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Buddster

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Everything posted by Buddster

  1. Yes, i think you're missing something here. He's loosing his voice, taking a 'stress' break and could barely sing the last number. https://www.theguardian.com/music/2023/jun/24/lewis-capaldi-at-glastonbury-review
  2. I'm sure James said to his roadie "you can tune it now" as he handed his bass over at the end
  3. And haven't heard any of them yet on the coverage. Even through hifi speakers.
  4. Not bass related, but backup issue related. Our drummer accidentally knocked our guitarists Les Paul off its (not that steady) stand before our gig on Saturday. Snapped the headstock at the join (inherent Les Paul weak point). Drummer was mortified. Luckily the guitarist had a spare Tele to play and was upset but ok about it. Shows the worth of a backup instrument. We're all good friends so no arguments or fist were raised.
  5. Not 100% sure, but i think pre/post is just pre/post main fader. It should keep the processing. If FOH levels are changed, you'll want foldback set to pre so it doesn't effect the foldback. Sends to effects however are set to post so if the FOH levels are changed, so is the send level. Otherwise you'll just endup with the effect return and no dry signal.
  6. It's been said already, but a tech rehursal really should be the next step. One where there's no pressure of setting up for a gig, and everyone can say what they need with time to sort it. Set up in a rehursal room as you woukd for a gig. We use the Soundcraft U24 and and IEMs (and have done for 3 years) but we just had a 'reset' of levels and spent a good couple of hours setting it up right. Myself and the drummer can both engineer live sound so we can both work the desk (and we have an engineer for gigs). We've had terrible sound before, and I agree it can be a terrible experience. And you shouldn't compromise, you just need time to sort it. The pre-gig stress time isn't the ideal place to be sorting out issues .
  7. The first one was a couple or 3 hours indoors. Then progressively longer. The penultimate one probably 24 hours or more. It takes longer each time as the oil needs to sink in (and dry) and obviously the previous coat is already there (if you see what I mean). The last coat, although touch dry in a few days will take a few weeks to fully harden. It xan then be buffed up. Yes with a rag, very light coats mind or you'll be waiting forever for it to dry. Be patient, but it's worth it.
  8. Thinking about it, what Linceed did that nitrocellulose didn't do is bring out the grain. This is the neck of my 76 jazz, and although the colour is similar, the grain is definitely more pronounced on the Linceed (as oil soaks in, nitro stays on top). It's also more satin than hi-gloss. This what I was after, so it was ok for me, but just so you know before hand. 👍
  9. This is the finish I went for on my maple neck after removing the poly. The headstock is the original as i didn't want to loose the decals. This 4 coats of boiled linced oil, aplied with a rag, allowing the previous coat to dry. I find it a much smoother feel than the poly that was there (I sanded to 800 grit). It really brought out the grain as well. I did a test sample on a piece of maple i had between the boiled Linseed, Danish Oil and Beeswax and this was the most 'vintage' look. Very pleased with the outcome.
  10. I've definitely noticed on my jazz that if they are too high they seem "overloaded", but not in a nice way. And the G can have the weird overtones mentioned above. And too low and some of the fullness is missing. I've found that there is a sweet spot and its very slightly different depending on the gauge of the strings.
  11. Doh! 🤦. Boiled Linseed, that's what I meant.
  12. I've re done a maple neck i sanded back with Burnt Linseed oil to create that effect. Worked really well. The more layers you add the more the effect. Make sure each layer is dry first though. The more layers the longer the drying time. Gave a really nice feel to play with.
  13. Love Shack. B52's. It just go round and round and round, which means i can dance to it without concentrating too much. Pump it up. Elvis Costello. September, EWF
  14. Because Jaco didn't (did he?? I have no idea 😊)
  15. Puff, the magic dragon. Peter, Paul and Mary
  16. I have a little story to tell, if you'll let me. When this was first posted for sale here, like all the comments, I just thought it was a gorgeous bass, but never attainable. Fast forward to the Bristol Guitar Show and Robin did indeed bring this along (with other beautiful guitars he'd made) to his stand. He was generous enough to let people have a play. And sure enough it was just lovely. However, at the time I didn't realise it was the same bass, and misread the thinking it was £2000. Now, normally this wouldn't even be a consideration for purchase, but my mother has just passed away and there was a small amount of money left. And so, thinking it was £2000 and there was just enough justification to buy it, headed back to Robins stand to show my brother, card in hand ready to retry and purchase. Only to reread the ticket at the correct price. Oh bugger. That was too much and the dream was cut short. So close. Fade to black. I thought, I'd just compare the one here for sale to the one at the guitar show, and low and behold, it was the same one! I hadn't realised. I forwarded a link to my brother (who understands these things) just to say I'd already coveted this bass. Fade up to a few hours ago. We have few things to sort out regards my mums passing, so a trip over to my brothers was arranged. Little did i know that this was a cover story, and as i walked into the lounge, there on the table was the bass. Also standing there was Robin who had personality driven down (and also to see the look on my face no doubt!). My brother had contacted him and arranged for him to bring it over. He'd also made up the difference from what I was prepared to pay from his share of mums money. Can't tell you how stunned I was. It's as sexy as it looks in the photos. Robin has done a great setup on it and it plays and sounds fantastic. Sorry for the long post, but I had to share the story. I'm still a little stunned tbh. And thank you again Robin. It was a pleasure to meet you and thank you so much for driving it over. I'm bloody chuffed!
  17. Like the OP, i bounced between a cassette player and a reel to reel back in 84. I made a reverb unit from a metal tool box with a speaker one end and a mic the other. To change the sound, I'd turn the mic around.
  18. That is my all time most disliked song, purely for the stupid lyrics
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