Buddster

By the light of the slivery moon. Dorris Day

The Mole hill. Bob's burgers

Four Horsemen. The Clash

Because you loved me. Celine Dion

Groove is in the heart. Deee-lite

Tumbling Down. Cockney Rebel

Baggy Trousers. The Nutty Gang

Do me. Jean Knight

Hi I've had my B1four for a while now and find it a great unit. Although most of the songs we play as a band require a fairly good clean sound, theres a couple that need a bit of drive. I have a nice saturated sound already, but aI'm trying to get a bit of edge on the higher notes (or higher frequencys) when moving up the fret board, but leave the lower end clean when moving down. Does that make sense? I can't seem to find anything that doesn't effect the whole board. It would need a control to select the split point. Not looking for a sharp change, but a gradual one. Has anyone any ideas? Thanks

Mama Used To Say. Junior

Have you got a light boy? Splodgenessabounds/The Brothers Four

Thanks! That's an image I didn't need 😏 Going Underground. The Jam

Automatic Lover.. The Vibrators

Make me smile (come up and see me ). Cockney Rebel

Firestarter. Prodigy (for us of a certain age!)

Mirror in the bathroom. The Beat

Blue Pill Blues. Early James

Fair play to you for reading up on compression and coming back to post your comment

Morning Glory. Oasis

I've recently gone down the hearing aid route, and it's made quite a difference. Dad has made some good points about reference material. I have done audio/studio work professionally since I was 18 and my hearing deteriorated over the years (also due to an infection), but found that with a built in knowledge of how things were meant to sound (and how to use eq etc) I could compensate for the loss. What I was hearing wasn't right, but i trusted that I knew what I was doing and didn't over compensate for it (ie screwing in lots of mid/treble). Definitely get hearing aids. No excuses if the missis is a professional. It'll make a big difference to your mixing (knowing what you're hearing is right).

gypsy's kissing in the wind. Badly Drawn Boy , 😂😂🤣 thats autocorrect for tyou Take away 'gypsy's' and change the k for p... I even did it with $'s for the s

I don't think there is an inbuilt compressor or noise gate (at least it's not one of the parameters you can edit). It's a reverb/delay/modulation piece of outboard gear. If its a Stereo Spread preset, there's probably phase shifting/chorus going on, widening the image. Are you listening in mono or stereo? If mono, perhaps you're only getting one side. Or, the mono is summing the stereo effect causing out of phase audio (which is used to widen the stereo image) to cancel out. If theres a slight delay, have you mixed in a dry signal or just listening to the effect? Chorus uses a modulated delay to create the effect so you maybe getting just the delayed signal. In a studio situation, this unit would normally be a piece of outbard gear, feed by an aux send and you would also have a dry signal present. Hope that helps. Download the manual and get in to the editing section, find out what's being used.

Givin the dog a bone. AC/DC

Very good 🤣 Don't know much about Arturia, but this looks a direct copy of a UREI 1176, which coincidently was my go to compression for bass.

I'm surprised they haven't implemented importing from a pic file