wateroftyne

^^^ actually, the gain settings on the above photo tells a story. Both were set to pretty much the same volume - the output on the WB-100 is maxxed (as Leszek suggested) but as you can see, the input is barely ticking over.

So yes, anyway - this was today... The songs are coming together, so I had a bit of time to do some A/B-ing. Basically, as they have the same pre, the characteristics are the same - the richness & clarity. But the WB-100 is bigger and 'bloomier', whereas the R-400 is more focussed. So no surprises there, then...

Once I'm done with it, and assuming Mrs. WoT doesn't give in, we'll work on a road trip for it :-)

Yeah.... I used an RH450 for a year or so a while back. The WB-100 is in a different world. It's just there. Big, fat notes. I'm not going to use the word 'heft'. Oh, bugger. I just used the word 'heft'.

Hmm.. I imagine if you want insanely loud and clean, it's probably not for you...

Hello! Good question. Leszek suggested I just leave it opened up, so that's what I've done. I can only think this thinks I play in insanely loud bands. ha ha. In the distortion clip above, the first clean section is already turned up louder than it was in the rehearsal - and that's in a big room with full brass. I'd expected it to distort then, and I was surprised when it stayed clean. I had to crank it even more to get it hitting pretty hard, but even then there was still a long way to go on the input gain. I'll have better idea today as I'm A/Bing it with the R-400, and I know where that's usually set around gig volume.

That's rehearsal day 2 over with. A long one, but we got loads done with the brass section and vocals, and a couple of special guests. The set list is eclectic to say the least. Here's some day #2 photos. I'm not in any of them, 'cos I took them... https://www.sundayforsammy.org/sunday-for-sammy-2018-access-all-areas/blog/band-rehearsals-day-two

There'll be a mic on the cab on the day, I think.

A couple of people have asked about the distortion on this amp, so a spent a couple of minutes after today's rehearsal to make a quick clip. I rarely if every use distortion, so I'm no judge. Bear in mind that this was incredibly loud. For 120w, this amp has a lot of headroom before it gets dirty! I could have backed off the output to bring it in earlier, but... I forgot.

Here’s a pic of my pedalboard and chord charts... :-D

It’s just something that happens. It happened to me with PMT recently.

First rehearsal today - six hours' worth. It was loads of fun. The show's being shot for DVD, so everything has to be spot-on. We've got a week in the rehearsal hall, so we'll have the monitor mixes pretty much there by the weekend, so hopefully the check in the arena will mostly be tweaking stuff. The band is great.. the drummer's from Lindisfarne, the keyboard player's from Dire Straits, the other keyboard player and sax player are from The 1975's live band, the guitarist was a touring member of The Arctic Monkeys, and one of our vocalists sang on 'I Would Do Anything For Love' with Meat Loaf. And then there's me. I daren't pinch myself. Loads of pics here: https://www.sundayforsammy.org/sunday-for-sammy-2018-access-all-areas

Just had a six-hour rehearsal with it today. MY GOD... the notes are massive. Some of the tunes are old-school P-and-flats, others are rounds and growl, and it just responds beautifully. It's beautiful. Can't wait for tomorrow.

That logo, though.. it's one step away from Comic Sans.

More pics, just 'cos the sun finally came out...

Okey doke - I'll suggest it to him :-)

That would be a good idea - I'll mention it to Leszek. Are you volunteering to babysit it?

OK.. in that case, how far back do you want to go?

Here's some more pics. LPB is a really tricky colour to capture...

There's some horrors out there. ...and the winner of of the 'Most hideous headstock decal' award:

I think he's into production now, but I'm not sure.. Here's a bit of noodling from this afternoon...

Boom! NBD thread here.

Well lookie what landed today! So... this is a Limelight Precision, with a '67 spec in a light-relic LPB finish. I ordered it last year, and had a good chat with the - extremely pleasant - Mark at Limelight to discuss the spec and the level of relic'ing. I wanted the finish to be a little more muted, so it glows a bit more, and he's obliged. It's a nice weight, less than 9lbs, helped by the Gotoh Res-o-Lites, which bumped the cost up a little more. I've just put proper strings on it (it came with fairly light rounds), and it sounds just like I'd hoped. A really nice P... and it cost significantly less than a Fender Roadworn MIM. I'm about to start a solid week of rehearsals, so lots of time to give it a run out. Happy days!

OK... just had another blast on it, and I can confirm there's no LEDs - it's just the long exposure. In reality, the valves just glow gently :-)

One word... massive. I was instantly reminded how tactile valve heads are. Here's a really crappy vid I've thrown together tonight. The camera mic is terrible, so please don't pay too much attention to it. Also, I was so giddy with excitement I forgot to play anything useful. ha ha.