Boodang

Yeah, I got it made before Martin had started the bass gallery. I remember going to his workshop, in a basement if I remember, picking out the woods from what he had lying around. He even lent me a couple of basses so I could get a feel for various neck profiles.

I like the 'zero-gravity' name! And it has 3D sponge! Does look like it could comfy tho. One thing I did like about the right on strap, is that it's made in Spain which makes a change from all the made in China stuff.

Out of interest, why is that?

...or bonkers solution no.2; get some extra tension in the string by using an extended solo tuning: C#, F#, B, E, A. The upside of this, it would be fun to watch someone if they borrowed your bass!

Best way to avoid those B string overtones is to take it off, throw the awful thing in the bin and put on a high C instead!

No issues with the width at all. I have a strap which SBL did which is wider, in comparison the right on strap is just as comfy but maybe more so as being slightly narrower I'm finding it less stiff and easier to get into a comfortable position. Grips well and I like the way the length adjustment is done, very neat. It seems very well made, all round a quality strap.

Wenge and ebony.... serial number 16.

In; Galli Synthesis flats.... tone changing strings indeed! Aguilar Octamizer... a smooth to growly filter. Seamoon Funk Machine... fuuunky! Mr Black Fwonkbeta... juicy! SGFX Supa Funk.... classic funk. Out; not as much as in! EHX Spectrum Analyser... a bonkers pedal that I'm sure someone with more talent than me can make use of. Idiot box Blower.... a mental fuzz pedal. Too much for me but beautifully made and a sure fit for someone else.

Just bin the ibanez eq and put in something special... audere etc

PS v comfy and adjustable.

A lump of white plastic = bluuuhhh! Tortoiseshell = awesome, and always will!

So, two things... the MXR fuzz deluxe is apparently based on a vintage fuzz and would do you admirably (as it happens I have one for sale on BC but that's not the only reason I've suggested it... honest!). The TC Electronic spectradrive is also good, apart from the 4 band eq and toneprint compressor, it has a toneprint overdrive with loads of presets to choose from.

Little things! But they can make a big difference. Just bought my first 'right on' strap and it's so well made... loving it!

Hmmm, 'power jazz'!!! Could be a new sub-genre on spotify.

Coming from double bass I'm not put off by the radius. In fact the issue I normally have is that the radius on a bass guitar is normally too flat. I bet if you played the bass the radius would feel natural.

Sei Flamboyant.... neck joins the body at the 26th fret, very compact and no bulky neck joint.

I'm looking at G&L at the moment for this very reason. They list a bunch of options you can specify when you order and neck width is one of them as well as radius. I'm liking the jazz neck spec with a vintage 7.5" radius.

Check out the Aguilar Octamizer... it might be analogue but all the better for it. I have reviewed it in the BC effects review section with some audio clips.

So is this now a 'recommend a simple synth pedal' thread?!

Same here, just couldn't get on with the interface, either programming or presets. I actually sent Source Audio an email asking if they were going to produce a 'knob tweeking' version, to their credit they replied to my idiotic question but it was an emphatic no! They reckon it adds 2 years development time to produce a hardware version of what the software could do apart from the increase in manufacturing costs. Shame really but understandably.

... including a headache if you want to program it! Good user presets out there tho.

Also sounding like a stuck record but ..... Galli Synthesis flats (from bass direct) are low tension.

I run my jazz with traditional single coils and a series / parallel switch. In parallel you get the normal jazz sounds but in series it's a humbucker (with just one volume control as the other is bypassed / redundant at this point) and gives you a fatter sound with less highs. Quite versatile.

I bought 3 envelope filter pedals recently; the Seamoon Funk Machine is maybe a bit niche but the Solid Gold FX Supa Funk and the Mr Black Fwonkbeta are worth considering. I've reviewed them here on BC including some sound clips. The Supa Funk emphasises the 'vowel' type sounds and has some classic funk settings, the Fwonkbeta is massively thick and juicy but maybe not as versatile.

The point in your signal chain where you have defined your tone should be where the DI feed to FoH comes from. That might be from your amp but of course if, say for monitoring purposes, you want a different sound on stage to that out the PA then you're going to have to split your signal. I've now got to a stage where I get my tone from the pedal board, so the feed to the PA comes from there and my backline is just for monitoring.