Cliff Edge

Call them tuners if you like. Does anyone have a source for these, I have one with a damaged thread as shown in the image. 1 or a set would be welcome. Thanks.

Play stuff from the 60’s to now and you’ll get work. Loads of youngsters take up the bass wanting to play some form of heavy metal, doom whatever and similar because a bass player they saw on YouTube looked so “sick”. God knows where they think the gigs will be.

She’s Not There. The Zombies. Very distinctive repetitive bass line is the song’s signature.

The Guvnor, Nick Lowe in Brighton this coming Friday.

The Pirates, Johnny Kidds band, went on to a long career after Kidd died. John Gustafson played bass for part of that time. The Outlaws were created by Joe Meek to back Mike Berry, but he also used them to back other artists in his stable. Including Gene Vincent. Chas Hodges and Ritchie Blackmore just two of the notable members of the band which recorded several minor hit instrumentals.

Lord Rockingham’s XI. House band on the British TV show Oh Boy in the late 50’s. As such they backed most of the artists on the show. The band was notably made up of the cream of UK session musicians and a few jazz men including Benny Green. Many of them probably played on more than a few British pop records in the 50’s and 60’s. A one hit wonder with Hoots Mon and a few bubbling unders they lasted the 2 year run of Oh Boy.

Linda Ronstadt

I watched the Hollies documentary on Sky Arts last night. Interesting to watch Eric Haydock playing a 6 string Fender bass on most of the early records before moving to Precision shortly before quitting the band. Long Cool Woman in a Black dress is pure CCR.

Melody Maker ( I didn’t bother with the other comics) Radio Luxembourg and pirate radio. I would note the British pop stuff I liked, much of which was covers of US blues and early pop. Then I’d go down to South Harrow market where there was an excellent second hand record stall and buy the originals. I had a load of imported 45’s with big holes in the middle.

I’ve had TI Jazz Flats on my SR900. They played really nice, and I got the neck pretty much flat. But they didn’t sound as good as LaBella DTB flats which I’ve been using forever on other basses. YMMV of course.

Powering pedals with battery power, you need one of these https://www.amazon.co.uk/dp/B07PLKPTNC?ref_=cm_sw_r_cp_ud_dp_T1_CK8NPQ3234609584KTSD plus a power pack used to power up a phone. Gives you a pedal board with no trailing wires, and will easily power several pedals for more than your average gig. I’ve been using one for a couple of years, it’s brilliant. Oh and there is no hum or ground loop to worry about.

I lived in the Fens for 20 odd years. Could not wait to get the hell back to civilisation. 🙂

No. The Stranglers weren’t punk, they were a pop group. They just threatened to kill any promoter who didn’t pay up at the end of the gig.

Isn’t that like saying modern R&B isn’t really just pop music?

Seemingly a lot of us bass chatters in Sussex. It must be the sea air. Welcome aboard

Pardon?

By coincidence there is a thread about these on r/bass today. I’d never been aware of such a thing until now. I tend to play at the end of the fretboard and sometimes over the last few frets depending on the required tone. Something like this might be useful positioned at the end of the fretboard but most seem designed to fit between pickups so no use to me.

Way back when I started gigging there were no tuners except pitch pipes or a tuning fork. so one guitar was tuned and the others tuned up to that. In the absence of either device one guitar was tuned to itself using the 5th frets, and rest tuned to it. We were almost certainly always not at 440 but hey, we were all in tune.

Saw Tommy Emmanuel on Saturday. Quite astonishing guitar playing and very entertaining. Coming up during the year Gretchen Peters, Marty Stewart, Joe Satriani, The Blues Band, Jules Holland, Sandi Toksvig. there will no doubt be others as the year goes on.

I think anyone here is good enough. No matter who made it or how much it cost, it’s just a bass guitar.

The main difference is the attack. But with a little bit of EQ fettling and picking over the end of the fretboard works for me.

Rick Wakeman on Friday at the seaside.

Always annoys me when people talk about the fast lane and slow lane. They’re all the same, the outside lanes are the overtaking lanes. We drive on the left in this country and that’s where you should be unless overtaking.

Most guitars have always been screwed together from parts pulled from bins. However all the parts were supposed to be on the same guitar.

I was about to say similar. They have to justify the high price and bit of bent metal isn’t going to help the image.