BottomEndian

This is now sold pending the usual.

Now sold pending the usual.

Now sold pending the usual.

There's been some overseas interest on this, so it's now kind of on semi-hold while I figure out international shipping costs.

[b]***SOLD*** ***SOLD*** ***SOLD***[/b] For sale, my POG2 (that's a Polyphonic Octave Generator, in case you were wondering). The five sliders on the left allow you to mix the dry signal, one octave down, two octaves down ( gets a bit hairy on bass!), one octave up and two octaves up. The three sliders on the right control the attack rate, low-pass filter and detune applied to the effect, and the two white buttons in between let you fine tune how those things affect the dry signal too, along with the Q factor for the low-pass filter. 8 saveable presets are controlled with the left-hand footswitch and/or the big white knob up top. Tracks brilliantly all the way up and down the neck and strings, and sounds great. Quite organic and lively, and there are a ridiculous number of possibilities from this box. It just doesn't have any place in anything I'm doing at the moment, and I need to "rationalise" the pedal collection a touch. It's in excellent condition (I'd give it 8.5/10, with a few little scrapes here and there). It's been velcroed on my pedalboard for a while, but the velcro's come off with no problem. These seem to be £194 new (very specific, but Google doesn't lie!). I'm looking for [b][s]£140 delivered in the UK[/s] ***SOLD***[/b], including original box and manual, and a PSU... it's possibly not the original PSU, but they're all the same anyway.

[b]***SOLD*** ***SOLD*** ***SOLD***[/b] Up for sale, it's my Maxon CP9Pro+ compressor/limiter. [url="http://www.maxonfx.com/Nine_CP9.php"]Here's the Maxon spiel[/url], because I can't put it any better myself: [quote name=''Maxon website'']With the CP-9 Pro+, Maxon has taken one of the most lauded compression circuits of all time and placed it in one amazing little stompbox, creating the most “effective” compressor yet! More than a reissue, the CP-9 Pro+ features a completely redesigned circuit that is vastly superior to the original 1980’s model. The CP-9 Pro+ circuit is based around the patented low-noise DBX compression technology that is used in many high-end pro audio products. This circuit combines a high-quality VCA (voltage controlled amplifier) with an RMS (root mean square) sensor, providing a natural attack response while maintaining an extremely low noise floor generally not found in floor-based units. The CP-9 Pro+ has Threshold, Ratio, and Gain controls that are extremely interactive and allow for a variety of useful applications for the unit. With a maximum compression Ratio of ?:1 (no increase in output level, regardless of level) the Pro+ can be used as a limiter to balance volume levels. At medium Threshold settings a variety of compression effects from “pinched” notes to shimmering, sustained arpeggios can be achieved by simply varying the Ratio and Gain knobs. With a maximum Gain of +30 dB and Threshold set at 1:1 (no compression) the Pro+ can also be used as a clean booster to slam the front end of your amplifier or other effects units. The CP-9 Pro+ has the highest Gain available from a pedal compressor, making it possible to achieve a balanced output at any compression setting. A Reduction status LED accurately displays the degree of the compression effect for the user to see when the unit is engaged. To offer improved performance, Maxon has added their proprietary DC-DC stabilized voltage converter to this DBX-based compression circuit. The converter takes the 9 volt (+/- 4.5 volts) input power and bumps it up to 18 volts (+/- 9 volts). Operation in this voltage range provides a wider dynamic range than ordinary compressors while allowing maximum head room to prevent input distortion. This fuller frequency response makes the CP-9 Pro+ ideal for use with Bass or Keyboards as well as today’s high-gain guitar pickups and electronics. Like all Maxon 9-Series models, the CP-9 Pro+ features True Bypass Switching using a 4PDT mechanical switch, feeding your amp with direct, unaltered signal when the effect is disengaged.[/quote] And the [url="http://www.ovnilab.com/reviews/maxoncp9pro.shtml"]Ovnilab review[/url] is positively glowing, giving it "top ranking next to the Demeter and EBS". It's in tip-top condition (9.5/10, and I'm only docking half a point because it's not new -- there's not a scratch on it). It's only for sale because I'm a bit skint and it's been usurped by the TC Electronic NDY-1 compressor/gate (and only because that's got a multi-band option -- I actually prefer the Maxon to the TC's single-band mode). These are usually around £180-190 new. I'm looking for [b][s]£100 delivered in the UK[/s] ***SOLD***[/b], including original box and manual.

[b]***SOLD*** ***SOLD*** ***SOLD***[/b] Here's my DHA VT2-Twin-EQ-Std-Bass up for sale. No beating around the bush: it's a behemoth, but it's a real Swiss-Army-knife pedal. DI, EQ, two channels of valve-drive... all in one box. Left footswitch is your on/off. When it's on, the left-hand valve lights up green. Looks cool. The right footswitch is the channel selector, with the option of blue or red. Yep, you guessed it: on the blue channel, the right-hand valve lights up blue; on red, it changes to red. That valve stays lit up all the time, whether you're bypassed or not, so you can see which channel will be on when you stomp the other switch. Blue channel goes from clean to slightly crunchy. Red channel goes from slightly crunchy to balls-out drive. The initially dazzling array of controls is actually quite simple once you get your head round it (and realise the knobs are colour-coded!). Top row: input pad; blue channel gain; blue channel treble, mid & bass cut/boosts Middle row: blue channel output level; red channel output level; DI level Bottom row: red channel gain; red channel overdrive; red channel treble, mid & bass cut/boosts In and out on the left-hand side (denoted by Dave's glorious hieroglyphs). On the right-hand side, there's an XLR out for DI, along with a ground switch, with options for ground (pin 1 connected to ground), float (pin 1 disconnected), or ploat (pin 1 connected to ground via a resistor and capacitor). It's a great valve-tone-in-a-box pedal, but I'm a bit skint at the moment and I've got to "rationalise" my pedal collection a bit. For any more info, you can check out [url="http://cgi.ebay.co.uk/DHA-VT2-Twin-Std-2-channel-tube-O-D-Guitar-Bass-/310250297122"]Dave's current listing on eBay[/url], which also shows you the price for a new one: £199. Mine's in virtually as-new condition (I'd give it a 9.5/10). Rehearsals only, never been gigged, had velcro on the back for the pedalboard, but it came off no problem. I'm asking [b][s]£125 delivered in the UK[/s] ***SOLD***[/b], including 12V PSU.

[quote name='Clarky' post='975741' date='Oct 3 2010, 09:44 AM']It's 356mm x 356 mm at the front but is quite deep at 498mm. I assume there 's some tech-y explanation ( which I wouldn't understand) for it being that long.[/quote] I've assumed it's to give the box enough volume to produce the low end properly, while maintaining a small front area to stack (and look nice) with the rest of the TC cabs. I really like my RS112. Useful little compact cab with plenty of grunt.