philw

[quote name='neepheid' timestamp='1442146261' post='2864646']
I've had a sunburst one for a few months now. I'm a bit annoyed because I really wanted the mint green one but could only find black or burst at the time (in the EU). Distributors said they weren't getting the other finishes in, but I guess things change. Now that I can get the mint green one I'm going to sell the burst one.

Stupidly good basses for the money. The fret ends are a wee bit rough on mine but only when you go looking for them.
[/quote]

Yeah I was told the mint green wasn't coming to Europe. That's why I held off. Sorely tempted to get one now.

No need to take the neck off your lovely new bass if you're not confident about doing it Darren. I reckon one of us tinkerers will finally take the plunge and buy a Talman partly in order to see if a Fender neck will fit. 62mm at the last fret sounds not too far off.

P

[quote name='alyctes' timestamp='1442081622' post='2864331']
Indeed. Could we persuade the OP to do some measuring, please?
[/quote]

Yes, we'd need neck pocket width and length and probably distance from the end of the neck to the bridge (looks to me like a standard 5-screw BBOT bridge). Looking at the pictures on the Thomann website the neck fixing screws don't appear to be at Fender standard spacing but that needn't be a huge problem.

P

I wonder if a Fender neck could be persuaded to fit? I'd buy a green Talman tomorrow if I thought the spare maple fingerboard Squire neck I have lying around would go on it.

This is just absurd value for money:

https://www.thomann.de/gb/ibanez_tmb100_mgr_talman_bass.htm

£158!

P

In my experience manufacturers of all sorts of products use labels and other marks to track the identity of component parts - doing so is vital for stock control, quality assurance, change control and general manufacturing management. In many plastic injection moulded or metallic cast parts for example you'll see the part number moulded in. So your Stingray label is almost certainly one used for internal manufacturing process control. As to what it means, who knows. It was important at the time the instrument was built but probably of no significance afterwards.

Same with the neck and body having different date stamps. It's all about the manufacturing process. Almost certainly, necks and bodies are made on different lines, after which they'll be held in stock till needed. When an order is received to build a bass, a body and a neck will be brought out of stock and bolted together on the assembly line. So there'd be nothing odd at all about the body and neck having different date stamps.

P

Shame you didn't get on with it. I'm sure it'll find a home though. It's too nice a bass hang around unloved.

P

Lovely. Don't see those very often. A fretless one would have my heart pumping too.

Anybody else noticed this?

http://thebassgallery.com/pro-iie.html

Not only does the bass have a headstock shape I've not seen before, at £2k it looks a bit of a steal.

P

All,

I'm clearing some clutter, so the pile of 20 or so old (but relatively recent) copies of Sound On Sound and the 50 or so copies of Resolution Magazine need to go. They'll be heading for recycling very soon unless anybody wants them. Collect from Kemptown area.

Phil

I love that image Trevor. Particularly like the "Paul - Clash" entry. I bet there's no surname because Pete didn't get/couldn't spell, "Simonon". :-)

P

I played one once, but it was some time ago. From what I remember the Omnibass has double bass kind of dimensions to its neck, however, comparing it with any kind of electric bass neck is a little misleading 'cause it has a fingerboard radius that enables it to be played arco (at which is sounds uniquely fabulous). You really have to go and try one.

Phil

PS. The Omnibass, like pretty much anything that comes from the mind of Ned Steinberger, is a fabulous thing and if I had won the lottery yesterday one would have been well up my list of immediate purchases.

Martin Sims made me a very nice custom scratchplate not long ago and I'm sure he'll make you one too.

http://www.simscustom.com/html/home.htm

About £45 I seem to remember.

P

Lovely looking Wal. Mine, from May 1983, could be its fretless sibling.

Have to say though I never quite get the concept of a Wal and, "not getting used" :-)

GLWS

Thanks Fretmeister. Now I'm wondering if the anchor plate on the NXT is dimensionally the same as the one on the CR4. I suspect there's no option but to take a string off the DB and try it on the CR$.

P

All,

I recently put some [color=#282828][font=helvetica, arial, sans-serif]Spirocore Lights on my DB (following suggestions in an earlier thread). I really like them and now of course I fancy a set on my NS CR4 EUB (currently fitted with the NS/D'Addario "traditional" strings). Thing is though I wonder if they'll fit in terms of their length. I've a feeling I need to buy 4/4 length. Before I whip one off the double bass and try it on the EUB, has anybody else been down this route?[/font][/color]

[color=#282828][font=helvetica, arial, sans-serif]Phil[/font][/color]

Still available so here's a Sunday bump.

[quote name='alyctes' timestamp='1437951708' post='2830368']
It's a genuine inspiration. Seriously.
[/quote]

That's really kind of you. I'm very lucky to be in a band fronted by a really great songwriter and with a bunch of talented, sensitive and almost entirely ego-free musicians (all of whom are young enough to be my kids :-).

[quote name='tom1946' timestamp='1437934107' post='2830177']
Whale song is epic, well done all of you! Is that a posted price?
[/quote]

Yes Tom, could well be the posted price. Depends on where I'm posting too, but as I say in the OP, I'm basically open to offers.

P

Bump for finding another version of Whale Song featuring the bass (well, the orange version of it).

https://www.youtube.com/watch?v=9nU5j3ea_54

[quote name='BassBunny' timestamp='1437735427' post='2828594']
Here you go.
[/quote]

Marvellous!

Ta
p

http://www.guitar-bass.net/features/private-collections-nick-smith-bass-desires/

Is Nick Smith one of us?

P

[quote name='CamdenRob' timestamp='1437721725' post='2828421']
I've never really got on with VVT.

I like to keep a little volume back on the bass to quickly dial in during parts where the guitarist gets over excited and that's not really possible on a VVT without changing the tone.

It's fine for "set and forget" stuff but if you need to make adjustments on the fly it's not really the ideal setup IMO.
[/quote]

Exactly!

I've just bought myself a lovely Squire VM PJ Precision (Lake Placid Blue now you asked), but as ever, I don't really get on with Vol/Vol/Tone. I'd much prefer Vol/Blend/Tone.

I'd be perfectly able to do a mod, but I could do with a circuit diagram and some pot suggestions. Anybody know where I'd find such a thing?

Phil

[quote name='LukeFRC' timestamp='1437585473' post='2827329']
just found this - you've an orange one too! [url="https://www.youtube.com/watch?v=xR8I0uSSpFI"]https://www.youtube....h?v=xR8I0uSSpFI[/url]
[/quote]

LOL. No, I swapped the fretless neck over to the blue one. I'm keeping the orange BEX4 as the fretted one.

Thanks for the comments about the band. I'm 'just' the bass player - Ben, the singer/guitarist, writes all the songs. He's not half bad at it too. Lots more here: www.thegalleons.com and on Spotify etc.

Francis bought some DB strings from me. A perfect transaction with a perfect gent.