch?v=P3iCeBAmmbo -
Nice and easy transaction, bought some tuners from him on Wednesday, and in my hands by Sat morning, well packed and in good condition.